Page 397 - Weiss, Jernej, ur. 2020. Konservatoriji: profesionalizacija in specializacija glasbenega dela ▪︎ The conservatories: professionalisation and specialisation of musical activity. Koper/Ljubljana: Založba Univerze na Primorskem in Festival Ljubljana. Studia musicologica Labacensia, 4
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io-political discourses of the development of music education ...
Surname and name Enrolled Graduated Later teaching career
Milosavljević Mileva 1940/41. 1946/47.
Triva Arsen 1941/42. 1945/46. Piano Professor at the Academy
Votrubec Sonja (Sofija) 1941/42. 1945/46. moved to Australia
Đorđević Nadežda 1941/42. 1945/46.
Šišmanović Dušica 1941/42. 1945/46. Prof. – Music School “Slavenski”
Dragić Aleksandar 1941/42. 1947/48.
Zrnić Desanka 1942/43. 1946/47. Accompanist at Secondary school
Popović Zagorka 1942/43. 1946/47.
Simonović Ivanka 1942/43. 1946/47. Piano prof. at Secondary school
Jovanović Kosara 1942/43. 1948/49. Accompanist at the Academy
Živković Mirjana 1942/43. 1948/49.
Mokranjac Vasilije 1942/43. 1948/49. Composer, Prof. at the Academy
Stojanović Daroslava 1943/44. 1946/47.
Jovanović Olga 1943/44. 1947/48. Prof. – Music School “Vučković”
Daughter of Kosta Manojlović
Manojlović Gordana 1943/44. 1949/50. Piano prof. at secondary school
Prof. – Music School “Slavenski”
Petrović Miroslava 1943/44. 1949/50. Piano prof. at Secondary school
Stakić Veroslava 1943/44. 1949/50.
Tasić Dobrila 1943/44. 1949/50. Accompanist at Secondary school
Čabrić (Leandrov) Tatjana 1943/44. 1953/54.
Siber (Jorgović) Bosiljka 1944/45. 1949/50.
As to the code of conduct at the Academy, students had to adhere to
strict rules regarding their attendance and absence, the use of the library,
etc.35 Students were prohibited from booking independent public perfor-
mances, for the fear of damaging the reputation of the academy – they
needed a written permission granted by the Dean and the professor in
whose class they were studying; moreover, they were banned from writing
newspaper reviews.36 The repertoire required to be performed at the grad-
uation exam in piano during the first years of the Academy was practically
the same as it is today: it consisted of a piano recital with one or two virtu-
oso etudes, one polyphonic piece, a sonata, an important romantic piece, a
modern work and a piece by a domestic composer; plus, a concerto for pi-
ano and orchestra.37 The rules regarding the final exams were very strict:
students who failed to pass at least one exam had to repeat the entire year;
and they were only allowed to repeat the year once.38 These high standards
35 Ibid., 93–108.
36 Ibid., 94.
37 See one graduation programme reproduced at Perković, “Dva početka. Godine
1937–1957,” 28.
38 Manojlović, Muzička akademija u Beogradu, 101.
395
Surname and name Enrolled Graduated Later teaching career
Milosavljević Mileva 1940/41. 1946/47.
Triva Arsen 1941/42. 1945/46. Piano Professor at the Academy
Votrubec Sonja (Sofija) 1941/42. 1945/46. moved to Australia
Đorđević Nadežda 1941/42. 1945/46.
Šišmanović Dušica 1941/42. 1945/46. Prof. – Music School “Slavenski”
Dragić Aleksandar 1941/42. 1947/48.
Zrnić Desanka 1942/43. 1946/47. Accompanist at Secondary school
Popović Zagorka 1942/43. 1946/47.
Simonović Ivanka 1942/43. 1946/47. Piano prof. at Secondary school
Jovanović Kosara 1942/43. 1948/49. Accompanist at the Academy
Živković Mirjana 1942/43. 1948/49.
Mokranjac Vasilije 1942/43. 1948/49. Composer, Prof. at the Academy
Stojanović Daroslava 1943/44. 1946/47.
Jovanović Olga 1943/44. 1947/48. Prof. – Music School “Vučković”
Daughter of Kosta Manojlović
Manojlović Gordana 1943/44. 1949/50. Piano prof. at secondary school
Prof. – Music School “Slavenski”
Petrović Miroslava 1943/44. 1949/50. Piano prof. at Secondary school
Stakić Veroslava 1943/44. 1949/50.
Tasić Dobrila 1943/44. 1949/50. Accompanist at Secondary school
Čabrić (Leandrov) Tatjana 1943/44. 1953/54.
Siber (Jorgović) Bosiljka 1944/45. 1949/50.
As to the code of conduct at the Academy, students had to adhere to
strict rules regarding their attendance and absence, the use of the library,
etc.35 Students were prohibited from booking independent public perfor-
mances, for the fear of damaging the reputation of the academy – they
needed a written permission granted by the Dean and the professor in
whose class they were studying; moreover, they were banned from writing
newspaper reviews.36 The repertoire required to be performed at the grad-
uation exam in piano during the first years of the Academy was practically
the same as it is today: it consisted of a piano recital with one or two virtu-
oso etudes, one polyphonic piece, a sonata, an important romantic piece, a
modern work and a piece by a domestic composer; plus, a concerto for pi-
ano and orchestra.37 The rules regarding the final exams were very strict:
students who failed to pass at least one exam had to repeat the entire year;
and they were only allowed to repeat the year once.38 These high standards
35 Ibid., 93–108.
36 Ibid., 94.
37 See one graduation programme reproduced at Perković, “Dva početka. Godine
1937–1957,” 28.
38 Manojlović, Muzička akademija u Beogradu, 101.
395
