Page 80 - Studia Universitatis Hereditati, vol 13(2) (2025)
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munity, further manifested in the diverse com-  The Iron Age community of Osor was not
               position of grave goods.                    merely a passive recipient of external influences;
                   The most common element of female dress   rather, it was an active participant in trans-Adri-
               among the deceased was the Adriatic-type spec-  atic networks of interaction, within which for-
               tacle fibula, followed by the bow-shaped fibu-  eign forms and ideas were selectively adopted
               la with an amber bead on the bow, document-  and creatively reinterpreted. Standardised el-
               ed in various combinations. Based on these, four   ements, technical features of advanced metal-
               basic categories of attire can be distinguished:   lurgical craftsmanship, and the repetition of
               1) graves without fibulae, containing amber and   certain morphological solutions indicate the ac-
               glass beads or other forms of jewellery (Sv. Mari-  tivity  of  workshops  embedded  within  a  wider
               ja grave 1; Sv. Petar grave 6); 2) graves with a sin-  communicative space, as well as the production
               gle fibula alongside bronze and/or amber jew-  of objects with distinct local  characteristics,
        80     ellery (Sv. Marija graves 4, 7; Sv. Petar grave 5;   such as Osor-type fibulae, bracelets, pendants,
               Preko mosta  grave 8,  Osor grave  Zone C);  3)   and others. Geochemical and isotopic analyses
               graves with two fibulae and additional jewel-  of the fibulae demonstrate regional homogeni-
        studia universitatis hereditati, letnik 13 (2025), številka 2 / volume 13 (2025), number 2
               lery (Sv. Marija grave 5; Mala Prepoved); 4) com-  sation of tin exchange and the mixing of met-
               plex attire comprising of multiple fibulae, jewel-  als of European and Asian origin, most likely as-
               lery, and other grave goods, represented solely by   sociated with intensive bronze recycling (Powell
                                                                     6
               grave 6 at Sv. Marija. In the case of child burials,   et al. 2026).  Evidence for potential metallurgi-
               the inclusion of amber and glass beads, as well   cal activity at Osor itself will be provided direct-
               as a single fibula, was generally assumed, where-  ly by finds of ceramic casting spoons and ceram-
               as male graves were mostly found either without   ic furnace nozzles from the  settlement,  while
               grave goods or with only a pin (Sv. Marija, grave   geochemical analyses of sedimentary archives
               2). Other elements are not currently attested in   have confirmed intensive anthropogenic impact
               the examined sample.                        from around 1500 BCE (Miko et al. 2025). Nu-
                   The  association  of  spectacle  fibulae  with   merous amber beads, particularly the distinc-
               bow-shaped fibulae with amber bead on the bow,   tive polygonal ones, as well as larger fragments
               as well as with Osor-type fibulae, in various buri-  of raw amber of Baltic provenance (Blečić Ka-
               al contexts, reflects a rich inventory often accom-  vur 2021, 538, fig. 3; Wojewódka 2024), further
               panied by ceramic spindle whorls. Their presence   support the hypothesis of local processing activ-
               goes beyond sexual differentiation and indicates   ities, which were most likely complemented by
               concepts of social role, identity, and bodily ide-  the working of bone, glass, and other utilitari-
               ology (Arnold 2016; Rebay-Salisbury 2016, 78–  an objects.
               80). Interpreted in this way, the assemblage of   Of particular interpretative value are the re-
               objects fits within a broader European socio-cul-  lationships  between  imported  and locally pro-
               tural discourse concerning women with signifi-  duced material culture, which in the Osor graves
               cant agency in household production, exerting   are evident through deliberate and recurring
               continuous influence and bearing multiple sym-  combinations of jewellery types. Luxury and/or
               bolic meanings, including within the religious   prestige items set the standard in line with the
               order (cf. Huth and Kondziella 2017). The mo-  values of the wider cultural sphere’s social con-
               tifs of rotation, interlacing, and cyclicality – vis-  cept. However, beyond the adoption of foreign
               ible in the iconography of the fibulae and in the   forms during the 10th and 9th centuries BCE
               practices of spinning and weaving – acquire a   – such as certain types of pins, pendants, or ce-
               clear semantic dimension.                   ramic vessels – there is clear evidence of selec-
               6   Samples for tin isotope analyses were taken from 11 spectacle fibulae, 4 Osor-type fibulae, sanguisuga-shaped fibulae, bracelets,
                   pins, and Caput Adriae-type phalerae from Kavanela, Preko mosta, Sv. Marija, and Sv. Petar.
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