Page 46 - Weiss, Jernej, ur. 2018. Nova glasba v “novi” Evropi med obema svetovnima vojnama ?? New Music in the “New” Europe Between the Two World Wars. Koper/Ljubljana: Založba Univerze na Primorskem in Festival Ljubljana. Studia musicologica Labacensia, 2
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nova glasba v »novi« evropi med obema svetovnima vojnama
he asks her forgiveness for maligning her is when the second of the three
maestoso passages occurs. Although Šiškov is a baritone, normally notated
in the bass clef Janáček notates Filka’s reported words as if sung by a tenor.
Example 6: Janáček: From the House of the Dead, Act 3. © With kind permission by Universal
Edition A.G., Wien. www.universaledition.com
The use of maestoso comes with the words “Odpusť” [Forgive me], re-
calling a similar maestoso moment at the end of Janáček’s opera Jenůfa. The
music is intensified by recalling the healing ritornello that runs through
this monologue, associated with Akulka. These two examples have some-
44
he asks her forgiveness for maligning her is when the second of the three
maestoso passages occurs. Although Šiškov is a baritone, normally notated
in the bass clef Janáček notates Filka’s reported words as if sung by a tenor.
Example 6: Janáček: From the House of the Dead, Act 3. © With kind permission by Universal
Edition A.G., Wien. www.universaledition.com
The use of maestoso comes with the words “Odpusť” [Forgive me], re-
calling a similar maestoso moment at the end of Janáček’s opera Jenůfa. The
music is intensified by recalling the healing ritornello that runs through
this monologue, associated with Akulka. These two examples have some-
44
