Page 384 - Weiss, Jernej, ur. 2018. Nova glasba v “novi” Evropi med obema svetovnima vojnama ?? New Music in the “New” Europe Between the Two World Wars. Koper/Ljubljana: Založba Univerze na Primorskem in Festival Ljubljana. Studia musicologica Labacensia, 2
P. 384
nova glasba v »novi« evropi med obema svetovnima vojnama
Nada Bezić (nada.bezic@zg.t-com.hr)
studied and got her doctorate (2011) in musicology from the Zagreb Mu-
sic Academy. She graduated in librarianship at the Faculty of Philosophy
in Zagreb (1992) and is since 1988 in charge of the library in the Croatian
Music Institute in Zagreb. Her main fields of research are the history of the
Croatian Music Institute (book Društveni orkestar Hrvatskoga glazbenog
zavoda, 2009) and musical life in Zagreb in the 19th and 20th centuries, re-
garding musical topography, book: Glazbena topografija Zagreba od 1799.
do 2010. (2012) and Glazbene šetnje Zagrebom (2016). She is executive edi-
tor of the project Sabrana djela Blagoja Berse at the Croatian Music Insti-
tute. For many years she contributed to the Third Programme of Croatian
Radio. She wrote many articles and essays, edited the musicological collec-
tions and made several exhibitions in the field of the history of Croatian
music.
Katarina Bogunović Hočevar (Katarina.BogunovicHocevar@ff.uni-lj.si)
is a lecturer at the Department of Musicology, Faculty of Arts in Ljubljana,
where she is also employed. Her research field is the history of music of the
19th and first half of the 20th century, the history of Slovenian music, anal-
ysis and music aesthetics. She publishes scientific articles in Slovenian and
international journals. She is an editor an coeditor of professional and sci-
entific publications. She collaborates with all important Slovenian music
institutions, for which she prepares professional publications, profession-
al texts, music broadcast shows and exhibitions (Cankarjev dom, The Slo-
venian Philharmonic, RTV Slovenija, NUK, DSS, Festival Ljubljana, Festi-
val Brežice).
Ivan Florjanc (ivan.florjanc@guest.arnes.si)
is a composer, researcher and teacher. He graduated from the University
of Ljubljana’s Faculty of Theology in 1981. In 1989, he completed his mu-
sic studies with a master’s degree in composition from the Pontifical Insti-
tute of Sacred Music in Rome with the oratorio Abraham et Isaac for solo-
ists, choir and orchestra. He worked as a lecturer there until 2004. In 1999,
he also qualified at the Academy of Music, where he currently works as a
full professor, teaching composition and music theory. As a composer, he is
distinguished by his polyphonic vocal, chamber and orchestral opus (over
100 items of work). In terms of the research he conducts, this centres main-
ly on writing detailed monographs and articles on musical analysis (over
382
Nada Bezić (nada.bezic@zg.t-com.hr)
studied and got her doctorate (2011) in musicology from the Zagreb Mu-
sic Academy. She graduated in librarianship at the Faculty of Philosophy
in Zagreb (1992) and is since 1988 in charge of the library in the Croatian
Music Institute in Zagreb. Her main fields of research are the history of the
Croatian Music Institute (book Društveni orkestar Hrvatskoga glazbenog
zavoda, 2009) and musical life in Zagreb in the 19th and 20th centuries, re-
garding musical topography, book: Glazbena topografija Zagreba od 1799.
do 2010. (2012) and Glazbene šetnje Zagrebom (2016). She is executive edi-
tor of the project Sabrana djela Blagoja Berse at the Croatian Music Insti-
tute. For many years she contributed to the Third Programme of Croatian
Radio. She wrote many articles and essays, edited the musicological collec-
tions and made several exhibitions in the field of the history of Croatian
music.
Katarina Bogunović Hočevar (Katarina.BogunovicHocevar@ff.uni-lj.si)
is a lecturer at the Department of Musicology, Faculty of Arts in Ljubljana,
where she is also employed. Her research field is the history of music of the
19th and first half of the 20th century, the history of Slovenian music, anal-
ysis and music aesthetics. She publishes scientific articles in Slovenian and
international journals. She is an editor an coeditor of professional and sci-
entific publications. She collaborates with all important Slovenian music
institutions, for which she prepares professional publications, profession-
al texts, music broadcast shows and exhibitions (Cankarjev dom, The Slo-
venian Philharmonic, RTV Slovenija, NUK, DSS, Festival Ljubljana, Festi-
val Brežice).
Ivan Florjanc (ivan.florjanc@guest.arnes.si)
is a composer, researcher and teacher. He graduated from the University
of Ljubljana’s Faculty of Theology in 1981. In 1989, he completed his mu-
sic studies with a master’s degree in composition from the Pontifical Insti-
tute of Sacred Music in Rome with the oratorio Abraham et Isaac for solo-
ists, choir and orchestra. He worked as a lecturer there until 2004. In 1999,
he also qualified at the Academy of Music, where he currently works as a
full professor, teaching composition and music theory. As a composer, he is
distinguished by his polyphonic vocal, chamber and orchestral opus (over
100 items of work). In terms of the research he conducts, this centres main-
ly on writing detailed monographs and articles on musical analysis (over
382
