Page 205 - Weiss, Jernej, ur./ed. 2026 Skladateljska društva nekoč in danes.../Composers’ Societies Past and Present...
P. 205

The Composer’s Association of Macedonia in the past and present …
            the unification of Macedonian creative potential as soon as possible was
            seen as a necessary condition for the future growth of Macedonian musical
            culture. For this purpose, in 1947 the Society of Productive and Reproduc-
                                                              6
            tive Musicians of the People’s Republic of Macedonia  joined the three piv-
            otal republican associations of composers of the Socialist Federal Republic
            of Yugoslavia (hereafter: SFRY) that were formed in 1945 (the Serbian Asso-
            ciation of Composers, the Croatian Society of Composers and the Sloveni-
            an Society of Composers).  7
                 At the founding assembly held at the premises of Radio Skopje on Jan-
            uary 19, the first management board was elected from the luminaries of
            contemporary Macedonian musical culture: Petre Bogdanov-Kočko (presi-
            dent), T. Skalovski (vice-president), Slavko Kostovski (secretary), Vasil Ќor-
            tošev (treasurer), Žifko Firfov, Vasil G´akonovski-Špato and Aleksandar Ša-
            levski (members).  8
                 The ambitious commitment and enthusiasm of the members of this
            association resulted in the realisation of the first concert of the Society of
            Productive and Reproductive Musicians of the People’s Republic of Mac-
                                            9
            edonia, held on February 5, 1947.  This concert marked the beginning of
            the concert activity of the Society, and on May 9 of the same year, the op-
            era Cavalleria Rusticana by the Italian composer Pietro Mascagni was pre-
            miered in the Macedonian language at the Macedonian National Thea-
            tre (hereafter: MNT) on an amateur basis. With this opera, directed by
            Branko Primorišac from Belgrade, under the baton of T. Skalovski and
            performed by the soloists Elisaveta Savčenko (Santuca), Milka Guševska
            (Lola), P. Bogdanov-Kočko (Turidu), Stefan Rusjakov (Alfio) and Ganka
            Atanasova-Marković (Lucia), accompanied by the choir and symphony or-
            chestra of Radio Skopje and the Student Choir,  an unexpected success
                                                          10
            was achieved in the institutional development of opera on the Macedoni-
            an stage. The further foundations of opera in Macedonia were laid with the
            Decree of the Ministry of Education  on January 1, 1948, when the opera


            6    Todor  Skalovski,  “Denes  makedonskite  muzičari  osnovuat  svoe  društvo,”  Nova
                 Makedonija, January 1947, 5.
            7    Ivana Neimarević and Ksenija Stevanović, SOKOJ – Organizacija muzičkih autora
                 Srbije: 70 godina (Beograd: Sokoj - Organizacija muzičkih autora Srbije, 2021), 18.
            8    Marko Kolovski,  Sojuz na kompozitorite na Makedonija  1947–1992:  Makedonski
                 kompozitori i muzikolozi (Skopje: Sojuz na kompozitori na Makedonija, 1993), 5–6.
            9    Ibid., 6.
            10   Marko Kolovski, “Vo spomen na eden veličestven čin,” Nova Makedonija, November
                 2017, 1–2.


                                                                              205
   200   201   202   203   204   205   206   207   208   209   210