Page 506 - Weiss, Jernej, ur./ed. 2023. Glasbena društva v dolgem 19. stoletju: med ljubiteljsko in profesionalno kulturo ▪︎ Music societies in the long 19th century: Between amateur and professional culture. Koper/Ljubljana: Založba Univerze na Primorskem in Festival Ljubljana. Studia musicologica Labacensia, 6
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glasbena društva v dolgem 19. stoletju: med ljubiteljsko in profesionalno kulturo
ty of Ljubljana since 2019, he has been a visiting lecturer at the universities
of Brno, Graz, Leipzig and Cardiff, among others. Since 2016 he has headed
the international musicology symposium of the Slovenian Music Days and
has been editor-in-chief of the Studia musicologica Labacensia.
His research work covers issues related to music from the nineteenth cen-
tury to the present day, with a particular focus on the Slovenian and Czech
cultural environments. He is the author of four scientific monographs deal-
ing with Czech musicians in Slovenia. In 2021, the Czech academic pub-
lisher Koniasch Latin Press published an adaptation of his monograph on
Czech musicians in the 19th and early 20th centuries in Slovenia, entitled
Čeští hudebníci ve Slovinsku v 19. a na začátku 20. století. In 2020 he re-
ceived the ‘Zlata plaketa’ (Golden Plaque), the highest research award of the
University of Ljubljana, for his research achievements.
Katarina Zadnik (katarina.zadnik@ag.uni-lj.si)
is employed at the Department of Music Education at the Academy of Mu-
sic, University of Ljubljana. She is an assistant professor in music-didactic
subjects. Her research work is focused on learning and teaching processes
at different levels of music education in preschool and general education as
well as in elementary music-school education. As an independent author,
she published the scientific monograph Music Theory in the Slovenian mu
sic school: between the past, present, and future (2019), at the Ljubljana Uni-
versity Press, Faculty of Arts.
Maruša Zupančič (marusa.zupancic@zrc-sazu.si)
is a research fellow at the Institute of Musicology in Ljubljana, Slovenia. Her
research focuses on music migration in Europe in the long nineteenth cen-
tury using the latest digital humanities computational methods. Currently,
her research is centred on the influx of musicians to the Slovene lands, im-
ported musical trends, and itinerant violin virtuosos.
504
ty of Ljubljana since 2019, he has been a visiting lecturer at the universities
of Brno, Graz, Leipzig and Cardiff, among others. Since 2016 he has headed
the international musicology symposium of the Slovenian Music Days and
has been editor-in-chief of the Studia musicologica Labacensia.
His research work covers issues related to music from the nineteenth cen-
tury to the present day, with a particular focus on the Slovenian and Czech
cultural environments. He is the author of four scientific monographs deal-
ing with Czech musicians in Slovenia. In 2021, the Czech academic pub-
lisher Koniasch Latin Press published an adaptation of his monograph on
Czech musicians in the 19th and early 20th centuries in Slovenia, entitled
Čeští hudebníci ve Slovinsku v 19. a na začátku 20. století. In 2020 he re-
ceived the ‘Zlata plaketa’ (Golden Plaque), the highest research award of the
University of Ljubljana, for his research achievements.
Katarina Zadnik (katarina.zadnik@ag.uni-lj.si)
is employed at the Department of Music Education at the Academy of Mu-
sic, University of Ljubljana. She is an assistant professor in music-didactic
subjects. Her research work is focused on learning and teaching processes
at different levels of music education in preschool and general education as
well as in elementary music-school education. As an independent author,
she published the scientific monograph Music Theory in the Slovenian mu
sic school: between the past, present, and future (2019), at the Ljubljana Uni-
versity Press, Faculty of Arts.
Maruša Zupančič (marusa.zupancic@zrc-sazu.si)
is a research fellow at the Institute of Musicology in Ljubljana, Slovenia. Her
research focuses on music migration in Europe in the long nineteenth cen-
tury using the latest digital humanities computational methods. Currently,
her research is centred on the influx of musicians to the Slovene lands, im-
ported musical trends, and itinerant violin virtuosos.
504
