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The Sarajevo Period of Dane Škerl’s Artistic Activity
            important musical institutions in Sarajevo: the Radio-Television Sarajevo
            Orchestra, the Sarajevo Philharmonic, the Ballet of the National Theatre,
            and the Academy of Music (see Appendices 2 and 3). His ballets, premiered
            on the stage of the National Theatre in Sarajevo, achieved particular suc-
            cess. Kontrasti, a ballet in one act with a libretto by Slavko Pervan (1936–
            2024), is based on Škerl’s symphonic orchestral work of the same name
                                                       19
            from 1961. It premiered on February 28, 1968.  Grozdanin kikot, a ballet in
            two acts, was composed to a libretto by Safet Pašalić (1907–1987), based on
            the novel of the same name by the Bosnian-Herzegovinian writer Hamza
                               20
            Humo (1895–1970).  It premiered on December 21, 1969, on the occasion
            of the 20th anniversary of the Ballet of the National Theatre in Sarajevo.
                                                                                21
            The ballets were also performed on tours: Kontrasti in Italy (Mirandola and
            Bologna, 1969), and Grozdanin kikot in Bosnia and Herzegovina (Mostar,
            1970, and Zenica, 1979).  22
                 His work received significant recognition and acclaim during his
            stay in Sarajevo: he was awarded the Šestoaprilska nagrada [Sixth of April
            Award] by the City of Sarajevo for his Symphony No. 2 in 1965. The follow-
            ing year, in 1966, he received the Award of the Association of Composers of
            Bosnia and Herzegovina for his Symphony No. 3.  23




            19   The following individuals participated in the ballet production: the conductor Te-
                 odor Romanić, choreographer and director Slavko Pervan, and stage and cos-
                 tume designer Veselin Badrov, along with the performers Emina Kamberović, An-
                 tun Marinić and the Ballet Ensemble of the National Theatre in Sarajevo. Slobodan
                 Špirić, “Kontrasti,” in Narodno pozorište Sarajevo 1921–1971, ed. Josip Lešić (Saraje-
                 vo: Narodno pozorište, 1971), 268.
            20   The following individuals participated in the ballet production: the conductor
                 Ivan Štajcer, choreographer and director Slavko Pervan, and the costume and set
                 designer Veselin Badrov, along with the performers Emina Kamberović (Grlica),
                 Antun Marinić (Ozren), Katarina Kocka (Grozdana) Nedžad Potogija (Grozdan),
                 Muhamed Imanić (Jure), Srećko Ćurić (Svrzimantija), Đorđe Milošević (Minda),
                 Nevenka Petrović (Ivanka), Ibro Paralović (Knez Trpimir). Drago Fišer, “Grozdanin
                 Kikot,” in Narodno pozorište Sarajevo 1921–1971, ed. Josip Lešić (Sarajevo: Narodno
                 pozorište, 1971), 193.
            21   Zija Kučukalić, “Jubilej sarajevskog baleta. Premijera baleta ‘Grozdanin kikot’ Dan-
                 eta Škerla,” Zvuk, no. 102–103 (1970): 137–8.
            22   Hamid Begić and Mehdija Mušović, “Gostovanja sarajevskog Narodnog pozoriš-
                 ta,” in Narodno pozorište Sarajevo 1921–1971, ed. Josip Lešić (Sarajevo: Narodno po-
                 zorište, 1971), 156, 157, 163.
            23   S.N., “Dva djela će se uskoro izvesti. Odgovara kompozitor Dane Škerl,” Oslobođen-
                 je, September 15, 1968, 5.


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