Page 145 - Weiss, Jernej, ur./ed. 2024. Glasbena kritika – nekoč in danes ▪︎ Music Criticism – Yesterday and Today. Koper/Ljubljana: Založba Univerze na Primorskem in Festival Ljubljana. Studia musicologica Labacensia, 7
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putting music criticism to positive purpose: william glock ...
Drew, David. “Messiaen—a provisional study.” The Score and IMA Magazine 10
(December 1954): 33–49; 13 (September 1955): 59–73; 14 (December 1955): 41–61.
Drew, David. “Roberto Gerhard: the Musical Character.” The Score and IMA Mag-
azine 17 (September 1956): 29–39.
Gerhard, Roberto. “English Musical Life: a Symposium.” Tempo 11 (June 1945): 2–6.
Gerhard, Roberto. “Tonality in Twelve-Tone music.” The Score and IMA Magazine
6 (May 1952): 23–35. Reprinted in Gerhard on Music (2000), 116–28.
Gerhard, Roberto. “Reply to George Perle.” The Score and IMA Magazine 9 (Sep-
tember 1954): 59–60.
Gerhard, Roberto. “The Contemporary Musical Situation.” The Score and IMA
Magazine 16 (June 1956): 7–18. Reprinted in Gerhard on Music (2000), 24–33.
Gerhard, Roberto. “Developments in Twelve-note Technique.” The Score and IMA
Magazine 17 (September 1956): 61–72. Reprinted in Gerhard on Music (2000),
129–38.
Gerhard, Roberto. “Twelve-note technique in Stravinsky.” The Score and IMA
Magazine 20 (June 1957): 38–43. Reprinted in Gerhard on Music (2000), 148–
56, plus plates 1–10.
Gerhard, Roberto. “Apropos Mr. Stadlen.” The Score and IMA Magazine 24 (July
1958): 50–7.
Gerhard, Roberto. “Some Lectures by Webern.” The Score and IMA Magazine 28
(January 1961): 25–8. Reprinted in Gerhard on Music (2000), 142–7.
Glock, William. “The Festival at Linz.” The Observer, July 26, 1936, 13.
Glock, William. “The Salzburg Festival.” The Observer, August 9, 1936, 13.
Glock, William. “Music.” The Observer, April 25, 1943, 2.
Glock, William. “Music.” The Observer, January 16, 1944, 2.
Glock, William. “Music.” The Observer, May 27, 1945, 2.
Glock, William. “Music.” The Observer, September 30, 1945, 2.
Glock, William. “A Note on Elliott Carter.” The Score and IMA Magazine 12 (June
1955): 47–52.
Glock, William, ed. The Score and IMA Magazine 17 [Special Roberto Gerhard is-
sue] (September 1956), including “Comment,” 7.
Keller, Hans. “Stravinsky’s Performance of ‘Agon’: A Report.” Tempo 100 (1972):
19–22.
Mason, Colin. “Roberto Gerhard’s First Symphony.” The Musical Times (Febru-
ary 1962): 99–100.
Nash, Peter Paul. “The Wind Quintet.” Tempo 139 (December 1981): 5–11.
Nono, Luigi. “The historical reality of music today.” The Score and IMA Magazine
27 (July 1960): 41–5.
O’Loughlin, Niall. “Escape from Catalonia: The Composing Experience of
Roberto Gerhard.” In Glasbene migracije: stičišče evropske raznolikos-
ti – Musical Migrations: Crossroads of European musical diversity, edited
145
Drew, David. “Messiaen—a provisional study.” The Score and IMA Magazine 10
(December 1954): 33–49; 13 (September 1955): 59–73; 14 (December 1955): 41–61.
Drew, David. “Roberto Gerhard: the Musical Character.” The Score and IMA Mag-
azine 17 (September 1956): 29–39.
Gerhard, Roberto. “English Musical Life: a Symposium.” Tempo 11 (June 1945): 2–6.
Gerhard, Roberto. “Tonality in Twelve-Tone music.” The Score and IMA Magazine
6 (May 1952): 23–35. Reprinted in Gerhard on Music (2000), 116–28.
Gerhard, Roberto. “Reply to George Perle.” The Score and IMA Magazine 9 (Sep-
tember 1954): 59–60.
Gerhard, Roberto. “The Contemporary Musical Situation.” The Score and IMA
Magazine 16 (June 1956): 7–18. Reprinted in Gerhard on Music (2000), 24–33.
Gerhard, Roberto. “Developments in Twelve-note Technique.” The Score and IMA
Magazine 17 (September 1956): 61–72. Reprinted in Gerhard on Music (2000),
129–38.
Gerhard, Roberto. “Twelve-note technique in Stravinsky.” The Score and IMA
Magazine 20 (June 1957): 38–43. Reprinted in Gerhard on Music (2000), 148–
56, plus plates 1–10.
Gerhard, Roberto. “Apropos Mr. Stadlen.” The Score and IMA Magazine 24 (July
1958): 50–7.
Gerhard, Roberto. “Some Lectures by Webern.” The Score and IMA Magazine 28
(January 1961): 25–8. Reprinted in Gerhard on Music (2000), 142–7.
Glock, William. “The Festival at Linz.” The Observer, July 26, 1936, 13.
Glock, William. “The Salzburg Festival.” The Observer, August 9, 1936, 13.
Glock, William. “Music.” The Observer, April 25, 1943, 2.
Glock, William. “Music.” The Observer, January 16, 1944, 2.
Glock, William. “Music.” The Observer, May 27, 1945, 2.
Glock, William. “Music.” The Observer, September 30, 1945, 2.
Glock, William. “A Note on Elliott Carter.” The Score and IMA Magazine 12 (June
1955): 47–52.
Glock, William, ed. The Score and IMA Magazine 17 [Special Roberto Gerhard is-
sue] (September 1956), including “Comment,” 7.
Keller, Hans. “Stravinsky’s Performance of ‘Agon’: A Report.” Tempo 100 (1972):
19–22.
Mason, Colin. “Roberto Gerhard’s First Symphony.” The Musical Times (Febru-
ary 1962): 99–100.
Nash, Peter Paul. “The Wind Quintet.” Tempo 139 (December 1981): 5–11.
Nono, Luigi. “The historical reality of music today.” The Score and IMA Magazine
27 (July 1960): 41–5.
O’Loughlin, Niall. “Escape from Catalonia: The Composing Experience of
Roberto Gerhard.” In Glasbene migracije: stičišče evropske raznolikos-
ti – Musical Migrations: Crossroads of European musical diversity, edited
145
