Page 504 - Weiss, Jernej, ur./ed. 2023. Glasbena društva v dolgem 19. stoletju: med ljubiteljsko in profesionalno kulturo ▪︎ Music societies in the long 19th century: Between amateur and professional culture. Koper/Ljubljana: Založba Univerze na Primorskem in Festival Ljubljana. Studia musicologica Labacensia, 6
P. 504
glasbena društva v dolgem 19. stoletju: med ljubiteljsko in profesionalno kulturo
tance. As the editor of the University of Maribor Library’s digital reposito-
ry, she is in charge of managing cultural heritage.
Her research is focused on examining Slovenian political and cultural his-
tory in the final period of the Habsburg Monarchy, as well as on biogra-
phies and editorial work. She holds the title of research associate. She has
authored scientific and professional articles pertaining to Slovenian history
and library science, exhibition catalogues and three scientific monographs.
Her bibliography includes over 360 publications.
She has been the editor-in-chief of Časopis za zgodovino in narodopisje (The
Review for History and Ethnography) since 2005.
From 2005 to 2009, she was authorised to act as Head Teacher of the Uni-
versity of Maribor Library. She has received the Čop Diploma Award (2007),
University of Maribor’s Award for Professional Work (2020), the Janez Kar-
lin Recognition with a ZKD Maribor plaque (Maribor Association of Cul-
tural Societies) for her body of research and popularisation of Maribor’s
cultural history, and the 2021 Kalan Foundation Award.
Michal Ščepán (michal.scepan@savba.sk)
has been working at the Institute of Musicology of the Slovak Academy of
Sciences since 2013. After publishing his monograph focusing on promi-
nent Slovak composer Tadeáš Salva (2020), he is currently engaged in stud-
ying the life and work of other Slovak composers, as well as in research on
the development of musical culture and musical institutions in the 20th cen-
tury in Slovakia.
Lana Šehović (lana_sehovic@yahoo.com)
completed her undergraduate studies and holds master’s degree in Musi-
cology from the Academy of Music, University of Sarajevo. In 2014 she re-
ceived her PhD with a dissertation on Musical Life in Sarajevo during the
Austro-Hungarian rule. She started her engagement at the Department
of Musicology of the University of Sarajevo’s Academy of Music in 2007,
where she currently holds the position of an Associate Professor. Her du-
ties at the Academy have included those of the Vice-Dean for Concert Pro-
duction (2016–2017), and the Head of the Department for Musicology and
Ethnomusicology (2017-present), as well as the Editor-in-Chief of the in-
ternationally recognized and only Bosnian scientific musicological journal
Časopis za muzičku kulturu Muzika (2014–2019). In 2019 she was part of
the expert team to enlist Sevdalinka in the UNESCO’s Representative List
502
tance. As the editor of the University of Maribor Library’s digital reposito-
ry, she is in charge of managing cultural heritage.
Her research is focused on examining Slovenian political and cultural his-
tory in the final period of the Habsburg Monarchy, as well as on biogra-
phies and editorial work. She holds the title of research associate. She has
authored scientific and professional articles pertaining to Slovenian history
and library science, exhibition catalogues and three scientific monographs.
Her bibliography includes over 360 publications.
She has been the editor-in-chief of Časopis za zgodovino in narodopisje (The
Review for History and Ethnography) since 2005.
From 2005 to 2009, she was authorised to act as Head Teacher of the Uni-
versity of Maribor Library. She has received the Čop Diploma Award (2007),
University of Maribor’s Award for Professional Work (2020), the Janez Kar-
lin Recognition with a ZKD Maribor plaque (Maribor Association of Cul-
tural Societies) for her body of research and popularisation of Maribor’s
cultural history, and the 2021 Kalan Foundation Award.
Michal Ščepán (michal.scepan@savba.sk)
has been working at the Institute of Musicology of the Slovak Academy of
Sciences since 2013. After publishing his monograph focusing on promi-
nent Slovak composer Tadeáš Salva (2020), he is currently engaged in stud-
ying the life and work of other Slovak composers, as well as in research on
the development of musical culture and musical institutions in the 20th cen-
tury in Slovakia.
Lana Šehović (lana_sehovic@yahoo.com)
completed her undergraduate studies and holds master’s degree in Musi-
cology from the Academy of Music, University of Sarajevo. In 2014 she re-
ceived her PhD with a dissertation on Musical Life in Sarajevo during the
Austro-Hungarian rule. She started her engagement at the Department
of Musicology of the University of Sarajevo’s Academy of Music in 2007,
where she currently holds the position of an Associate Professor. Her du-
ties at the Academy have included those of the Vice-Dean for Concert Pro-
duction (2016–2017), and the Head of the Department for Musicology and
Ethnomusicology (2017-present), as well as the Editor-in-Chief of the in-
ternationally recognized and only Bosnian scientific musicological journal
Časopis za muzičku kulturu Muzika (2014–2019). In 2019 she was part of
the expert team to enlist Sevdalinka in the UNESCO’s Representative List
502
