Page 384 - Vinkler, Jonatan, in Jernej Weiss. ur. 2014. Musica et Artes: ob osemdesetletnici Primoža Kureta. Koper: Založba Univerze na Primorskem.
P. 384
musica et artes
on from one hand and the sound examination from the other. The
idea of contemplation and examination of sound can be related to
modern tendencies designed by spectral music in which the sound
examination and concentration on its values plays an important
role.
Leon Stefanija, Ljubljana
In-between the Musical Poetics and Aesthetics of Uroš Rojko
The composer is put in a rather schizophrenic situation: the postulates of gen-
uine creation stand in a line with the belief that hardly anything new or orig-
inal may be achieved in music. To search for uniqueness in an artistic enter-
prise today would be a rather suspicious ontological task; besides: who would
dare to question uniqueness of a phenomenon in an era of multiple differenti-
ations? Of course, one may object that the main functionalist quandary – the
omnipresent saturation with differences and specificities leads toward cer-
tain clustering of allegedly incommensurable phenomena – shifts the focus
toward certain search for universals, common, shared, or at least compara-
ble features. In any case, certain forgetfulness seems fairly relevant for the con-
temporary musical practice, a process of leaving the historical and contextual
variables to certain extent aside in the name of the valuable and the real. The
contribution addresses this forgetfulness in the form of discrepancy between
musical poetics and aesthetics in the work of Uroš Rojko (b. 1954).
Nada Bezić
Art déco u Hrvatskom glazbenom zavodu u Zagrebu –
tragom jedne izložbe
Za izložbu Art déco u Hrvatskom glazbenom zavodu (HGZ), priređenu 2011.
godine, izabrala sam vizualno atraktivne izloške iz bogate knjižnice i arhi-
va HGZ-a: notna izdanja, knjige, koncertne programe, pisma i račune iz
razdoblja art décoa (1920-tih i 1930-tih godina). Identificirala sam 15 autora
umjetničkog oblikovanja korica, rođenih između 1873. i 1903., a u tekstu sam
predstavila šestoricu. Najstarije su slike za scenografiju opere Vilin veo P. Ko-
njovića, objavljene u klavirskom izvatku 1917. godine, a dizajnirao ih je Tomis-
lav Krizman (1882–1955), jedan od vodećih hrvatskih umjetnika međuratnog
razdoblja. Posebno su zanimljive korice notnih izdanja bečke nakladničke
kuće Edition Slave / Slavenski izdavački zavod (1918–1923), specializirane za
skladbe (južno)slavenskih skladatelja. Većinu korica za Edition Slave dizajni-
rao je Ivo Tijardović (1895–1976), hrvatski skladatelj čije su atraktivne ilustra-
cije zadnje vrijeme sve zanimljivije istraživačima. Ostale korice su kreirali sli-
382
on from one hand and the sound examination from the other. The
idea of contemplation and examination of sound can be related to
modern tendencies designed by spectral music in which the sound
examination and concentration on its values plays an important
role.
Leon Stefanija, Ljubljana
In-between the Musical Poetics and Aesthetics of Uroš Rojko
The composer is put in a rather schizophrenic situation: the postulates of gen-
uine creation stand in a line with the belief that hardly anything new or orig-
inal may be achieved in music. To search for uniqueness in an artistic enter-
prise today would be a rather suspicious ontological task; besides: who would
dare to question uniqueness of a phenomenon in an era of multiple differenti-
ations? Of course, one may object that the main functionalist quandary – the
omnipresent saturation with differences and specificities leads toward cer-
tain clustering of allegedly incommensurable phenomena – shifts the focus
toward certain search for universals, common, shared, or at least compara-
ble features. In any case, certain forgetfulness seems fairly relevant for the con-
temporary musical practice, a process of leaving the historical and contextual
variables to certain extent aside in the name of the valuable and the real. The
contribution addresses this forgetfulness in the form of discrepancy between
musical poetics and aesthetics in the work of Uroš Rojko (b. 1954).
Nada Bezić
Art déco u Hrvatskom glazbenom zavodu u Zagrebu –
tragom jedne izložbe
Za izložbu Art déco u Hrvatskom glazbenom zavodu (HGZ), priređenu 2011.
godine, izabrala sam vizualno atraktivne izloške iz bogate knjižnice i arhi-
va HGZ-a: notna izdanja, knjige, koncertne programe, pisma i račune iz
razdoblja art décoa (1920-tih i 1930-tih godina). Identificirala sam 15 autora
umjetničkog oblikovanja korica, rođenih između 1873. i 1903., a u tekstu sam
predstavila šestoricu. Najstarije su slike za scenografiju opere Vilin veo P. Ko-
njovića, objavljene u klavirskom izvatku 1917. godine, a dizajnirao ih je Tomis-
lav Krizman (1882–1955), jedan od vodećih hrvatskih umjetnika međuratnog
razdoblja. Posebno su zanimljive korice notnih izdanja bečke nakladničke
kuće Edition Slave / Slavenski izdavački zavod (1918–1923), specializirane za
skladbe (južno)slavenskih skladatelja. Većinu korica za Edition Slave dizajni-
rao je Ivo Tijardović (1895–1976), hrvatski skladatelj čije su atraktivne ilustra-
cije zadnje vrijeme sve zanimljivije istraživačima. Ostale korice su kreirali sli-
382
