Page 5 - Vinkler, Jonatan, Ana Beguš and Marcello Potocco. Eds. 2019. Ideology in the 20th Century: Studies of literary and social discourses and practices. Koper: University of Primorska Press
P. 5
Contents
Marcello Potocco, Ana Beguš, Jonatan Vinkler
9 Introduction: The Crossroads of Literature and Social Praxis
Ana Beguš
19 Genre in the Technological Remediation of Culture
24 New Genres
27 The Status of Literature in the New Media Ecosystem
28 Future Technological and Cultural Development
Tomaž Toporišič
33 Negotiating the Discursive Circulation of (Mis)Information
in the Face of Global Uncertainties: The Fiction of W. G. Sebald
and the Theatre of Oliver Frljić
33 Literature and Theatre in the Uncertainty of ‘Glocal’ Societies
34 The Special Status of Culture and Art in the Contemporary World
35 The Effect of Reality and Senseless Cruelty
37 Prose as Inner Theatre
38 The Deconstruction and Ironising of the Horizon of Expectation
39 Theatre as Learning to Watch
40 The Demolishing and Renewed Restoring of Illusions
41 Theatre as an Attempt to Erase the Amnesia of Memory
42 The Spectator as the Secondary Eyewitness
44 Art as a Glocal Societal Spectacle and the Acute Crisis of Ethics
Vladimir Gvozden
47 Fiction and Eschatology: The Politics of Fear
in Julian Barnes’ The Sense of an Ending
Marcello Potocco, Ana Beguš, Jonatan Vinkler
9 Introduction: The Crossroads of Literature and Social Praxis
Ana Beguš
19 Genre in the Technological Remediation of Culture
24 New Genres
27 The Status of Literature in the New Media Ecosystem
28 Future Technological and Cultural Development
Tomaž Toporišič
33 Negotiating the Discursive Circulation of (Mis)Information
in the Face of Global Uncertainties: The Fiction of W. G. Sebald
and the Theatre of Oliver Frljić
33 Literature and Theatre in the Uncertainty of ‘Glocal’ Societies
34 The Special Status of Culture and Art in the Contemporary World
35 The Effect of Reality and Senseless Cruelty
37 Prose as Inner Theatre
38 The Deconstruction and Ironising of the Horizon of Expectation
39 Theatre as Learning to Watch
40 The Demolishing and Renewed Restoring of Illusions
41 Theatre as an Attempt to Erase the Amnesia of Memory
42 The Spectator as the Secondary Eyewitness
44 Art as a Glocal Societal Spectacle and the Acute Crisis of Ethics
Vladimir Gvozden
47 Fiction and Eschatology: The Politics of Fear
in Julian Barnes’ The Sense of an Ending
