Page 146 - Weiss, Jernej, ur./ed. 2024. Glasbena kritika – nekoč in danes ▪︎ Music Criticism – Yesterday and Today. Koper/Ljubljana: Založba Univerze na Primorskem in Festival Ljubljana. Studia musicologica Labacensia, 7
P. 146
glasbena kritika – nekoč in danes | music criticism – yesterday and today
by Jernej Weiss, 381–400. Koper, Ljubljana: Založba Univerze na Primor-
skem, Festival Ljubljana, 2017. https://zalozba.upr.si/ISBN/978-961-6984
-94-2.pdf.
Rochberg, George. “Indeterminacy in the new music.” The Score and IMA Maga-
zine 26 (January 1960): 9–19.
Rutland, Harold. “Notes and Comments.” The Musical Times, April 1960, 233–4.
Shaw-Taylor, Desmond. “Gerhard’s Greatness” [obituary]. The Sunday Times, Jan-
uary 11, 1970.
Sproston, Darren. “Thematicism in Gerhard’s Concerto for Orchestra.” Tempo 184
(March 1993): 18–22.
Sproston, Darren. “Serial Structures in Roberto Gerhard’s First and Second Sym-
phonies.” Tempo 248 (April 2009): 21–34.
Surian, Elvidio. “The Score” [and I. M. A. Magazine]. RIPM (Retrospec-
tive Index to Music Periodicals 1760–1966), 2015. https://www.ripm
.org/?page=JournalInfo&ABB=SCO.
Vlad, Roman. “My First Impressions of Roberto Gerhard’s Music.” The Score and
IMA Magazine 17 (September 1956): 27–34.
White, Julian. “Gerhard’s Secret Programme: Symphony of Hope.” The Musical
Times (March 1998): 19–28.
Wright, David. “Concerts for Coteries, or Music for All? Glock’s Proms Reconsid-
ered.” The Musical Times 149, No. 1904 (Autumn, 2008): 3–34.
Recordings
Boulez, Pierre. Le marteau sans maître. Hilary Summers, Ensemble contempo-
rain, Pierre Boulez, 479 0565. Berlin: Deutsche Grammophon, 2005.
Boulez, Pierre. Pli selon pli. BBC Symphony Orchestra, Pierre Boulez, ECD 88074.
Paris: Erato, 1983.
Carter, Elliott. Double Concerto. Paul Jacobs, Charles Rosen, English Chamber
Orchestra, Prausnitz [recorded London 1968], MS7191.New York: CBS, 1968;
S72717, London: CBS, 1968; 88765 49994 2, New York: Sony, 2013.
Carter, Elliott. Concerto for orchestra. New York Philharmonic Orchestra, Bern-
stein, SMK 60203. New York: Sony, 1998.
Carter, Elliott. Canon for 4 – Homage to William. The California Ear Unit, NA019
CD. San Francisco: New Albion, 1989.
Gerhard, Roberto. Symphony No. 1 and Dances from Don Quixote. BBC Symphony
Orchestra, Antal Dorati, ASD 613 and ALP 2063. London: EMI, 1965.
Gerhard, Roberto. Symphony No. 4. BBC Symphony Orchestra, Colin Davis, ZRG
701. London: Decca/Argo, 1972; reissued on SRCD 274, Burnham, Bucks, UK:
Lyrita, 2008.
146
by Jernej Weiss, 381–400. Koper, Ljubljana: Založba Univerze na Primor-
skem, Festival Ljubljana, 2017. https://zalozba.upr.si/ISBN/978-961-6984
-94-2.pdf.
Rochberg, George. “Indeterminacy in the new music.” The Score and IMA Maga-
zine 26 (January 1960): 9–19.
Rutland, Harold. “Notes and Comments.” The Musical Times, April 1960, 233–4.
Shaw-Taylor, Desmond. “Gerhard’s Greatness” [obituary]. The Sunday Times, Jan-
uary 11, 1970.
Sproston, Darren. “Thematicism in Gerhard’s Concerto for Orchestra.” Tempo 184
(March 1993): 18–22.
Sproston, Darren. “Serial Structures in Roberto Gerhard’s First and Second Sym-
phonies.” Tempo 248 (April 2009): 21–34.
Surian, Elvidio. “The Score” [and I. M. A. Magazine]. RIPM (Retrospec-
tive Index to Music Periodicals 1760–1966), 2015. https://www.ripm
.org/?page=JournalInfo&ABB=SCO.
Vlad, Roman. “My First Impressions of Roberto Gerhard’s Music.” The Score and
IMA Magazine 17 (September 1956): 27–34.
White, Julian. “Gerhard’s Secret Programme: Symphony of Hope.” The Musical
Times (March 1998): 19–28.
Wright, David. “Concerts for Coteries, or Music for All? Glock’s Proms Reconsid-
ered.” The Musical Times 149, No. 1904 (Autumn, 2008): 3–34.
Recordings
Boulez, Pierre. Le marteau sans maître. Hilary Summers, Ensemble contempo-
rain, Pierre Boulez, 479 0565. Berlin: Deutsche Grammophon, 2005.
Boulez, Pierre. Pli selon pli. BBC Symphony Orchestra, Pierre Boulez, ECD 88074.
Paris: Erato, 1983.
Carter, Elliott. Double Concerto. Paul Jacobs, Charles Rosen, English Chamber
Orchestra, Prausnitz [recorded London 1968], MS7191.New York: CBS, 1968;
S72717, London: CBS, 1968; 88765 49994 2, New York: Sony, 2013.
Carter, Elliott. Concerto for orchestra. New York Philharmonic Orchestra, Bern-
stein, SMK 60203. New York: Sony, 1998.
Carter, Elliott. Canon for 4 – Homage to William. The California Ear Unit, NA019
CD. San Francisco: New Albion, 1989.
Gerhard, Roberto. Symphony No. 1 and Dances from Don Quixote. BBC Symphony
Orchestra, Antal Dorati, ASD 613 and ALP 2063. London: EMI, 1965.
Gerhard, Roberto. Symphony No. 4. BBC Symphony Orchestra, Colin Davis, ZRG
701. London: Decca/Argo, 1972; reissued on SRCD 274, Burnham, Bucks, UK:
Lyrita, 2008.
146
