Page 243 - Weiss, Jernej, ur./ed. 2024. Glasbena kritika – nekoč in danes ▪︎ Music Criticism – Yesterday and Today. Koper/Ljubljana: Založba Univerze na Primorskem in Festival Ljubljana. Studia musicologica Labacensia, 7
P. 243
“a cr itique of cr iticism”: an attempt to outline “mor e appropr iate” ...
Consortium musicum, in a period that saw the first stirrings of the winds
of change that in 1991 would eventually lead Slovenia to independence. The
latter event, of course, brought with it different, more liberal views of music
criticism. Along with freedom, however, certain other challenges appeared
which both musical culture and music criticism continue to face today.
Bibliography
Literature
Drnovšek, Darinka. Zapisniki politbiroja CK ZPS/ZKS 1945–1954. Ljubljana: Ar-
hivsko društvo Slovenije, 2000.
Frolova-Walker, Marina. “Socialist Realism in Music, Globally.” A Royal Musical
Association-affiliated one-day conference hosted by the University of Cam-
bridge and Universität Leipzig, July 1, 2022, virtual.
Gabrič, Aleš. Socialistična kulturna revolucija. Slovenska kulturna politika 1953–
1962. Ljubljana: Cankarjeva založba, 1995.
Klemenčič, Ivan. “Glasba in totalitarna država na Slovenskem.” In Temna stran
meseca: kratka zgodovina totalitarizma v Sloveniji 1945–1990, edited by Drago
Jančar, 321–33. Ljubljana: Nova revija, 1998.
Kumer, Zmaga. Matija Tomc. Koncert ob desetletnici zbora in v počastitev stolet-
nice rojstva Antona Aškerca. Ljubljana, 12 March 1956 [a concert programme
of the choir APZ Tone Tomšič].
Moličnik Šivic, Simona. Mladi že 80 let: Akademski pevski zbor »Tone Tomšič«.
Ljubljana: Narodna in univerzitetna knjižnica, 2006.
O’Loughlin, Niall. Novejša glasba v Sloveniji. Ljubljana: Slovenska matica, 2000.
Stefanija, Leon. “Totalitarnost režima in glasba.” In In memoriam Danilo Pokorn,
edited by Nataša Cigoj Krstulović, Tomaž Faganel and Metoda Kokole, 135–
46. Ljubljana: Muzikološki inštitut ZRC SAZU, 2004.
Škulj, Edo. “Tomčeve kantate.” Tomčev zbornik, edited by Edo Škulj, 13–22. Lju-
bljana: Družina, 1997.
Tomc, Matija. Uglasbitev Stare pravde. Koncert ob osemdesetletnici skladatelja
Matije Tomca. Ljubljana, 16 May 1980 [a concert programme of the Consor-
tium musicum Society].
Weiss, Jernej. “Vprašanje avtonomnosti glasbene kritike v slovenskem dnev-
nem časopisju ob praizvedbi kantate ‘Stara pravda’ Matije Tom-
ca: med estetsko sodbo in političnim konstruktom” [Functional and
The Consortium musicum choir once again participated in the performance, perfor-
ming the cantata together with the Slovenian Chamber Choir under the baton of Mi-
rko Cuderman (8th concert of the Vocal cycle of the Slovenian Chamber Choir, 14 May
2006, Ljubljana, Slovenian Philharmonic).
243
Consortium musicum, in a period that saw the first stirrings of the winds
of change that in 1991 would eventually lead Slovenia to independence. The
latter event, of course, brought with it different, more liberal views of music
criticism. Along with freedom, however, certain other challenges appeared
which both musical culture and music criticism continue to face today.
Bibliography
Literature
Drnovšek, Darinka. Zapisniki politbiroja CK ZPS/ZKS 1945–1954. Ljubljana: Ar-
hivsko društvo Slovenije, 2000.
Frolova-Walker, Marina. “Socialist Realism in Music, Globally.” A Royal Musical
Association-affiliated one-day conference hosted by the University of Cam-
bridge and Universität Leipzig, July 1, 2022, virtual.
Gabrič, Aleš. Socialistična kulturna revolucija. Slovenska kulturna politika 1953–
1962. Ljubljana: Cankarjeva založba, 1995.
Klemenčič, Ivan. “Glasba in totalitarna država na Slovenskem.” In Temna stran
meseca: kratka zgodovina totalitarizma v Sloveniji 1945–1990, edited by Drago
Jančar, 321–33. Ljubljana: Nova revija, 1998.
Kumer, Zmaga. Matija Tomc. Koncert ob desetletnici zbora in v počastitev stolet-
nice rojstva Antona Aškerca. Ljubljana, 12 March 1956 [a concert programme
of the choir APZ Tone Tomšič].
Moličnik Šivic, Simona. Mladi že 80 let: Akademski pevski zbor »Tone Tomšič«.
Ljubljana: Narodna in univerzitetna knjižnica, 2006.
O’Loughlin, Niall. Novejša glasba v Sloveniji. Ljubljana: Slovenska matica, 2000.
Stefanija, Leon. “Totalitarnost režima in glasba.” In In memoriam Danilo Pokorn,
edited by Nataša Cigoj Krstulović, Tomaž Faganel and Metoda Kokole, 135–
46. Ljubljana: Muzikološki inštitut ZRC SAZU, 2004.
Škulj, Edo. “Tomčeve kantate.” Tomčev zbornik, edited by Edo Škulj, 13–22. Lju-
bljana: Družina, 1997.
Tomc, Matija. Uglasbitev Stare pravde. Koncert ob osemdesetletnici skladatelja
Matije Tomca. Ljubljana, 16 May 1980 [a concert programme of the Consor-
tium musicum Society].
Weiss, Jernej. “Vprašanje avtonomnosti glasbene kritike v slovenskem dnev-
nem časopisju ob praizvedbi kantate ‘Stara pravda’ Matije Tom-
ca: med estetsko sodbo in političnim konstruktom” [Functional and
The Consortium musicum choir once again participated in the performance, perfor-
ming the cantata together with the Slovenian Chamber Choir under the baton of Mi-
rko Cuderman (8th concert of the Vocal cycle of the Slovenian Chamber Choir, 14 May
2006, Ljubljana, Slovenian Philharmonic).
243
