Page 317 - Weiss, Jernej, ur./ed. 2024. Glasbena kritika – nekoč in danes ▪︎ Music Criticism – Yesterday and Today. Koper/Ljubljana: Založba Univerze na Primorskem in Festival Ljubljana. Studia musicologica Labacensia, 7
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contributors
Musikwissenschaft; Musikkritik und -journalismus. Seit über zwanzig Jah-
ren arbeitet sie aktiv im Bereich des Musikjournalismus.
Niall O‘Loughlin (N.Oloughlin@lboro.ac.uk)
studied music at the Universities of Edinburgh (MA) and Leicester (PhD)
and computing at the University of Oxford. He has specialised in the 20th
and 21st-cenury music of Slovenia, the United Kingdom and Poland. His
book Novejša glasba v Sloveniji: osebnosti in razvoj was published in Lju-
bljana in 2000. He has written over 30 papers for Slovene Music Days sym-
posia, given many other conference papers, written numerous articles for
Musikološki zbornik, The Musical Times, Tempo, De musica disserenda,
chapters in books and many articles for the New Grove Dictionaries of Mu-
sic. In 2007 he was elected Corresponding Member of the Slovenian Acad-
emy of Sciences and Arts.
Tjaša Ribizel Popič (tjasa.ribizel@gmail.com)
received her PhD in 2013 at the Department of Musicology, Faculty of Arts,
University of Ljubljana, where she is currently employed. She also works as
a teaching assistant at the Faculty of Education, the University of Maribor,
Review Co-editor of the Musicological Annual (Faculty of Arts, University
of Ljubljana Press), and member of the organizing committee of the Slove-
nian Music Days. Recently, she has been focusing mainly on theatre work,
in collaboration with the director Dragan Živadinov.
Alex Ross (alexrossny@gmail.com)
has been the music critic of The New Yorker since 1996. His first book, The
Rest Is Noise: Listening to the Twentieth Century, published in 2007, won a
National Book Critics Circle Award and the Guardian First Book Award,
and was a finalist for the Pulitzer Prize. An essay collection, Listen to This,
appeared in 2010. His third book, Wagnerism: Art and Politics in the Shad-
ow of Music, was published in 2020. Ross has received the George Peabody
Medal, an Arts and Letters Award from the American Academy of Arts
and Letters, a Guggenheim Fellowship, and a MacArthur Fellowship.
Bianca Schumann (bianca.schumann@univie.ac.at)
Bachelor’s degrees in instrumental pedagogy (piano) at the Robert Schu-
mann Hochschule Düsseldorf (2010–2014) as well as in philosophy and
musicology at the Heinrich-Heine-Universität Düsseldorf (2011–2014).
Master’s degree in musicology at the Universität Wien with distinction
317
Musikwissenschaft; Musikkritik und -journalismus. Seit über zwanzig Jah-
ren arbeitet sie aktiv im Bereich des Musikjournalismus.
Niall O‘Loughlin (N.Oloughlin@lboro.ac.uk)
studied music at the Universities of Edinburgh (MA) and Leicester (PhD)
and computing at the University of Oxford. He has specialised in the 20th
and 21st-cenury music of Slovenia, the United Kingdom and Poland. His
book Novejša glasba v Sloveniji: osebnosti in razvoj was published in Lju-
bljana in 2000. He has written over 30 papers for Slovene Music Days sym-
posia, given many other conference papers, written numerous articles for
Musikološki zbornik, The Musical Times, Tempo, De musica disserenda,
chapters in books and many articles for the New Grove Dictionaries of Mu-
sic. In 2007 he was elected Corresponding Member of the Slovenian Acad-
emy of Sciences and Arts.
Tjaša Ribizel Popič (tjasa.ribizel@gmail.com)
received her PhD in 2013 at the Department of Musicology, Faculty of Arts,
University of Ljubljana, where she is currently employed. She also works as
a teaching assistant at the Faculty of Education, the University of Maribor,
Review Co-editor of the Musicological Annual (Faculty of Arts, University
of Ljubljana Press), and member of the organizing committee of the Slove-
nian Music Days. Recently, she has been focusing mainly on theatre work,
in collaboration with the director Dragan Živadinov.
Alex Ross (alexrossny@gmail.com)
has been the music critic of The New Yorker since 1996. His first book, The
Rest Is Noise: Listening to the Twentieth Century, published in 2007, won a
National Book Critics Circle Award and the Guardian First Book Award,
and was a finalist for the Pulitzer Prize. An essay collection, Listen to This,
appeared in 2010. His third book, Wagnerism: Art and Politics in the Shad-
ow of Music, was published in 2020. Ross has received the George Peabody
Medal, an Arts and Letters Award from the American Academy of Arts
and Letters, a Guggenheim Fellowship, and a MacArthur Fellowship.
Bianca Schumann (bianca.schumann@univie.ac.at)
Bachelor’s degrees in instrumental pedagogy (piano) at the Robert Schu-
mann Hochschule Düsseldorf (2010–2014) as well as in philosophy and
musicology at the Heinrich-Heine-Universität Düsseldorf (2011–2014).
Master’s degree in musicology at the Universität Wien with distinction
317
