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Contributors
(München). 30. 10. 2014 Ehrendoktor der Universitatea Naţională de Muzică
din Bucureşti.
Mitglied in den internationalen Editionsräten der Zeitschriften Hudebni
věda (Prag), Lituvos muzikologija (Vilnius), Menotyra. Studies in Art (Vil-
nius), Ars & Humanitas (Ljubljana), Musicology Today (Bukarest), Muzica.
Romanian Music Magazine (Bukarest) und Studies in Penderecki (Prince-
ton, New Jersey).

Lidia Melnyk (lidamelnyk@gmail.com)
ist Professorin an der Nationalen Musikakademie „Mykola Lysenko“ in
Lwiw, Ukraine, wo sie auch geboren wurde und studierte. Darüber hin-
aus unterrichtete sie in den letzten Jahren am Institut für Musikwissen-
schaft der Universität Wien (darunter den Vorlesungskurs „Einführung in
die Geschichte der ukrainischen Musik“) und an der Ukrainischen Freien
Universität in München. Mehr als 60 wissenschaftliche Publikationen der
Musikwissenschaftlerin runden die aktive journalistische und redaktionel-
le Tätigkeit auf.

Niall O’Loughlin (N.Oloughlin@lboro.ac.uk)
studied music at the Universities of Edinburgh (MA) and Leicester (PhD)
and computing at the University of Oxford. He has specialised in the 20th
and 21st-cenury music of Slovenia, the United Kingdom and Poland. His
book Novejša glasba v Sloveniji: osebnosti in razvoj was published in Lju-
bljana in 2000. He has written 35 papers for Slovene Music Days sympo-
sia, given many other conference papers, written numerous articles for
Musikološki zbornik, The Musical Times, Tempo, De musica disserenda,
chapters in books and many articles for the New Grove Dictionaries of Mu-
sic. In 1977 he won the Tovey Memorial Prize from the University of Oxford
for his research into Slovene music. In 2007 he was elected Corresponding
Member of the Slovene Academy of Sciences and Arts.

Lubomír Spurný (spurny@phil.muni.cz)
is an academic and educational professional at the Department of Musicol-
ogy at the Faculty of Arts, Masaryk University in Brno. In 2018, he was ap-
pointed director of the Terezín Composers’ Institute. His professional focus
includes music theory and aesthetics of the first third of the 20th century,
musical phenomena of Central European culture of the 19th and 20th cen-
turies, the theory of performance practice and interpretation, methodolo-
gy of music analysis, selected authors and concepts of the Central European

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