Page 216 - Vinkler, Jonatan, in Jernej Weiss. ur. 2014. Musica et Artes: ob osemdesetletnici Primoža Kureta. Koper: Založba Univerze na Primorskem.
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musica et artes
The composers of the second modern generation, with their post-Romantic
creative included: Pavel Šivic (1908-1995), Josip Kaplan (1910-1996), Marijan
Lipovšek (1910-1995), Franc Šturm (1912-1943), Karol Pahor (1896-1974), Pe-
ter Lipar (1912-1980), Demetrij Žebre (1912-1970), Maks Pirnik (1902-1993),
Stanko Jericijo (1928-2007), Viktor Mihelčič (1913-2010), Radoslav Hrovatin
(1908-1978) etc. They were followed, immediately before the Second World
War: Janez Kuhar (1911-1997), Paul John Sifler (1911-2001), Klaro Mari-
ja Mizerit (1914-2007), Stanko Prek (1915-1999), Karl Hladky (1916-1962),
Primož Ramovš (1921-1999), Ubald Vrabec (1905-1992), Jurij Gregorc (1916-
1986) and Slavko Mihelčič (1912-2000). The post-Romantic period continued
with the composers: Radovan Gobec (1909-1995), Rado Simoniti (1914-1981),
Janko Gregorc (1905-1989), Bojan Adamič (1912-1995), Uroš Prevoršek (1915-
1996) and Samo Hubad (b. 1917). Following the Second World War music
was enriched by the new currents represented by the work of the members
of the third modern generation: Ciril Cvetko (1920-1999), Aleksander Lajo-
vic (1920-2011), Marijan Vodopivec (1920-1977), Zvonimir Ciglič (1921-2006),
Jože Osana (1919-1996), Božidar Kantušer (1921-1999), Ciril Kren (1921-2007),
Uroš Krek (1922-2008), Franc Lampret (1923-1997), Albin Weingerl (1923-
2010), Janez Bitenc (1925-2005), Ivan Šček (1925-1972), Janez Komar (b. 1927),
Vladimir Lovec (1922-1992), Vilko Ukmar (1905-1991), Pavle Kalan (1929-
2005) and Marko Žigon (1929-1987). The composers of the fourth generation,
i.e. those working after 1950, embraced the most modern musical thinking:
Janez Matičič (b. 1927), Pavle Merkù (1927-2014), Jakob Jež (b. 1928), Milan
Stibilj (1929-2014), Kruno Cipci (1930-2002), Ladislav Vörös (b. 1930), Samo
Vremšak (1930-2004), Štefan Mauri (1931-2014), Ivo Petrić (b. 1931), Bogdan
Habbe (1927-1985), Alojz Srebotnjak (1931-2010), Dane Škerl (1931-2002), Igor
Štuhec (b. 1932), Darijan Božič (b. 1933) Igor Dekleva (b. 1933), the greatest
Slovenian in Europe or the European in Slovenia, the academician Vinko
Globokar (b. 1934), Janez Gregorc (1934-2012), the academicians Božidar Kos
(b. 1934) and Lojze Lebič (b. 1934), Mira Voglar (b. 1935), Egi Gašperšič (b.
1936), Milan Potočnik (1936-2004), Ljubo Rančigaj (b. 1936), Julijan Strajnar
(b. 1936), Franc Jelinčič (b. 1937), Breda Oblak (b. 1937), Pavel Mihelčič (b.
1937), Alojz Ajdič (b. 1939), Branko Rajšter (1930-1989) and others. The prob-
lems of individuality, nationality and universality are topical and significant
features of the new orientations of the Slovene composers who fall within the
framework of the postmodern stylistic trends of industrial society at the end
of the 20th and at the start the 21st centuries. This is the so-called the fifth gen-
eration of composers to leave its mark on Slovene music: Marijan Gabrijelčič
(1940-1998), Bogomir/Miro Kokol (b. 1937), Jože Trošt (b. 1940), Avgust Ip-
214
The composers of the second modern generation, with their post-Romantic
creative included: Pavel Šivic (1908-1995), Josip Kaplan (1910-1996), Marijan
Lipovšek (1910-1995), Franc Šturm (1912-1943), Karol Pahor (1896-1974), Pe-
ter Lipar (1912-1980), Demetrij Žebre (1912-1970), Maks Pirnik (1902-1993),
Stanko Jericijo (1928-2007), Viktor Mihelčič (1913-2010), Radoslav Hrovatin
(1908-1978) etc. They were followed, immediately before the Second World
War: Janez Kuhar (1911-1997), Paul John Sifler (1911-2001), Klaro Mari-
ja Mizerit (1914-2007), Stanko Prek (1915-1999), Karl Hladky (1916-1962),
Primož Ramovš (1921-1999), Ubald Vrabec (1905-1992), Jurij Gregorc (1916-
1986) and Slavko Mihelčič (1912-2000). The post-Romantic period continued
with the composers: Radovan Gobec (1909-1995), Rado Simoniti (1914-1981),
Janko Gregorc (1905-1989), Bojan Adamič (1912-1995), Uroš Prevoršek (1915-
1996) and Samo Hubad (b. 1917). Following the Second World War music
was enriched by the new currents represented by the work of the members
of the third modern generation: Ciril Cvetko (1920-1999), Aleksander Lajo-
vic (1920-2011), Marijan Vodopivec (1920-1977), Zvonimir Ciglič (1921-2006),
Jože Osana (1919-1996), Božidar Kantušer (1921-1999), Ciril Kren (1921-2007),
Uroš Krek (1922-2008), Franc Lampret (1923-1997), Albin Weingerl (1923-
2010), Janez Bitenc (1925-2005), Ivan Šček (1925-1972), Janez Komar (b. 1927),
Vladimir Lovec (1922-1992), Vilko Ukmar (1905-1991), Pavle Kalan (1929-
2005) and Marko Žigon (1929-1987). The composers of the fourth generation,
i.e. those working after 1950, embraced the most modern musical thinking:
Janez Matičič (b. 1927), Pavle Merkù (1927-2014), Jakob Jež (b. 1928), Milan
Stibilj (1929-2014), Kruno Cipci (1930-2002), Ladislav Vörös (b. 1930), Samo
Vremšak (1930-2004), Štefan Mauri (1931-2014), Ivo Petrić (b. 1931), Bogdan
Habbe (1927-1985), Alojz Srebotnjak (1931-2010), Dane Škerl (1931-2002), Igor
Štuhec (b. 1932), Darijan Božič (b. 1933) Igor Dekleva (b. 1933), the greatest
Slovenian in Europe or the European in Slovenia, the academician Vinko
Globokar (b. 1934), Janez Gregorc (1934-2012), the academicians Božidar Kos
(b. 1934) and Lojze Lebič (b. 1934), Mira Voglar (b. 1935), Egi Gašperšič (b.
1936), Milan Potočnik (1936-2004), Ljubo Rančigaj (b. 1936), Julijan Strajnar
(b. 1936), Franc Jelinčič (b. 1937), Breda Oblak (b. 1937), Pavel Mihelčič (b.
1937), Alojz Ajdič (b. 1939), Branko Rajšter (1930-1989) and others. The prob-
lems of individuality, nationality and universality are topical and significant
features of the new orientations of the Slovene composers who fall within the
framework of the postmodern stylistic trends of industrial society at the end
of the 20th and at the start the 21st centuries. This is the so-called the fifth gen-
eration of composers to leave its mark on Slovene music: Marijan Gabrijelčič
(1940-1998), Bogomir/Miro Kokol (b. 1937), Jože Trošt (b. 1940), Avgust Ip-
214
