Page 473 - Weiss, Jernej, ur. 2019. Vloga nacionalnih opernih gledališč v 20. in 21. stoletju - The Role of National Opera Houses in the 20th and 21st Centuries. Koper/Ljubljana: Založba Univerze na Primorskem in Festival Ljubljana. Studia musicologica Labacensia, 3
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contributors
Orientwissenschaften der Universität Leipzig. 02.04.2005 Ernennung zum
Ehrenmitglied der Gesellschaft für deutsche Musikkultur im südöstlichen
Europa (München). 30.10.2014 Ehrendoktor der Universitatea Naţională de
Muzică din Bucureşti.
Mitglied in den internationalen Editionsräten der Zeitschriften Hudební
věda (Prag), Lituvos muzikologija (Vilnius), Menotyra. Studies in Art (Vil-
nius), Ars & Humanitas (Ljubljana), Musicology Today (Bukarest), Muzica.
Romanian Music Magazine (Bukarest) und Studies in Penderecki (Prince-
ton, New Jersey).
Literatur: Musikgeschichte zwischen Ost und West: Von der ‚musica sa-
cra‘ bis zur Kunstreligion. Festschrift für Helmut Loos zum 65. Geburt-
stag, hrsg. von Stefan Keym und Stephan Wünsche, Leipzig 2015. – Valenti-
na Sandu-Dediu, Laudatio Helmut Loos, in: Musicology Today 22 (2015),
http://www.musicologytoday.ro/thoughts.php. – Art. Loos, Helmut, in:
MGG2, Bd. 11, Kassel u. a.-Stuttgart 2004, Sp.444f.
Wolfgang Marx (wolfgang.marx@ucd.ie)
lectures in Historical Musicology at University College Dublin (UCD). He is
also a member of the UCD Humanities Institute. His research interests in-
clude the representation of death in music, the music of György Ligeti, mu-
sic and post-truth, and the theory of musical genres. Recent publications in-
clude essays on Ligeti’s writings, the influence of cultural trauma on Ligeti’s
musical style, and the Berliner Requiem by Bertolt Brecht and Kurt Weill. He
is the editor of the Dublin Death Studies series, as well as chair of the inter-
disciplinary research strand Death, Burial and the Afterlife at UCD.
Lauma Mellēna-Bartkeviča (lauma@idea-media.lv)
holds an MA degree in Arts (Theory of Culture) from the Latvian Acade-
my of Culture (2005) and works as a music journalist, reviewer and research-
er. Since 2004 she has worked for “Neatkariga Rita avize”, the 2nd largest dai-
ly newspaper in Latvia, covering themes related to classical music, chamber
music, opera and musical theatre. In 2012 worked in the jury of the Great
Music Award of Latvia. At the invitation of the “Klasika” radio station, she
gives her expert opinion on opera premieres/productions by the Latvian
National Opera. She researches opera from a hermeneutical and semiotic
point of view, mainly contemporary productions and stage direction strat-
egies. Currently, Ms Mellēna-Bartkeviča is a doctoral candidate in the PhD
Arts programme at the Faculty of Humanities of the University of Latvia, in
the “History and Theory of Theatre and Cinema” programme, completing a
471
Orientwissenschaften der Universität Leipzig. 02.04.2005 Ernennung zum
Ehrenmitglied der Gesellschaft für deutsche Musikkultur im südöstlichen
Europa (München). 30.10.2014 Ehrendoktor der Universitatea Naţională de
Muzică din Bucureşti.
Mitglied in den internationalen Editionsräten der Zeitschriften Hudební
věda (Prag), Lituvos muzikologija (Vilnius), Menotyra. Studies in Art (Vil-
nius), Ars & Humanitas (Ljubljana), Musicology Today (Bukarest), Muzica.
Romanian Music Magazine (Bukarest) und Studies in Penderecki (Prince-
ton, New Jersey).
Literatur: Musikgeschichte zwischen Ost und West: Von der ‚musica sa-
cra‘ bis zur Kunstreligion. Festschrift für Helmut Loos zum 65. Geburt-
stag, hrsg. von Stefan Keym und Stephan Wünsche, Leipzig 2015. – Valenti-
na Sandu-Dediu, Laudatio Helmut Loos, in: Musicology Today 22 (2015),
http://www.musicologytoday.ro/thoughts.php. – Art. Loos, Helmut, in:
MGG2, Bd. 11, Kassel u. a.-Stuttgart 2004, Sp.444f.
Wolfgang Marx (wolfgang.marx@ucd.ie)
lectures in Historical Musicology at University College Dublin (UCD). He is
also a member of the UCD Humanities Institute. His research interests in-
clude the representation of death in music, the music of György Ligeti, mu-
sic and post-truth, and the theory of musical genres. Recent publications in-
clude essays on Ligeti’s writings, the influence of cultural trauma on Ligeti’s
musical style, and the Berliner Requiem by Bertolt Brecht and Kurt Weill. He
is the editor of the Dublin Death Studies series, as well as chair of the inter-
disciplinary research strand Death, Burial and the Afterlife at UCD.
Lauma Mellēna-Bartkeviča (lauma@idea-media.lv)
holds an MA degree in Arts (Theory of Culture) from the Latvian Acade-
my of Culture (2005) and works as a music journalist, reviewer and research-
er. Since 2004 she has worked for “Neatkariga Rita avize”, the 2nd largest dai-
ly newspaper in Latvia, covering themes related to classical music, chamber
music, opera and musical theatre. In 2012 worked in the jury of the Great
Music Award of Latvia. At the invitation of the “Klasika” radio station, she
gives her expert opinion on opera premieres/productions by the Latvian
National Opera. She researches opera from a hermeneutical and semiotic
point of view, mainly contemporary productions and stage direction strat-
egies. Currently, Ms Mellēna-Bartkeviča is a doctoral candidate in the PhD
Arts programme at the Faculty of Humanities of the University of Latvia, in
the “History and Theory of Theatre and Cinema” programme, completing a
471
