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Contributors
nificant contribution to musicology. She is currently working on film and
Jewish heritage from the period between the two world wars, as well as on
CANU‘s lexicographic projects in Montenegro on education and ethnolo-
gy, and Creative Europe projects “Roma soul food” and “Guerre - digital
museum”.

Jernej Weiss (jernej.weiss@ag.uni-lj.si)
studied musicology at the Musicology Department of the Faculty of Arts,
University of Ljubljana (1999–2002) and the Institute of Musicology of the
Faculty of Philosophy, Art History, History and Humanities, University of
Regensburg (2002–2003). He was a teaching assistant at the Musicology De-
partment of the Faculty of Arts in Ljubljana from 2005 to 2009 and the edi-
tor-in-chief of Muzikološki zbornik, Slovenia’s principal musicological pub-
lication, from 2011 to 2020. He is also a member of the editorial boards of
several other academic and specialist publications (Muzika, Zbornik Mat-
ice srpske za scenske umetnosti i muziku, Aspects of Historical Musicology,
Ukrainian Music etc.) and is involved in various national and internation-
al academic projects. He has been a full professor of musicology at the Uni-
versity of Maribor since 2016 and has held the same rank at the Universi-
ty of Ljubljana since 2019. He has been a visiting lecturer at the universities
of Graz, Brno, Leipzig and Cardiff, among others. His research focuses on
music-related issues from the nineteenth century to the present day, with a
particular focus on music in the Slovene and Czech cultural contexts. He is
the author of four monographs. In 2021 the Czech publisher KLP (Koniasch
Latin Press) published an adaptation of his latest monograph entitled Čeští
hudebníci ve Slovinsku v 19. a na začátku 20. století (Czech musicians in Slo-
venia in the 19 and early 20 centuries). He has headed the internation-
th
th
al musicological symposium of the Slovenian Music Days since 2016 and is
the editor-in-chief of Studia musicologica Labacensia, a collection of mon-
ographs on musicological subjects.

Ingeborg Zechner (ingeborg.zechner@uni-graz.at)
is a musicologist at the University of Graz. Her research explores the social
and cultural dimensions of music history from the eighteenth to twentieth
centuries, with particular interest in film music, music theatre, mediality,
migration, and digital musicology. At Graz, she serves as principal investi-
gator in two projects funded by the Austrian Science Fund: one on the Hol-
lywood composer Franz Waxman (Grant-DOI: 10.55776/P33029) and an-
other developing a digital edition of eighteenth-century Viennese theatre

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