Page 388 - Weiss, Jernej, ur. 2018. Nova glasba v “novi” Evropi med obema svetovnima vojnama ?? New Music in the “New” Europe Between the Two World Wars. Koper/Ljubljana: Založba Univerze na Primorskem in Festival Ljubljana. Studia musicologica Labacensia, 2
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nova glasba v »novi« evropi med obema svetovnima vojnama
Niall O’Loughlin (N.Oloughlin@lboro.ac.uk)
studied at the Universities of Edinburgh and Leicester and has specialised
in the 20th-century music of Slovenia, the United Kingdom, and Poland.
His book Novejša glasba v Sloveniji was published in Ljubljana in 2000.
His many articles have appeared in Musicological Annual, the proceedings
of Slovene Music Days, The Musical Times, Tempo, chapters in books and
in various editions of the New Grove Dictionaries of Music. In 2007 he was
elected Corresponding Member of the Slovenian Academy of Sciences and
Arts.
Gregor Pompe (gregor.pompe@ff.uni-lj.si)
is an associate professor at the Department of Musicology of the University
of Ljubljana’s Faculty of Arts. As a researcher, he is mainly focused on con-
temporary music, opera and music semantics. He has published three mon-
ographs (Pisna podoba glasbe na Slovenskem with J. Snoj, Postmodernizem
in semantika glasbe, Zveneča metafizika – skladateljski opus akademika Lo-
jzeta Lebiča) and a series of scholarly articles in domestic and foreign jour-
nals. From 2008 to 2012, he was President of the Slovenian Musicological
Society, and the Chairman of the Department of Musicology from 2012 to
2016. For his work, he received the Mantuani award by the Slovenian Musi-
cological Society. He is also an active music critic and composer.
Karmen Salmič Kovačič (karmen.salmic@um.si)
is a musicologist, librarian, expert consultant and curator of the Music and
Film Collection of Maribor University Library. Before taking up her pres-
ent position, she was employed for six years as a research assistant (history
of music) in the Music Department of the University of Maribor‘s Faculty of
Education. After completing her secondary education in Brežice and at the
Secondary School of Music in Ljubljana, she continued her studies at the
Department of Musicology (Faculty of Arts, University of Ljubljana), grad-
uating in 1990 and completing a master‘s degree in 2007. In 2016 she de-
fended a doctoral dissertation on “Demetrij Žebrè and contemporary sty-
listic tendencies in Slovene music”. She is the author of several projects and
exhibitions and has published numerous articles in professional and schol-
arly journals. Her principal area of research is Slovene music in the first half
of the twentieth century.
386
Niall O’Loughlin (N.Oloughlin@lboro.ac.uk)
studied at the Universities of Edinburgh and Leicester and has specialised
in the 20th-century music of Slovenia, the United Kingdom, and Poland.
His book Novejša glasba v Sloveniji was published in Ljubljana in 2000.
His many articles have appeared in Musicological Annual, the proceedings
of Slovene Music Days, The Musical Times, Tempo, chapters in books and
in various editions of the New Grove Dictionaries of Music. In 2007 he was
elected Corresponding Member of the Slovenian Academy of Sciences and
Arts.
Gregor Pompe (gregor.pompe@ff.uni-lj.si)
is an associate professor at the Department of Musicology of the University
of Ljubljana’s Faculty of Arts. As a researcher, he is mainly focused on con-
temporary music, opera and music semantics. He has published three mon-
ographs (Pisna podoba glasbe na Slovenskem with J. Snoj, Postmodernizem
in semantika glasbe, Zveneča metafizika – skladateljski opus akademika Lo-
jzeta Lebiča) and a series of scholarly articles in domestic and foreign jour-
nals. From 2008 to 2012, he was President of the Slovenian Musicological
Society, and the Chairman of the Department of Musicology from 2012 to
2016. For his work, he received the Mantuani award by the Slovenian Musi-
cological Society. He is also an active music critic and composer.
Karmen Salmič Kovačič (karmen.salmic@um.si)
is a musicologist, librarian, expert consultant and curator of the Music and
Film Collection of Maribor University Library. Before taking up her pres-
ent position, she was employed for six years as a research assistant (history
of music) in the Music Department of the University of Maribor‘s Faculty of
Education. After completing her secondary education in Brežice and at the
Secondary School of Music in Ljubljana, she continued her studies at the
Department of Musicology (Faculty of Arts, University of Ljubljana), grad-
uating in 1990 and completing a master‘s degree in 2007. In 2016 she de-
fended a doctoral dissertation on “Demetrij Žebrè and contemporary sty-
listic tendencies in Slovene music”. She is the author of several projects and
exhibitions and has published numerous articles in professional and schol-
arly journals. Her principal area of research is Slovene music in the first half
of the twentieth century.
386
