Page 209 - Weiss, Jernej, ur./ed. 2026 Skladateljska društva nekoč in danes.../Composers’ Societies Past and Present...
P. 209

The Composer’s Association of Macedonia in the past and present …
            of this event, which is now marking five decades of existence, is the pre-
            miere performance and presentation of newly created musical works, but
            also the presentation of works by the older generation of composers in or-
            der to maintain and not forget the tradition. At present, Days of Macedo-
            nian Music represents the sole pillar for the development, nurturing, re-
            flection, presentation and affirmation of Macedonian musical creativity. Its
            realisation is under the patronage of the President of Macedonia, and it is
            financially supported by the Ministry of Culture and Tourism.
                 However, it is important to note that the most complete presentation
            of the work of Macedonian composers was achieved within the framework
            of the Tribune of Yugoslav Musical Creativity from 1964 to 1990, held in
            Opatija, Croatia. Here, Macedonian authors had the opportunity to present
            their own creative achievements and to encounter those of other compos-
            ers. During that time period, 168 new compositions by Macedonian authors
            were performed in Opatija, in which Macedonian soloists and ensem-
            bles also participated. Among them were the following: 17 compositions
            by  R.  Avramovski  (performed  in  1968,  1970–1971,  1974–1975,  1977,  1980–
            1985, 1987 and 1990); five compositions by Lj. Brang´olica (1968, 1970, 1972,
            1982 and 1984); four compositions by Dimitrije Bužarovski (1976, 1982 and
            1984); 14 compositions by S. Golabovski (1969, 1971, 1973–1975, 1977, 1980–
            1981, 1985 and 1987); nine compositions by T. Zografski (1964, 1967, 1969–
            1972, 1974); two compositions by B. Ivanovski (1972), three compositions by
            Goce Kolarovski (1982, 1984 and 1990); three compositions by T. Mančev
            (1982–1983 and 1990); two compositions by Kiril Makedonski (1964 and
            1972); two compositions by Dimče Nikoleski (1973); eight compositions by
            M. Nikolovski (1974–1975, 1978, 1980–1982 and 1984); 17 compositions by V.
            Nikolovski (1964–1966, 1970–1972, 1979, 1981, 1984–1986 and 1989); one com-
            position by Tode Novačevski (1980); 11 compositions by Dragoslav Ortak-
            ov 1966, 1968–1970, 1972–1973, 1975–1977, 1980 and 1986; 42 compositions by
            T. Prošev (1964–1971, 1973–1986); two compositions by T. Prokopiev (1972–
            1973); three compositions by T. Skalovski (1973, 1982 and 1984); 14 composi-
            tions by S. Stojkov (1971, 1978, 1980–1982, 1984–1989); five compositions by S.
            Toševski (1969–1970, 1972, 1978 and 1984); and four compositions by Blagoj
            Canev (1981–1983, 1985 and 1987).  27
                 The need for the presentation of Macedonian musical production and
            reproduction led to the organisation of another significant event within the
            framework of the Society of Composers of Macedonia. This was the annual
            27   For more information, see: Kolovski, Sojuz na kompozitorite na Makedonija, 49–59.


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