Page 331 - Weiss, Jernej, ur./ed. 2021. Opereta med obema svetovnima vojnama ▪︎ Operetta between the Two World Wars. Koper/Ljubljana: Založba Univerze na Primorskem in Festival Ljubljana. Studia musicologica Labacensia, 5
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er etta between the two wor ld wars at the oper a of the national theatr e in mar ibor
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5
4
3
2
1
0
111111111111111111111999999999999999999999333333323223322222122987354726806194520913/////////////////////433333322333222322222084956782319731506042
SLO - MB FOREIGN - MB
Graph 2: Number of premieres of foreign and Slovene operettas at the National Theatre in
Maribor between the wars.
posers and 94 by foreign composers).15 The predominance of foreign oper-
ettas over those by Slovene composers is shown in Graph 2.
Among the most frequently performed operettas by foreign composers
(in terms of the number of repeat performances) at the National Theatre in
Maribor, we find the following titles (see Table 2):
Table 2: Most frequently performed foreign operettas (in terms of number of repeat
performances) at the National Theatre in Maribor between the wars.
Most frequently performed foreign operettas Number of repeat performances
at the National Theatre in Maribor
48
Kálmán: Gräfin Mariza 45
Strauss: Der Zigeunerbaron 39
Nedbal: Polenblut 37
Granichstaedten: Der Orlow 34
Kálmán: Die Csárdásfürstin 33
Fall: Der fidele Bauer 33
Lehár: Das Land des Lächelns
15 Matej Svetel, ed., Repertoar slovenskega narodnega gledališča Maribor 1919–2004:
drama, opera, balet (Maribor: Slovensko narodno gledališče, 2004). See also: Mo-
ravec, Repertoar slovenskih gledališč 1867–1967 and Smiljana Lunić, “Repertoarne
smernice opere in baleta SNG Maribor med letoma 1919 in 2011” (master´s thesis,
University of Maribor, 2011).
329
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5
4
3
2
1
0
111111111111111111111999999999999999999999333333323223322222122987354726806194520913/////////////////////433333322333222322222084956782319731506042
SLO - MB FOREIGN - MB
Graph 2: Number of premieres of foreign and Slovene operettas at the National Theatre in
Maribor between the wars.
posers and 94 by foreign composers).15 The predominance of foreign oper-
ettas over those by Slovene composers is shown in Graph 2.
Among the most frequently performed operettas by foreign composers
(in terms of the number of repeat performances) at the National Theatre in
Maribor, we find the following titles (see Table 2):
Table 2: Most frequently performed foreign operettas (in terms of number of repeat
performances) at the National Theatre in Maribor between the wars.
Most frequently performed foreign operettas Number of repeat performances
at the National Theatre in Maribor
48
Kálmán: Gräfin Mariza 45
Strauss: Der Zigeunerbaron 39
Nedbal: Polenblut 37
Granichstaedten: Der Orlow 34
Kálmán: Die Csárdásfürstin 33
Fall: Der fidele Bauer 33
Lehár: Das Land des Lächelns
15 Matej Svetel, ed., Repertoar slovenskega narodnega gledališča Maribor 1919–2004:
drama, opera, balet (Maribor: Slovensko narodno gledališče, 2004). See also: Mo-
ravec, Repertoar slovenskih gledališč 1867–1967 and Smiljana Lunić, “Repertoarne
smernice opere in baleta SNG Maribor med letoma 1919 in 2011” (master´s thesis,
University of Maribor, 2011).
329
