Page 43 - Studia Universitatis Hereditati, vol 13(1) (2025)
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Altars associated with health and disease   pathways to psychological and spiritual well-be-
               are consecrated structures used in various reli-  ing. Eliade’s analysis emphasises the importance
               gious or ceremonial traditions for the offering   of understanding health in a broader cultural
               of sacrifices. These altars serve as the centre of   and religious context. He emphasises that heal-
               rituals aimed at appeasing deities or spirits be-  ing is often seen as a holistic process that encom-
               lieved to influence health and disease. They are   passes body, mind and spirit. In this way, he il-
               often used to invoke protection from illness, ex-  luminates the ways in which religious traditions
               press gratitude for healing or ask for forgiveness   shape individuals’ perceptions of health and the
               to alleviate further illness. The plague altar is a   methods they use to heal.
               particular type of altar whose concept emphasis-  In mediaeval and Renaissance Christianity,
               es the community’s desire for divine assistance   Christian communities erected altars dedicated
               in combatting plagues and epidemics and re-  to saints associated with healing and protection,
               flects a deep spiritual connection to health and   such as St Roch or St Sebastian, during times of   43
               well-being.                                 plague. These altars were used for prayers and
                   In ancient cultures such as those of Greece   pleas for deliverance from the plague.
               and Rome, altars were often dedicated to gods   Christian communities’ most lasting evi-
               and goddesses associated with health, healing,   dence of their presence are, in particular, the
               and disease. Asclepius, the Greek god of medi-  votive  churches  built in  honour  of  the patron
               cine, for example, had sanctuaries where people   saints against plague epidemics (Atalić 2019,
               made offerings to him in order to find healing.   214).  Some  of  the  most  important  Christian
               His sanctuaries, called ‘Asklepieia’ (in Ancient   saints who are considered patron saints against   Sensory Representations of Plague
               Greek Asklepieion; in Latin aesculapīum), were   the  plague  are  St  Roch  and  St  Sebastian,  the
               places where people sought healing for illnesses.   best-known saints, but also St George, St Ed-
               According to Christopoulou-Aletra et al. (2010),   mund, St Beat, St Barbara, St Francis Xavier, St
               over 300 Asklepieia were discovered through-  Saturnin, St Coloman, St Anthony, St Aloysi-
               out ancient Greece. Among the most famous   us Gonzaga and St Rosalia. In the Christian tra-
               temples were Trikka, Epidaurus, Kos, Ath-   dition, these saints are traditionally invoked to
               ens, Corinth and Pergamon. Asclepius’ daugh-  protect against the plague. In Slovenia, there are
               ters were Hygeia (goddess of health, cleanliness   33 churches dedicated to St Roch and around 30
               and hygiene) and Panacea (a goddess of univer-  churches dedicated to St Sebastian (‘Sveti Rok
               sal remedy).                                – romar in spokornik’ n.d.). Furthermore, in
                   In indigenous and folk religious practis-  churches not dedicated to these saints, there are
               es, there were altars or sacred places dedicated   many plague altars with a combination of sever-
               to spirits or ancestors who were believed to in-  al plague saints, and there are also plague signs
               fluence health and disease. Offerings could be   dedicated to them all over the countryside and
               made at these altars or rituals performed to pro-  in towns.
               tect the community from illness. In his work The   Obviously, plague epidemics left their mark
               Sacred and The Profane: The Nature of Religion,   on art. In connection with them and other dis-
               published in 1987, Mircea Eliade explores the   eases, many works of art were created in the sev-
               complicated connections between different re-  enteenth and eighteenth centuries, both out-
               ligious practises and their effects on health and   doors and  in sacred  spaces. In the period in
               healing. He examines how different cultures   question, we can hardly find a church or parish
               incorporate spiritual rituals, beliefs and sym-  that did not have at least one plague altar or a
               bols into their concepts of well-being and sug-  depiction of one of the plague patrons (Kostan-
               gests that these practises often serve not only as   jšek Brglez 2022a, 52). Just as people in the Ba-
               a means of treating physical ailments but also as   roque period erected plague signs, churches and
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