Page 379 - Vinkler, Jonatan, in Jernej Weiss. ur. 2014. Musica et Artes: ob osemdesetletnici Primoža Kureta. Koper: Založba Univerze na Primorskem.
P. 379
summaries
ities – concert, school and publishing. From that time onwards only amateur
choir functioned within the society.
Jitka Bajgarová
Leben und Leiden der Deutschen Akademie für Musik
und darstellende Kunst in Prag der Zwischenkriegszeit
Deutsche Akademie für Musik und darstellende Kunst in Prag (German Aca-
demy of Music and Theater in Prague) was iniciated and supported by the Ger-
man speaking minority in Czechoslovakia after 1918. Founded as a private
school in 1919, it was a German counterpart of the Czech teaching State Con-
servatory of Music (the former Prague conservatory, established in 1811, was
bilingual). Even though there was some financial support from the state, the
German Academy had big problems to raise funds for its survival. Headed by
prominent personalities of German music, such as Alexander von Zemlinsky,
Fidelio Friedrich Finke, Konrad Ansorge, Franz Langer, Wily Schweyda a.o., it
gradually gained recognition not only in its own country but also abroad. The-
re had been studying hundreds of students in various musical fields during its
existence (till 1945). The paper gives an insight into the wider research, which
is still in progress, and uses mainly the documents of the former Czechoslovak
Ministry of National Education.
Franc Križnar
To Read, To Hear and To See the Slovene Music:
The Music of Slovenia from the Remoteness to the Present
In the development of Slovene music and/or music in Slovenia by the end of
the 15th century was the first mentioned the Diary of Paolo Santonino, sec-
retary to the patriarch of Aquileia, Cardinal Marco Barbo. It is the first ev-
idence of (Slovene) secular and church music. By the first European and the
most important composer Iacobus Handl Gallus (1550-1591) Slovene music
was creativity spread out in European area. Slovene music or the music in Slo-
venia was the first time by Eoropa compared. All of them were not validid by
Renaissance and counter-reformation music, still less by Baroque in Slovene
music. The first of them was in at the late Baroque still now founded Jakob
Frančišek Zupan (1734-1810) by his the first Slovene opera the Belin (1780-82).
The attraction of Slovene music that time and area was even one year starring
of the famous composer and conductor Gustav Mahler (1860-1911) who was
living and doing in Ljubljana no sooner one season than the conductor and
pianist (1881/82). After Romantic by something creators (composers), perfor-
mances and the institutions still at the beginning of Slovene modern music
377
ities – concert, school and publishing. From that time onwards only amateur
choir functioned within the society.
Jitka Bajgarová
Leben und Leiden der Deutschen Akademie für Musik
und darstellende Kunst in Prag der Zwischenkriegszeit
Deutsche Akademie für Musik und darstellende Kunst in Prag (German Aca-
demy of Music and Theater in Prague) was iniciated and supported by the Ger-
man speaking minority in Czechoslovakia after 1918. Founded as a private
school in 1919, it was a German counterpart of the Czech teaching State Con-
servatory of Music (the former Prague conservatory, established in 1811, was
bilingual). Even though there was some financial support from the state, the
German Academy had big problems to raise funds for its survival. Headed by
prominent personalities of German music, such as Alexander von Zemlinsky,
Fidelio Friedrich Finke, Konrad Ansorge, Franz Langer, Wily Schweyda a.o., it
gradually gained recognition not only in its own country but also abroad. The-
re had been studying hundreds of students in various musical fields during its
existence (till 1945). The paper gives an insight into the wider research, which
is still in progress, and uses mainly the documents of the former Czechoslovak
Ministry of National Education.
Franc Križnar
To Read, To Hear and To See the Slovene Music:
The Music of Slovenia from the Remoteness to the Present
In the development of Slovene music and/or music in Slovenia by the end of
the 15th century was the first mentioned the Diary of Paolo Santonino, sec-
retary to the patriarch of Aquileia, Cardinal Marco Barbo. It is the first ev-
idence of (Slovene) secular and church music. By the first European and the
most important composer Iacobus Handl Gallus (1550-1591) Slovene music
was creativity spread out in European area. Slovene music or the music in Slo-
venia was the first time by Eoropa compared. All of them were not validid by
Renaissance and counter-reformation music, still less by Baroque in Slovene
music. The first of them was in at the late Baroque still now founded Jakob
Frančišek Zupan (1734-1810) by his the first Slovene opera the Belin (1780-82).
The attraction of Slovene music that time and area was even one year starring
of the famous composer and conductor Gustav Mahler (1860-1911) who was
living and doing in Ljubljana no sooner one season than the conductor and
pianist (1881/82). After Romantic by something creators (composers), perfor-
mances and the institutions still at the beginning of Slovene modern music
377
