Page 291 - Vinkler, Jonatan, in Jernej Weiss. ur. 2014. Musica et Artes: ob osemdesetletnici Primoža Kureta. Koper: Založba Univerze na Primorskem.
P. 291
ms of musical architecture in polish contemporary music
Example 3. Andrzej Panufnik, Sinfonia di Sfere (London: Boosey & Hawkes, 1976), 7.
sphere. Its centre, core, is given to the piano part and the lines are defined by
the solo-treated instruments – brass instruments and symmetrically divided
percussion. Composer propose 3 different shots of dynamic space in the line
of the sphere. The beginning of the piece operates with the substantial moti-
ves in Violins I and II. It is also accented by the coloured combination of wind
instruments which is surrounded by the sounds of tuba (Example 2, p. 1).
289
Example 3. Andrzej Panufnik, Sinfonia di Sfere (London: Boosey & Hawkes, 1976), 7.
sphere. Its centre, core, is given to the piano part and the lines are defined by
the solo-treated instruments – brass instruments and symmetrically divided
percussion. Composer propose 3 different shots of dynamic space in the line
of the sphere. The beginning of the piece operates with the substantial moti-
ves in Violins I and II. It is also accented by the coloured combination of wind
instruments which is surrounded by the sounds of tuba (Example 2, p. 1).
289
