Page 115 - Weiss, Jernej, ur. 2019. Vloga nacionalnih opernih gledališč v 20. in 21. stoletju - The Role of National Opera Houses in the 20th and 21st Centuries. Koper/Ljubljana: Založba Univerze na Primorskem in Festival Ljubljana. Studia musicologica Labacensia, 3
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opera in ireland – a continuing struggle for acceptance

Appendix 3: Newly Commissioned Operas by Ireland-Based
Composers 2013–2018
– Raymond Deane (composer) / Gavin Costick (libretto), The Alma
Fetish
Dublin, 17 September 2013; Wide Open Opera
– Gerald Barry / Oscar Wilde, The Importance of Being Earnest
five performances in four cities, 26 October-9 November 2013; Wide
Open Opera
– Evangelia Rigaki / W.N. Herbert, Antimidas, or Bankers in Hades
Dublin, 12-14 December 2013
– Eric Sweeney / Mark Roper, The Invader
Waterford, 22-23 May; Wexford, 30 May 2014; Theatre Royal
Productions
– Evangelia Rigaki / W.N. Herbert, The Pregnant Box, Dublin, 26
September 2014
– Brian Irvine / John McIlduff, Things We Throw Away (five short
operas)
Dublin, 4-5 June 2014, 14 March 2015; Belfast, 10-11 April 2015; Wide
Open Opera
– Brian Irvine / John McIlduff, Bluebottle
Dublin, 23 November 2014; Belfast, 15 April 2015; Derry, 22 October
2015; Music Generation Wicklow / Wide Open Music
– Brian Irvine / John McIlduff, The Oldest Woman in Limerick
Limerick, 12-13 December 2014; Wide Open Opera
– Ian Wilson, The Last Siren
Cork, 29 April 2014; Theatre Development Centre, Triskel
– Andrew Synnott / John Breen, Breakdown
Dublin, 20 January 2015 (concert performance); DIT Conservatory of
Music and Drama
– Donnacha Dennehy / Enda Bates, The Last Hotel
Dublin, 27 September - 3 October 2015; Wide Open Opera
– Siobhán Cleary / Katy Hayes, Vampirella

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