Page 15 - Weiss, Jernej, ur./ed. 2026 Skladateljska društva nekoč in danes.../Composers’ Societies Past and Present...
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Weiss, Jernej, ur. 2026. Skladateljska društva nekoč in danes: preplet stanovskega in nacionalnega | Composers’ Societies Past and Present: Combining the Professional and the National
                         Koper/Ljubljana: Založba Univerze na Primorskem in Festival Ljubljana. https://doi.org/10.26493/978-961-293-555-9.15-18
                         © 2026 Jernej Weiss










                 Composers’ Societies Past and Present: Combining
                 the Professional and the National

                 Jernej Weiss
                 University of Ljubljana / University of Maribor




            The present monograph, entitled Composers’ Societies Past and Present, fo-
            cuses at the international context of the activities of various composers’ so-
            cieties of the past and present. As we celebrate the 80  anniversary of the
                                                              th
            founding of the Society of Slovene Composers, we aim to shed light on the
            activities of comparable institutions in other countries, with the help of
            contributions from prominent scholars in Slovenia and abroad. In the past,
            these societies played a part – each in their own way – in shaping not only
            musical creativity but also numerous other fields of musical culture.
                 A key focus of the monograph is the combination of the profession-
            al and the national in the activities of composers’ societies. Conditioned by
            various social turning points, this combination has decisively shaped the
            nature of institutional activity in the musical sphere, both in Slovenia and
            elsewhere. If on the one hand this coexistence defines the importance of
            composers’ societies in preserving musical identity and promoting nation-
            al musical creativity, on the other hand it reveals the range of activities un-
            dertaken by these societies in order to meet the professional needs of their
            members.
                                             ***
                 The introductory paper (The Coexistence of the Social, the Profession-
            al and the Artistic in the History of the Society of Slovene Composers) by
            Sonja Kralj, a leading expert on the Society of Slovene Composers, sheds
            light on the Society’s activities through the prism of cooperation with


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