Page 475 - Weiss, Jernej, ur. 2019. Vloga nacionalnih opernih gledališč v 20. in 21. stoletju - The Role of National Opera Houses in the 20th and 21st Centuries. Koper/Ljubljana: Založba Univerze na Primorskem in Festival Ljubljana. Studia musicologica Labacensia, 3
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contributors
sic, opera and music semantics. He has published three monographs (Pis-
na podoba glasbe na Slovenskem with J. Snoj, Postmodernizem in semantika
glasbe, Zveneča metafizika – skladateljski opus akademika Lojzeta Lebiča)
and a number of scientific articles in Slovenian and international journals.
Between 2008 and 2012 he served as President of the Slovenian Musicologi-
cal Society, and between 2012 and 2016, as Head of the Department of Musi-
cology. For his work, he received the Mantuani Award of the Slovenian Mu-
sicological Society. He is also active as a composer and critic.
Florinela Popa (florinelapopa@gmail.com)
is Associate Professor at the National University of Music Bucharest, where
she graduated music education and musicology. She has been a postdoctor-
al research fellow at New Europe College (2011-12) and at MIDAS (Musical
Institute for Doctoral Advanced Studies), NUMB (2012-13); the recipient of
a research grant from the NEC (2017). She is the author of Mihail Jora. A
European Modern (Bucharest, 2009) and Sergei Prokofiev (Bucharest, 2012);
co-author of the ten volumes in the series Documents in the Archive of the
National Museum „George Enescu”: Articles on George Enescu in Periodicals
(Bucharest, 2009-17). She was awarded the Union of the Romanian Com-
posers and Musicology Prize for Historiography (2012).
Tjaša Ribizel (tjasa.ribizel@ff.uni-lj.si)
received her PhD in 2013 at the Department of Musicology, Faculty of Arts,
University of Ljubljana. She works at the Faculty of Arts, University of Lju-
bljana, and as external collaborator, assistant, at the Faculty of Education,
University of Maribor. She serves as Assistant of the Musicological Annals
editorial board (Faculty of Arts, University of Ljubljana Press), technical
editor of Studia Musicologica Labacensia (published by the Ljubljana Fes-
tival and the University of Primorska Press) as well as Organizing Com-
mittee member of the Slovenian Music Days. She is also active as a conduc-
tor and program director of the Student Choir and Octet of the Faculty of
Arts, University of Ljubljana. Presently, she has been increasingly involved
in theatre, in collaboration with Dragan Živadinov.
Cristina Scuderi (cristina.scuderi@uni-graz.at)
is a post-doc university assistant at Karl Franzens University in Graz and
holds diplomas in Organ, Harpsichord and Electronic music. After collab-
orating with Teatro La Fenice and Rinascimento Digitale Foundation, the
Universities of Fribourg and Stuttgart, she has taught at the Universities of
473
sic, opera and music semantics. He has published three monographs (Pis-
na podoba glasbe na Slovenskem with J. Snoj, Postmodernizem in semantika
glasbe, Zveneča metafizika – skladateljski opus akademika Lojzeta Lebiča)
and a number of scientific articles in Slovenian and international journals.
Between 2008 and 2012 he served as President of the Slovenian Musicologi-
cal Society, and between 2012 and 2016, as Head of the Department of Musi-
cology. For his work, he received the Mantuani Award of the Slovenian Mu-
sicological Society. He is also active as a composer and critic.
Florinela Popa (florinelapopa@gmail.com)
is Associate Professor at the National University of Music Bucharest, where
she graduated music education and musicology. She has been a postdoctor-
al research fellow at New Europe College (2011-12) and at MIDAS (Musical
Institute for Doctoral Advanced Studies), NUMB (2012-13); the recipient of
a research grant from the NEC (2017). She is the author of Mihail Jora. A
European Modern (Bucharest, 2009) and Sergei Prokofiev (Bucharest, 2012);
co-author of the ten volumes in the series Documents in the Archive of the
National Museum „George Enescu”: Articles on George Enescu in Periodicals
(Bucharest, 2009-17). She was awarded the Union of the Romanian Com-
posers and Musicology Prize for Historiography (2012).
Tjaša Ribizel (tjasa.ribizel@ff.uni-lj.si)
received her PhD in 2013 at the Department of Musicology, Faculty of Arts,
University of Ljubljana. She works at the Faculty of Arts, University of Lju-
bljana, and as external collaborator, assistant, at the Faculty of Education,
University of Maribor. She serves as Assistant of the Musicological Annals
editorial board (Faculty of Arts, University of Ljubljana Press), technical
editor of Studia Musicologica Labacensia (published by the Ljubljana Fes-
tival and the University of Primorska Press) as well as Organizing Com-
mittee member of the Slovenian Music Days. She is also active as a conduc-
tor and program director of the Student Choir and Octet of the Faculty of
Arts, University of Ljubljana. Presently, she has been increasingly involved
in theatre, in collaboration with Dragan Živadinov.
Cristina Scuderi (cristina.scuderi@uni-graz.at)
is a post-doc university assistant at Karl Franzens University in Graz and
holds diplomas in Organ, Harpsichord and Electronic music. After collab-
orating with Teatro La Fenice and Rinascimento Digitale Foundation, the
Universities of Fribourg and Stuttgart, she has taught at the Universities of
473
