Page 390 - Weiss, Jernej, ur. 2018. Nova glasba v “novi” Evropi med obema svetovnima vojnama ?? New Music in the “New” Europe Between the Two World Wars. Koper/Ljubljana: Založba Univerze na Primorskem in Festival Ljubljana. Studia musicologica Labacensia, 2
P. 390
nova glasba v »novi« evropi med obema svetovnima vojnama
Jernej Weiss (jernej.weiss@ag.uni-lj.si)
studied musicology in the Department of Musicology at the University of
Ljubljana‘s Faculty of Arts, and at the Institute of Musicology of the Uni-
versity of Regensburg. From 2005 to 2009 he worked as an Assistant at the
Department of Musicology in Ljubljana. Since 2011 he is editor-in-chief of
the main, peer-reviewed, Slovenian musicological periodical Muzikološki
zbornik (Musicological Annual), is on the editorial boards of several scien-
tific and specialised periodicals, and is also participating in various domes-
tic and international scientific projects. He has been a full professor of mu-
sicology at the University of Maribor since 2016. He was a visiting lecturer
at the universities of Graz, Brno, Cardiff, etc.
His research work deals with issues related to music from the 19th centu-
ry to the present, focusing particularly, in one way or another, on the Slove-
nian and Czech cultural environments. He is the author of three scientific
monographs. Since 2016 he has headed the international musicology sym-
posium of the Slovene Music Days. He has also been editor-in-chief of the
new scholarly monograph collection Studia musicologica Labacensia since
2016.
Sara Zupančič (sarazpn@gmail.com)
graduated in piano at the Conservatory of Music Giuseppe Tartini in Tri-
este, and turned to musicology after that. She completed her Master‘s de-
gree in 2016 at the Faculty of Arts in Ljubljana, where she is currently
taking part as research assistant in the project »The stylistic and composi-
tional-technical diversity of Slovenian music from 1918 to the present day
in the light of social changes«. She regularly writes for the Slovenian RAI –
Radio Trst A radio station and trains as dramaturg in opera productions.
388
Jernej Weiss (jernej.weiss@ag.uni-lj.si)
studied musicology in the Department of Musicology at the University of
Ljubljana‘s Faculty of Arts, and at the Institute of Musicology of the Uni-
versity of Regensburg. From 2005 to 2009 he worked as an Assistant at the
Department of Musicology in Ljubljana. Since 2011 he is editor-in-chief of
the main, peer-reviewed, Slovenian musicological periodical Muzikološki
zbornik (Musicological Annual), is on the editorial boards of several scien-
tific and specialised periodicals, and is also participating in various domes-
tic and international scientific projects. He has been a full professor of mu-
sicology at the University of Maribor since 2016. He was a visiting lecturer
at the universities of Graz, Brno, Cardiff, etc.
His research work deals with issues related to music from the 19th centu-
ry to the present, focusing particularly, in one way or another, on the Slove-
nian and Czech cultural environments. He is the author of three scientific
monographs. Since 2016 he has headed the international musicology sym-
posium of the Slovene Music Days. He has also been editor-in-chief of the
new scholarly monograph collection Studia musicologica Labacensia since
2016.
Sara Zupančič (sarazpn@gmail.com)
graduated in piano at the Conservatory of Music Giuseppe Tartini in Tri-
este, and turned to musicology after that. She completed her Master‘s de-
gree in 2016 at the Faculty of Arts in Ljubljana, where she is currently
taking part as research assistant in the project »The stylistic and composi-
tional-technical diversity of Slovenian music from 1918 to the present day
in the light of social changes«. She regularly writes for the Slovenian RAI –
Radio Trst A radio station and trains as dramaturg in opera productions.
388
