Page 105 - Weiss, Jernej, ur. 2020. Konservatoriji: profesionalizacija in specializacija glasbenega dela ▪︎ The conservatories: professionalisation and specialisation of musical activity. Koper/Ljubljana: Založba Univerze na Primorskem in Festival Ljubljana. Studia musicologica Labacensia, 4
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in the shadow of parry, stanford and mackenzie ...
Academy of Music to equip themselves properly with sympathetic staff who
were capable of presenting the now commonly accepted face of Europe-
an modernism. Eventually Peter Maxwell Davies became part of the Brit-
ish musical establishment, being appointed to be the Master of the Queen’s
Music for ten years from 2004, an honour that could hardly have been ex-
pected when he was a student himself of one of Stanford’s own students.
Bibliography
Anon. “Royal College of Music.” The Musical Times and Singing Class Circular 24,
no. 484 (1 June 1883): 309–310.
Anon. “The Proposed College for Music.” The Musical Times and Singing Class
Circular 23, no. 467 (1 January 1882): 17–18.
Anon. “The Royal Academy of Music.” The Musical Times and Singing Class Circu-
lar 52, no. 822 (1 August 1911): 505–507.
Barlow, Michael. Whom the Gods Love. London: Toccata Press, 1997.
Britten, Benjamin. “Early Influences: a Tribute to Frank Bridge” (1879–1941). Lon-
don: BBC Broadcast Talk, 9 January 1966.
Corder, Frederick. “Some Plain Words.” The Musical Times 59, no. 899 (1 January
1918), 7–10, https://doi.org/10.2307/908741.
Dibble, Jeremy. C. Hubert H. Parry: His Life and Music. Oxford: Clarendon Press,
1992.
Dibble, Jeremy. “Parry.” In The New Grove Dictionary of Music and Musicians. Vol.
19. Edited by Stanley Sadie, 152–57. London: Macmillan, 2001.
Dibble, Jeremy. “Stanford.” In The New Grove Dictionary of Music and Musicians.
Vol. 24. Edited by Stanley Sadie, 278–85. London: Macmillan, 2001.
Dibble, Jeremy. Charles Villiers Stanford: Man and Musician. Oxford: Oxford Uni-
versity Press, 2002.
Evans, Peter. The Music of Benjamin Britten. London: Dent, 1979.
Harries, Meirion and Susie. A Pilgrim Soul. The Life and Work of Elisabeth Lutyens.
London: Michael Joseph, 1989.
Huss, Fabian. The Music of Frank Bridge. Woodbridge, UK: Boydell Press, 2015.
Jones, Nicholas. “Peter Maxwell Davies in the 1950s: a conversation with the com-
poser.” Tempo 64, no. 254 (October 2010): 11–19.
Kolneder, Walter. Anton Webern: an Introduction to his Works. London: Faber,
1968.
Lambert, Constant. Music Ho! 2nd ed. London: Faber, 1934. Reprint, London:
Hogarth Press, 1985.
Legge, Robin H. The Musical Times 59, no. 909 (1 November 1918): 489–91.
103
Academy of Music to equip themselves properly with sympathetic staff who
were capable of presenting the now commonly accepted face of Europe-
an modernism. Eventually Peter Maxwell Davies became part of the Brit-
ish musical establishment, being appointed to be the Master of the Queen’s
Music for ten years from 2004, an honour that could hardly have been ex-
pected when he was a student himself of one of Stanford’s own students.
Bibliography
Anon. “Royal College of Music.” The Musical Times and Singing Class Circular 24,
no. 484 (1 June 1883): 309–310.
Anon. “The Proposed College for Music.” The Musical Times and Singing Class
Circular 23, no. 467 (1 January 1882): 17–18.
Anon. “The Royal Academy of Music.” The Musical Times and Singing Class Circu-
lar 52, no. 822 (1 August 1911): 505–507.
Barlow, Michael. Whom the Gods Love. London: Toccata Press, 1997.
Britten, Benjamin. “Early Influences: a Tribute to Frank Bridge” (1879–1941). Lon-
don: BBC Broadcast Talk, 9 January 1966.
Corder, Frederick. “Some Plain Words.” The Musical Times 59, no. 899 (1 January
1918), 7–10, https://doi.org/10.2307/908741.
Dibble, Jeremy. C. Hubert H. Parry: His Life and Music. Oxford: Clarendon Press,
1992.
Dibble, Jeremy. “Parry.” In The New Grove Dictionary of Music and Musicians. Vol.
19. Edited by Stanley Sadie, 152–57. London: Macmillan, 2001.
Dibble, Jeremy. “Stanford.” In The New Grove Dictionary of Music and Musicians.
Vol. 24. Edited by Stanley Sadie, 278–85. London: Macmillan, 2001.
Dibble, Jeremy. Charles Villiers Stanford: Man and Musician. Oxford: Oxford Uni-
versity Press, 2002.
Evans, Peter. The Music of Benjamin Britten. London: Dent, 1979.
Harries, Meirion and Susie. A Pilgrim Soul. The Life and Work of Elisabeth Lutyens.
London: Michael Joseph, 1989.
Huss, Fabian. The Music of Frank Bridge. Woodbridge, UK: Boydell Press, 2015.
Jones, Nicholas. “Peter Maxwell Davies in the 1950s: a conversation with the com-
poser.” Tempo 64, no. 254 (October 2010): 11–19.
Kolneder, Walter. Anton Webern: an Introduction to his Works. London: Faber,
1968.
Lambert, Constant. Music Ho! 2nd ed. London: Faber, 1934. Reprint, London:
Hogarth Press, 1985.
Legge, Robin H. The Musical Times 59, no. 909 (1 November 1918): 489–91.
103
