Page 295 - Vinkler, Jonatan, in Jernej Weiss. ur. 2014. Musica et Artes: ob osemdesetletnici Primoža Kureta. Koper: Založba Univerze na Primorskem.
P. 295
ms of musical architecture in polish contemporary music
Example 5. Witold Lutosławski, Łańcuch II (Chain II) (Kraków: PWM, 1996), 29.
pard de la nuit). Tremolo effect in Lutosławski’s Chain II Part fourth builds
the grand culmination (p. 97). It appears also in fast repetitions of sounds (p.
75, 86-87, 93) and reaches its smooth character in glissando effects and clusters
(p. 90) used in the process of sound space compacting. As a result the struc-
ture of vibrating and spaced tones is created and it is the priority in this part
of the piece.
In this part of Chain II, as well as in the others, there is no lack of colo-
ur connections of instrumental sounds. The most distinct one is the culmina-
tion point (no 101 p. 76 in the score). It is composed of vigorous movement of
293
Example 5. Witold Lutosławski, Łańcuch II (Chain II) (Kraków: PWM, 1996), 29.
pard de la nuit). Tremolo effect in Lutosławski’s Chain II Part fourth builds
the grand culmination (p. 97). It appears also in fast repetitions of sounds (p.
75, 86-87, 93) and reaches its smooth character in glissando effects and clusters
(p. 90) used in the process of sound space compacting. As a result the struc-
ture of vibrating and spaced tones is created and it is the priority in this part
of the piece.
In this part of Chain II, as well as in the others, there is no lack of colo-
ur connections of instrumental sounds. The most distinct one is the culmina-
tion point (no 101 p. 76 in the score). It is composed of vigorous movement of
293
