Page 232 - Weiss, Jernej, ur. 2019. Vloga nacionalnih opernih gledališč v 20. in 21. stoletju - The Role of National Opera Houses in the 20th and 21st Centuries. Koper/Ljubljana: Založba Univerze na Primorskem in Festival Ljubljana. Studia musicologica Labacensia, 3
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vloga nacionalnih opernih gledališč v 20. in 21. stoletju
Kuhač, Franjo Ksaver. “Sachliche Einleitung zur der Sammlung südslavischer
Volkslieder.” Agramer Zeitung 48 (1873): 194–202.
Mandić, Josip. “Glazba: nekoliko refleksija.” Jadran 3–5 (1903).
“Music Migrations from the Bohemian Lands to Trieste and the National Awak-
ening of the Southern Slavs.” In Music Migration in the Early Modern Age:
Centres, Peripheries – People, Works, Styles, Paths of Dissemination and In-
fluence, ed. Jolanta Guzy-Pasiak, and Aneta Markuszewska. Warsaw: Liber
pro Arte, 2016, 323–35.
“Nova glazbena struja njemačka i sadašnji talijanski kompozitori.” Zagreb, 1892.
Radole, Giuseppe. Ricerche sulla vita musicale a Trieste (1750-1950). Trieste: Sve-
vo, 1988.
Le scuole musicali a Trieste e il Conservatorio Giuseppe Tartini. Trieste: Svevo, 1992.
Rojc, Aleksander. Cultura musicale degli sloveni a Trieste: dal 1848 all’avvento del
fascismo. Trieste: Editoriale Stampa Triestina, 1978.
Schumann, Robert. Gesammelte Schriften über Musik und Musiker von Robert
Schumann. Leipzig: Georg Wigand, 1854.
Torchi, Luigi. Richard Wagner: studio critico. Bologna: Zanichelli, 1890.
Torrefranca, Fausto. Giacomo Puccini e l’opera internazionale. Torino: Bocca, 1912.
“Trsćanska izložba.” Vijenac 14, no. 36 (1882): 583, no. 37: 590–3, no 38: 612–15.
Tuksar, Stanislav. “‘Die Geburt der Musik aus dem Geiste des Volkes’: The Con-
struction of the Idea of National Music in Franjo Ksaver Kuhač’s (1834–1911)
Historiography - Slavic vs. German vs. Italian.” Musica e Storia 12, no. 3
(2004): 563–90.
230
Kuhač, Franjo Ksaver. “Sachliche Einleitung zur der Sammlung südslavischer
Volkslieder.” Agramer Zeitung 48 (1873): 194–202.
Mandić, Josip. “Glazba: nekoliko refleksija.” Jadran 3–5 (1903).
“Music Migrations from the Bohemian Lands to Trieste and the National Awak-
ening of the Southern Slavs.” In Music Migration in the Early Modern Age:
Centres, Peripheries – People, Works, Styles, Paths of Dissemination and In-
fluence, ed. Jolanta Guzy-Pasiak, and Aneta Markuszewska. Warsaw: Liber
pro Arte, 2016, 323–35.
“Nova glazbena struja njemačka i sadašnji talijanski kompozitori.” Zagreb, 1892.
Radole, Giuseppe. Ricerche sulla vita musicale a Trieste (1750-1950). Trieste: Sve-
vo, 1988.
Le scuole musicali a Trieste e il Conservatorio Giuseppe Tartini. Trieste: Svevo, 1992.
Rojc, Aleksander. Cultura musicale degli sloveni a Trieste: dal 1848 all’avvento del
fascismo. Trieste: Editoriale Stampa Triestina, 1978.
Schumann, Robert. Gesammelte Schriften über Musik und Musiker von Robert
Schumann. Leipzig: Georg Wigand, 1854.
Torchi, Luigi. Richard Wagner: studio critico. Bologna: Zanichelli, 1890.
Torrefranca, Fausto. Giacomo Puccini e l’opera internazionale. Torino: Bocca, 1912.
“Trsćanska izložba.” Vijenac 14, no. 36 (1882): 583, no. 37: 590–3, no 38: 612–15.
Tuksar, Stanislav. “‘Die Geburt der Musik aus dem Geiste des Volkes’: The Con-
struction of the Idea of National Music in Franjo Ksaver Kuhač’s (1834–1911)
Historiography - Slavic vs. German vs. Italian.” Musica e Storia 12, no. 3
(2004): 563–90.
230
