Page 117 - Weiss, Jernej, ur./ed. 2026 Skladateljska društva nekoč in danes.../Composers’ Societies Past and Present...
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Weiss, Jernej, ur. 2026. Skladateljska društva nekoč in danes: preplet stanovskega in nacionalnega | Composers’ Societies Past and Present: Combining the Professional and the National
                         Koper/Ljubljana: Založba Univerze na Primorskem in Festival Ljubljana. https://doi.org/10.26493/978-961-293-555-9.117-137
                         © 2026 Ingeborg Zechner







                 How Music Works: Film Composers, Labour,
                 and the Screen Composers Association
                 in Mid-Twentieth-Century America

                 Ingeborg Zechner
                 Univerza v Gradcu
                 University of Graz/ Universität Graz







            Film music composition can be described as one of the most prolific do-
            mains of musical creation in the United States in the twentieth century. In
            addition to the enormous working opportunities Hollywood’s film indus-
            try offered to music professionals, film music as an artistic form was special
            in many ways, as the medium-boundedness of such music situated it aes-
            thetically in a space between popular music and art music, which affected
            both general and scholarly receptions of film music.  1
                 Hollywood composers in the 1940s and 1950s undertook many differ-
            ent musical tasks in the film production process – such as composing, ar-
            ranging, conducting, etc. – before a legal framework that was based on the
            industrialised division of labour between various arts and crafts was intro-
            duced. Specialised professional societies were established to support work-
            ers in Hollywood’s film industry. Examples of unionisation outside the mu-
            sical sphere include the Screen Actors Guild, the Screen Writers Guild, and

            1    See: Ingeborg Zechner,  Franz Waxman: Zwischen Filmmusik und Konzertsaal
                 (Vienna: Böhlau, 2024), 385–8, and Ingeborg Zechner, “Unheard, Unseen, Underappre-
                 ciated? Die Verhandlung filmmusikalischer Werkhaftigkeit im Hollywood-Film der
                 1940er Jahre,” in Musik – Politik – Gesellschaft: Michael Walter zum 65. Geburtstag,
                 eds. Kordula Knaus and Susanne Kogler (Stuttgart: J.B. Metzler, 2023), 297. This
                 article is part of an ongoing research project on the composer Franz Waxman that is
                 financed by the Austrian Science Fund (FWF-Grant-DOI: 10.55776/P33029).


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