Page 166 - Weiss, Jernej, ur./ed. 2024. Glasbena kritika – nekoč in danes ▪︎ Music Criticism – Yesterday and Today. Koper/Ljubljana: Založba Univerze na Primorskem in Festival Ljubljana. Studia musicologica Labacensia, 7
P. 166
glasbena kritika – nekoč in danes | music criticism – yesterday and today
Dublin Evening Packet, November 5, 1849. Quoted in Michael Murphy, “The Mu-
sical Press in Nineteenth-Century Ireland.” In Music in Nineteenth-Century
Ireland, edited by Michael Murphy and Jan Smaczny [Irish Musical Studies
9], 271. Dublin: Four Courts Press, 2007.
Moore, Thomas. A Selection of Irish Melodies, 10 vols. Dublin: Gill and Macmil-
lan, 1808–1834.
Murphy, Michael. “The Musical Press in Nineteenth-Century Ireland.” In Music
in Nineteenth-Century Ireland, edited by Michael Murphy and Jan Smaczny
[Irish Musical Studies 9], 252–77. Dublin: Four Courts Press, 2007.
O’Donovan, Ite. “Music in Irish Periodical Literature 1770–1970.” PhD diss., Uni-
versity College Dublin, 2013.
Pine, Richard, and Charles Acton, eds. To Talent Alone: Royal Irish Academy,
1848–1998. Dublin: Gill & Macmillan, 1998.
Pine, Richard. Charles: The Life and World of Charles Acton, 1914–1999. Dublin:
The Liliput Press, 2010.
Petrie, George. The Petrie Collection of the Ancient Music of Ireland, 2 vols. Dub-
lin: The University Press, 1855.
Periodicals
“About Us.” GoldenPlec. https://www.goldenplec.com/about-us/.
“Album Reviews.” GoldenPlec. https://www.goldenplec.com/album-reviews/.
Alessandri, Elena, Dawn Rose, Olivier Senn, Katrin Szamotulski, Antonio Baldas-
sarre, and Victoria Jane Williamson. “Consumer on Critique: A Survey of
Classical Music Listeners’ Engagement with Classical Music Reviews.” Music
& Science 3 (2020): 1–19. https:/doi.org/10.1177/2059204320931337.
Alessandri, Elena, Antonio Baldassarre and Victoria Jane Williamson. “The Crit-
ic’s Voice: On the Role and Function of Criticism of Classical Music Re-
cordings.” Frontiers in Psychology 13 (2022): 1–14. https://doi.org/10.3389
/fpsyg.2022.925394.
Anon. “Morning Concert.” The Irish Times, September 22, 1860, 2.
Anon. “The Buckley’s Serenaders.” The Irish Times, September 22, 1860, 2.
Anon. “Theatre Royal – Italian Opera.” The Irish Times, September 22, 1860, 2.
Freeman, Doug. “Online Integrity: Music Criticism 2.0.” The Austin Chronicle, April
11, 2008. https://www.austinchronicle.com/daily/music/2008-04-11/611521/.
“Live Reviews.” GoldenPlec. https://www.goldenplec.com/live-reviews/.
Page, Tim. “In Memory of the Critic’s Trade.” 21CM, De Pauw University, Septem-
ber 12, 2019. https://web.archive.org/web/20200923072319/http://21cm.org/
magazine/state-of-the-art-form/2019/09/12/in-memory-of-the-critics-trade/.
166
Dublin Evening Packet, November 5, 1849. Quoted in Michael Murphy, “The Mu-
sical Press in Nineteenth-Century Ireland.” In Music in Nineteenth-Century
Ireland, edited by Michael Murphy and Jan Smaczny [Irish Musical Studies
9], 271. Dublin: Four Courts Press, 2007.
Moore, Thomas. A Selection of Irish Melodies, 10 vols. Dublin: Gill and Macmil-
lan, 1808–1834.
Murphy, Michael. “The Musical Press in Nineteenth-Century Ireland.” In Music
in Nineteenth-Century Ireland, edited by Michael Murphy and Jan Smaczny
[Irish Musical Studies 9], 252–77. Dublin: Four Courts Press, 2007.
O’Donovan, Ite. “Music in Irish Periodical Literature 1770–1970.” PhD diss., Uni-
versity College Dublin, 2013.
Pine, Richard, and Charles Acton, eds. To Talent Alone: Royal Irish Academy,
1848–1998. Dublin: Gill & Macmillan, 1998.
Pine, Richard. Charles: The Life and World of Charles Acton, 1914–1999. Dublin:
The Liliput Press, 2010.
Petrie, George. The Petrie Collection of the Ancient Music of Ireland, 2 vols. Dub-
lin: The University Press, 1855.
Periodicals
“About Us.” GoldenPlec. https://www.goldenplec.com/about-us/.
“Album Reviews.” GoldenPlec. https://www.goldenplec.com/album-reviews/.
Alessandri, Elena, Dawn Rose, Olivier Senn, Katrin Szamotulski, Antonio Baldas-
sarre, and Victoria Jane Williamson. “Consumer on Critique: A Survey of
Classical Music Listeners’ Engagement with Classical Music Reviews.” Music
& Science 3 (2020): 1–19. https:/doi.org/10.1177/2059204320931337.
Alessandri, Elena, Antonio Baldassarre and Victoria Jane Williamson. “The Crit-
ic’s Voice: On the Role and Function of Criticism of Classical Music Re-
cordings.” Frontiers in Psychology 13 (2022): 1–14. https://doi.org/10.3389
/fpsyg.2022.925394.
Anon. “Morning Concert.” The Irish Times, September 22, 1860, 2.
Anon. “The Buckley’s Serenaders.” The Irish Times, September 22, 1860, 2.
Anon. “Theatre Royal – Italian Opera.” The Irish Times, September 22, 1860, 2.
Freeman, Doug. “Online Integrity: Music Criticism 2.0.” The Austin Chronicle, April
11, 2008. https://www.austinchronicle.com/daily/music/2008-04-11/611521/.
“Live Reviews.” GoldenPlec. https://www.goldenplec.com/live-reviews/.
Page, Tim. “In Memory of the Critic’s Trade.” 21CM, De Pauw University, Septem-
ber 12, 2019. https://web.archive.org/web/20200923072319/http://21cm.org/
magazine/state-of-the-art-form/2019/09/12/in-memory-of-the-critics-trade/.
166
