Page 299 - Vinkler, Jonatan, in Jernej Weiss. ur. 2014. Musica et Artes: ob osemdesetletnici Primoža Kureta. Koper: Založba Univerze na Primorskem.
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ms of musical architecture in polish contemporary music
Example 7. Marian Borkowski, De profundis, no. 60.
tions. We can say that this musical language is maximal also because of sym-
bolic references to the musical history, for example to the plain chant (in in-
vocation De profundis, in part molto lento, elegiaco), in parallel movement, in
filling up the musical space by the semitone, third and unison harmonic stru-
ctures, by the sharp attacks of fff and ffff underlined by the glassy articulation
297
Example 7. Marian Borkowski, De profundis, no. 60.
tions. We can say that this musical language is maximal also because of sym-
bolic references to the musical history, for example to the plain chant (in in-
vocation De profundis, in part molto lento, elegiaco), in parallel movement, in
filling up the musical space by the semitone, third and unison harmonic stru-
ctures, by the sharp attacks of fff and ffff underlined by the glassy articulation
297
