Page 143 - Weiss, Jernej, ur./ed. 2024. Glasbena kritika – nekoč in danes ▪︎ Music Criticism – Yesterday and Today. Koper/Ljubljana: Založba Univerze na Primorskem in Festival Ljubljana. Studia musicologica Labacensia, 7
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putting music criticism to positive purpose: william glock ...
Carter, Elliott. The Writings of Elliott Carter, edited by Elsa and Kurt Stone. Bloom-
ington: Indiana University Press, 1977.
Carter, Elliott. Collected Essays and Lectures, 1937–1995, edited by Jonathan Ber-
nard. Rochester: Rochester University Press, 1997.
Carter, Elliott. The String Quartets. New York: Associated Music Publishers/Boos-
ey & Hawkes, 1998.
Decroupet. Pascal. “Serial Organisation and Beyond: Cross-Relations of Determi-
nants in Le Marteau sans maître and the Dynamic Pitch-Algorithm of ‘Con-
stellation’.” In: Edward Campbell and Peter O’Hagan, Pierre Boulez Studies.
Cambridge: Cambridge University Press, 2016.
Edwards, Allen. Flawed Words and Stubborn Sounds: a Conversation with Elliott
Carter. New York: Norton, 1971.
Emmery, Laura. Compositional Process in Elliott Carter’s String Quartets; a Study
in Sketches. Abingdon: Routledge, 2021.
Gerhard, Roberto. Gerhard on Music. Aldershot, UK: Ashgate, 2000.
Glock, William. The BBC‘s Music Policy. London: British Broadcasting Corpora-
tion, 1963.
Glock, William, ed. Pierre Boulez, a Symposium. London: Eulenburg, 1986.
Glock, William. “‘Elliott Carter’ [Munich Tribute 1981].” In: William Glock, Notes
in Advance, an Autobiography in Music, 181–6. Oxford: Oxford University
Press, 1991.
Glock, William. Notes in Advance: an Autobiography in Music. Oxford: Oxford
University Press, 1991.
Griffiths, Paul. Boulez. London: Oxford University Press, 1978.
Holloway, Robin. Debussy and Wagner. London: Eulenburg, 1979.
Homs, Joaquim. Robert Gerhard and his Music. Sheffield: Anglo-Catalan Socie-
ty, 2000.
Jarocinski, Stefan. Debussy: Impressionism and Symbolism. London: Eulenburg,
1976.
Keller, Hans. Criticism. London: Faber, 1987.
Kemp, Ian. Tippett, the composer and his music. London: Eulenburg, 1984
Lendle, Gabriela. Zwölftontechnik als neue Form von Tonalität: zu Roberto Ger-
hards quixotischen Code. Stuttgart: Franz Steiner, 2015.
Ligeti, György. “Pierre Boulez: Decision and Automatism in Structure 1a.” In
Young Composers: die Reihe, vol. 4, edited by Herbert Eimert, 36–62. Bryn
Mawr: Presser/Universal, 1960.
Link, John. Elliott Carter’s Late Music. Cambridge: Cambridge University Press,
2022.
143
Carter, Elliott. The Writings of Elliott Carter, edited by Elsa and Kurt Stone. Bloom-
ington: Indiana University Press, 1977.
Carter, Elliott. Collected Essays and Lectures, 1937–1995, edited by Jonathan Ber-
nard. Rochester: Rochester University Press, 1997.
Carter, Elliott. The String Quartets. New York: Associated Music Publishers/Boos-
ey & Hawkes, 1998.
Decroupet. Pascal. “Serial Organisation and Beyond: Cross-Relations of Determi-
nants in Le Marteau sans maître and the Dynamic Pitch-Algorithm of ‘Con-
stellation’.” In: Edward Campbell and Peter O’Hagan, Pierre Boulez Studies.
Cambridge: Cambridge University Press, 2016.
Edwards, Allen. Flawed Words and Stubborn Sounds: a Conversation with Elliott
Carter. New York: Norton, 1971.
Emmery, Laura. Compositional Process in Elliott Carter’s String Quartets; a Study
in Sketches. Abingdon: Routledge, 2021.
Gerhard, Roberto. Gerhard on Music. Aldershot, UK: Ashgate, 2000.
Glock, William. The BBC‘s Music Policy. London: British Broadcasting Corpora-
tion, 1963.
Glock, William, ed. Pierre Boulez, a Symposium. London: Eulenburg, 1986.
Glock, William. “‘Elliott Carter’ [Munich Tribute 1981].” In: William Glock, Notes
in Advance, an Autobiography in Music, 181–6. Oxford: Oxford University
Press, 1991.
Glock, William. Notes in Advance: an Autobiography in Music. Oxford: Oxford
University Press, 1991.
Griffiths, Paul. Boulez. London: Oxford University Press, 1978.
Holloway, Robin. Debussy and Wagner. London: Eulenburg, 1979.
Homs, Joaquim. Robert Gerhard and his Music. Sheffield: Anglo-Catalan Socie-
ty, 2000.
Jarocinski, Stefan. Debussy: Impressionism and Symbolism. London: Eulenburg,
1976.
Keller, Hans. Criticism. London: Faber, 1987.
Kemp, Ian. Tippett, the composer and his music. London: Eulenburg, 1984
Lendle, Gabriela. Zwölftontechnik als neue Form von Tonalität: zu Roberto Ger-
hards quixotischen Code. Stuttgart: Franz Steiner, 2015.
Ligeti, György. “Pierre Boulez: Decision and Automatism in Structure 1a.” In
Young Composers: die Reihe, vol. 4, edited by Herbert Eimert, 36–62. Bryn
Mawr: Presser/Universal, 1960.
Link, John. Elliott Carter’s Late Music. Cambridge: Cambridge University Press,
2022.
143
