Page 157 - Terčelj, Dušan. 2015. The Culture of Wine in Slovenia. Edited by Aleš Gačnik. University of Primorska Press, Koper.
P. 157
Getting to know wine

0.5 ha. Only 1500 farms, i.e. 3.2% of all the farms with vineyards, have at least 1 ha of
vineyards. As the size of vineyards increases, the number of farms falls dramatically, thus
only 200 farms have over 3 ha. These farms have organised themselves into an association
of family winegrowers with their own trade mark VZDVVS and an emblem. The members
of this association are exclusively winegrowers who make a living from the cultivation of
grapes and winemaking. Considering EU norms, this structure is worrying. I wonder if all
that will be left will be around 200 farms with approximately 5,000 ha of vineyards: in
other words, only a quarter of the land currently planted with vineyards. Should the rest
simply vanish because they are not economically viable? Should the image of our cultural
heritage on those friendly hills, in particular in Dolenjska, but also in Štajerska and the
Vipava area, simply disappear? Is it all to be overgrown by trees and brambles?

I see one way of retaining at

least a part of these vineyards

in the sale to tourists of wine at

the winemakers’ homes, which

is what wine routes facilitate.

Thus the vineyards would remain

cultivated and the Slovene hills

populated, otherwise the land-

scape will soon become neglected

and largely uninhabited, with

perhaps just a few weekend houses

remaining. Winemaking tourist

farms need to be organised along

wine routes, which will sell wine

to visitors and offer them culinary

specialities, thus informing wine

lovers about the local cultural

and historical characteristics. I

(I’m down in the vineyard.) Haloze, 2006. Photo: Aleš Gačnik believe, although it is already
somewhat late, that it is neces-

sary in order to preserve our

cultural heritage and to stop the

shrinking of winegrowing areas

to improve the economic position

of those living in winegrowing areas, particularly the poorer ones along the borders. I have

long advocated the solution proposed by Ozimič: “The point of a wine route is in offering

wine as a cultural product and not just as an agricultural product, in the location where

it is produced. Visitors should be able to experience the winegrowing landscape in all its

dimensions.”37

37 I bid., p. 38.

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