Page 505 - Weiss, Jernej, ur./ed. 2023. Glasbena društva v dolgem 19. stoletju: med ljubiteljsko in profesionalno kulturo ▪︎ Music societies in the long 19th century: Between amateur and professional culture. Koper/Ljubljana: Založba Univerze na Primorskem in Festival Ljubljana. Studia musicologica Labacensia, 6
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contributors
of the Intangible Cultural Heritage of Humanity. The same year she pub-
lished her first book Female Identities in the Musical Life of Sarajevo during
the Austro-Hungarian rule, the first and only book on gender and position
of women in cultural and musical life in Bosnia and Herzegovina.
Katja Škrubej (Katja.Skrubej@pf.uni-lj.si)
is Associate Professor for legal history at the University of Ljubljana Fac-
ulty of law. Parallel to law, she studied history and comparative Indo-Eu-
ropean linguistics at the Faculty of Arts of the same University. In the last
period, her work centers on conceiving of a complex diachronic scheme of
legal spaces, which should replace the anachronistic “search for the state”
in the European history alike the national state of the modern period with
a one-tier top-down territorial administration and justice and codes of law,
something that she began as a guest researcher at the Max Planck Institute
for European Legal History in Frankfurt (am Main). During the last three
years, she headed the celebrations of the centenary of the Faculty of law
and actively researched the contributions of the first professors, especially
of those from the Viennese circle with Ivan Žolger, but also Gregor Gojmir
Krek, among others. She co-authored the scripts for the documentary film
To have one’s own voice with the Director Miran Zupanič, as well as for the
celebratory convocatory in Cankar Center, featuring the Slovene Philhar-
monic and Dubravka Tomšič Srebotnjak, among others.
Viktor Velek (viktor.velek@gmx.de)
is a musicologist. His research topics are the cult of St. Wenceslas in music,
the musical culture of the Slavic minorities in Vienna 1840–1945, and mu-
sical cooperation between the Czechs and Sorbs/Wends in the “long 19th
century”.
Jernej Weiss (jernej.weiss@ag.uni-lj.si)
studied musicology at the Department of Musicology of the University of
Ljubljana’s Faculty of Arts, and at the Institute of Musicology of the Uni-
versity of Regensburg. From 2005 to 2009 he was employed as an assistant
at the Department of Musicology in Ljubljana. From 2011 to 2020 he was
editor-in-chief of Slovenia’s principal peer-reviewed musicological journal,
Muzikološki zbornik / Musicological Annual. He is on the editorial boards
of several scholarly journals and specialised publications and participates
in various domestic and international scientific projects. A full professor
of musicology at the University of Maribor since 2016 and at the Universi-
503
of the Intangible Cultural Heritage of Humanity. The same year she pub-
lished her first book Female Identities in the Musical Life of Sarajevo during
the Austro-Hungarian rule, the first and only book on gender and position
of women in cultural and musical life in Bosnia and Herzegovina.
Katja Škrubej (Katja.Skrubej@pf.uni-lj.si)
is Associate Professor for legal history at the University of Ljubljana Fac-
ulty of law. Parallel to law, she studied history and comparative Indo-Eu-
ropean linguistics at the Faculty of Arts of the same University. In the last
period, her work centers on conceiving of a complex diachronic scheme of
legal spaces, which should replace the anachronistic “search for the state”
in the European history alike the national state of the modern period with
a one-tier top-down territorial administration and justice and codes of law,
something that she began as a guest researcher at the Max Planck Institute
for European Legal History in Frankfurt (am Main). During the last three
years, she headed the celebrations of the centenary of the Faculty of law
and actively researched the contributions of the first professors, especially
of those from the Viennese circle with Ivan Žolger, but also Gregor Gojmir
Krek, among others. She co-authored the scripts for the documentary film
To have one’s own voice with the Director Miran Zupanič, as well as for the
celebratory convocatory in Cankar Center, featuring the Slovene Philhar-
monic and Dubravka Tomšič Srebotnjak, among others.
Viktor Velek (viktor.velek@gmx.de)
is a musicologist. His research topics are the cult of St. Wenceslas in music,
the musical culture of the Slavic minorities in Vienna 1840–1945, and mu-
sical cooperation between the Czechs and Sorbs/Wends in the “long 19th
century”.
Jernej Weiss (jernej.weiss@ag.uni-lj.si)
studied musicology at the Department of Musicology of the University of
Ljubljana’s Faculty of Arts, and at the Institute of Musicology of the Uni-
versity of Regensburg. From 2005 to 2009 he was employed as an assistant
at the Department of Musicology in Ljubljana. From 2011 to 2020 he was
editor-in-chief of Slovenia’s principal peer-reviewed musicological journal,
Muzikološki zbornik / Musicological Annual. He is on the editorial boards
of several scholarly journals and specialised publications and participates
in various domestic and international scientific projects. A full professor
of musicology at the University of Maribor since 2016 and at the Universi-
503
