Page 174 - Weiss, Jernej, ur. 2019. Vloga nacionalnih opernih gledališč v 20. in 21. stoletju - The Role of National Opera Houses in the 20th and 21st Centuries. Koper/Ljubljana: Založba Univerze na Primorskem in Festival Ljubljana. Studia musicologica Labacensia, 3
P. 174
vloga nacionalnih opernih gledališč v 20. in 21. stoletju
neity, a taste for innovation” 20. She emphasizes also a friendly working at-
mosphere, a permanent movement, anti-routine initiatives, a reduced hier-
archical structure and constant exchanges. This is exactly the case of NOA.
What is extraordinary in the case of Jonas Sakalauskas, who is the
main initiator of this new operation, is that from 1st of March of this year he
was appointed director of the Vilnius National Opera. What direction this
theatre will take remains to be seen, but it is certain that the developer of
opera start-ups, once again as in the long history of opera, will blow up the
old forms to the benefit of new ideas.
Bibliography
Adorno, Theodor W.. Le caractère fétiche dans la musique et la régression de
l’écoute. Paris: Allia, 2001.
Albéra, Philippe. “L’opéra.” In Musiques – I. Musiques du XXe siècle (dir. J.J. Nat-
tiez). Paris: Actes Sud/Cité de la musique, 2003.
Boulez, Pierre. “Sprengt die Operhäuser in die Luft!” Der Spiegel 40/1967, Spiegel
Online, 25.09.1967.
D‘Holbach, Le Baron. Lettre à une dame d’un certain âge, sur l’état présent de
l’opéra. Paris: En Arcadie, 1752.
Bosseur, Dominique et Jean-Yves. Révolutions musicales. Paris: Minerve, 1993.
Bourcier, Paul. Histoire de la danse en Occident. Paris: Seuil, 1978.
Cailloce, Laure. “C’est quoi, avoir l’esprit start-up?” Capital.fr, 10.08.2015.
ELTA. ““Naujosios dramos akcija” šįmet gali baigti savo misiją.” Delfi.lt, 14.12.2017.
“Nano Opera Manifesto.” In: 5th Contemporary opera festival NOA: New (nano)
Opera Action. Vilnius, December 19, 2012. Festival program, 2-3.
Schoenberg, Arnold. Le style et l’idée. Paris: Buchet/Chastel, 1977.
Svėrytė, Monika. “Teatro vadovas, “El Fuego” narys Jonas Sakalauskas apie meilę
Klaipėdai ir sulaužytus principus.” 15min.lt, 24.09.2017.
Venturini, Philippe. ““Only the Sound Remains”: un rêve éveillé à Garnier.” Les
Echos.fr, 24.01.2018.
20 Laure Cailloce, “C’est quoi, avoir l’esprit start-up?” Capital.fr, 10.08.2015, Accessed
15.02.2018. https://www.capital.fr/votre-carriere/c-est-quoi-avoir-l-esprit-start-up-925485.
172
neity, a taste for innovation” 20. She emphasizes also a friendly working at-
mosphere, a permanent movement, anti-routine initiatives, a reduced hier-
archical structure and constant exchanges. This is exactly the case of NOA.
What is extraordinary in the case of Jonas Sakalauskas, who is the
main initiator of this new operation, is that from 1st of March of this year he
was appointed director of the Vilnius National Opera. What direction this
theatre will take remains to be seen, but it is certain that the developer of
opera start-ups, once again as in the long history of opera, will blow up the
old forms to the benefit of new ideas.
Bibliography
Adorno, Theodor W.. Le caractère fétiche dans la musique et la régression de
l’écoute. Paris: Allia, 2001.
Albéra, Philippe. “L’opéra.” In Musiques – I. Musiques du XXe siècle (dir. J.J. Nat-
tiez). Paris: Actes Sud/Cité de la musique, 2003.
Boulez, Pierre. “Sprengt die Operhäuser in die Luft!” Der Spiegel 40/1967, Spiegel
Online, 25.09.1967.
D‘Holbach, Le Baron. Lettre à une dame d’un certain âge, sur l’état présent de
l’opéra. Paris: En Arcadie, 1752.
Bosseur, Dominique et Jean-Yves. Révolutions musicales. Paris: Minerve, 1993.
Bourcier, Paul. Histoire de la danse en Occident. Paris: Seuil, 1978.
Cailloce, Laure. “C’est quoi, avoir l’esprit start-up?” Capital.fr, 10.08.2015.
ELTA. ““Naujosios dramos akcija” šįmet gali baigti savo misiją.” Delfi.lt, 14.12.2017.
“Nano Opera Manifesto.” In: 5th Contemporary opera festival NOA: New (nano)
Opera Action. Vilnius, December 19, 2012. Festival program, 2-3.
Schoenberg, Arnold. Le style et l’idée. Paris: Buchet/Chastel, 1977.
Svėrytė, Monika. “Teatro vadovas, “El Fuego” narys Jonas Sakalauskas apie meilę
Klaipėdai ir sulaužytus principus.” 15min.lt, 24.09.2017.
Venturini, Philippe. ““Only the Sound Remains”: un rêve éveillé à Garnier.” Les
Echos.fr, 24.01.2018.
20 Laure Cailloce, “C’est quoi, avoir l’esprit start-up?” Capital.fr, 10.08.2015, Accessed
15.02.2018. https://www.capital.fr/votre-carriere/c-est-quoi-avoir-l-esprit-start-up-925485.
172
