Page 136 - Weiss, Jernej, ur./ed. 2026 Skladateljska društva nekoč in danes.../Composers’ Societies Past and Present...

Skladateljska društva nekoč in danes | Composers’ Societies Past and Present
wider networks and organisations – such as the SCA – that mediated the
profession, negotiated rights, and shaped the conditions of film music’s cre-
ation and circulation.

Bibliography

Archival Sources
Margaret Herrick Library (MHL), Paramount Pictures Contract Summaries.
Margaret Herrick Library (MHL), Screen Composers Association (SCA)
Collection.
US-AUS, David O. Selznick Collection.
US-NYp, National Association of American Composers and Conductors
(NAACC) Records.
US-Wc, Erich Wolfgang Korngold Collection.

Literature
Fortmueller, Kate, and Luci Marzola, eds. Hollywood Unions. New Brunswick:
Rutgers University Press, 2024.
Kraft, James P. Stage to Studio: Musicians and the Sound Revolution, 1890–1950.
Baltimore and London: Johns Hopkins University Press, 1996.
Marcus, Kenneth H. Schoenberg and Hollywood Modernism. Cambridge:
Cambridge University Press, 2015.
McCarty, Clifford. Film Composers in America: A Checklist of Their Work. New
York: Valentine, 1953.
Platte, Nathan. Making Music in Selznick’s Hollywood. New York: Oxford
University Press, 2017.
Reis, Clair R. Composers, Conductors and Critics. New York: Oxford University
Press, 1955.
Sergi, Gianluca. “Organizing Sound: Labour Organizations and Power
Struggles that Helped Define Music and Sound in Hollywood.” In The
Palgrave Handbook of Sound Design and Music in Screen Media: Integrated
Soundtracks, edited by Liz Greene and Danijela Kulezic-Wilson, 43–56.
Basingstoke, Hampshire: Palgrave Macmillan, 2016. https://doi.org/10.1057
/978-1-137-51680-0_4.
Thomas, Penny. “Claire Reis: Advocate for Contemporary Music.” PhD diss.,
University of Florida, 1991.
Thomson, Virgil. The State of Music. New York: William Morrow, 1939.
Wegele, Peter. Der Filmkomponist Max Steiner (1888–1971). Vienna: Böhlau, 2024.

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