Page 194 - Weiss, Jernej, ur./ed. 2023. Glasbena društva v dolgem 19. stoletju: med ljubiteljsko in profesionalno kulturo ▪︎ Music societies in the long 19th century: Between amateur and professional culture. Koper/Ljubljana: Založba Univerze na Primorskem in Festival Ljubljana. Studia musicologica Labacensia, 6
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glasbena društva v dolgem 19. stoletju: med ljubiteljsko in profesionalno kulturo
Periodicals
Colles, H. C. “Sir Edward Elgar’s Symphony.” The Musical Times 49, no. 790
(1908): 778–80. https://doi.org/10.2307/907822.
Legge, Robin H. “Charles Hubert Hastings Parry. Born: February 27, 1848.
Died: October 7, 1918.” The Musical Times 59, no. 909 (1 November 1918):
489–91. http://www.jstor.org/stable/908703.
Macfarren, George Alexander. “Cipriani Potter: His Life and Work.” Proceed
ings of the Musical Association, 10th Sess. (1883–1884): 41–56.
Mann, Joseph Arthur. “Nineteenth-century music criticism and the case of
James William Davison.” The Musical Times 157, no. 1936 (Autumn 2016):
89–103. http://www.jstor.org/stable/44862539.
Moore, Jerrold Northrop. “The Enigma Solution.” The Sunday Telegraph, No-
vember 3, 1991.
Schaarwächter, Jürgen. “Chasing a Myth and a Legend: The British Musical
Renaissance in a Peter, Philip Henry. The Life and Work of Cipriani Potter
(1792–1871). Ann Arbor: University Microfilms, 1972.
Temperley, Nicholas. “Review of Charles Reid: The Music Monster: a Biography
of James William Davison.” The Musical Times 126, no. 1707 (May 1985):
285. https://doi.org/10.2307/961308.
Temperley, Nicholas. “William Sterndale Bennett: Imitator or Original?” Nine
teenth-Century Music Review 13, no. 2 (December 2016): 173–93.
Wright, David. “The South Kensington Music Schools and the Development of
the British Conservatoire in the Late Nineteenth Century.” Journal of the
Royal Musical Association 130, no. 2 (2005): 236–82. http://www.jstor.org/
stable/3557473.
192
Periodicals
Colles, H. C. “Sir Edward Elgar’s Symphony.” The Musical Times 49, no. 790
(1908): 778–80. https://doi.org/10.2307/907822.
Legge, Robin H. “Charles Hubert Hastings Parry. Born: February 27, 1848.
Died: October 7, 1918.” The Musical Times 59, no. 909 (1 November 1918):
489–91. http://www.jstor.org/stable/908703.
Macfarren, George Alexander. “Cipriani Potter: His Life and Work.” Proceed
ings of the Musical Association, 10th Sess. (1883–1884): 41–56.
Mann, Joseph Arthur. “Nineteenth-century music criticism and the case of
James William Davison.” The Musical Times 157, no. 1936 (Autumn 2016):
89–103. http://www.jstor.org/stable/44862539.
Moore, Jerrold Northrop. “The Enigma Solution.” The Sunday Telegraph, No-
vember 3, 1991.
Schaarwächter, Jürgen. “Chasing a Myth and a Legend: The British Musical
Renaissance in a Peter, Philip Henry. The Life and Work of Cipriani Potter
(1792–1871). Ann Arbor: University Microfilms, 1972.
Temperley, Nicholas. “Review of Charles Reid: The Music Monster: a Biography
of James William Davison.” The Musical Times 126, no. 1707 (May 1985):
285. https://doi.org/10.2307/961308.
Temperley, Nicholas. “William Sterndale Bennett: Imitator or Original?” Nine
teenth-Century Music Review 13, no. 2 (December 2016): 173–93.
Wright, David. “The South Kensington Music Schools and the Development of
the British Conservatoire in the Late Nineteenth Century.” Journal of the
Royal Musical Association 130, no. 2 (2005): 236–82. http://www.jstor.org/
stable/3557473.
192
