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the european musical context of the oper as of slavko osterc
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»Salome« von Slavko Osterc.” Primož Kuret, ed. Slovenska glasba v preteklos-
ti in sedanjosti – Slowenische Musik in Vergangenheit und Gegenwart. Ljublja-
na: Kres, 1992, 204–215.
Bartók, Béla. Herzog Blaubarts Burg - A kékszakállu herceg vára (vocal score). Vi-
enna: Universal, 1921.
Beaumont, Antony. Busoni the Composer. London: Faber, 1985.
Beaumont, Antony. Zemlinsky. London: Faber, 2000.
Braunfels, Walter. Die Vögel (klavierauszug). Vienna: Universal, 1920.
Cvetko, Dragotin. Osebnost skladatelja Slavka Osterca. Ljubljana: Cankarjeva
založba, 1993.
Del Mar, Norman. Richard Strauss: a critical commentary on his life and works,
vol.1. London: Barrie & Rockcliff, 1962
Forsyth, Karen. “Hofmannsthal’s Elektra: from Sophocles to Strauss.” Derrick
Puffett, ed. Richard Strauss Elektra. Cambridge: Cambridge University Press,
1989, 17–32.
Harding, James. The Ox on the Roof. London: Macdonald, 1972.
Holloway, Robin. Debussy and Wagner. London: Eulenburg, 1979.
Jarocinski, Stefan. Impressionism and Symbolism. London: Eulenburg, 1976.
Jefferson, Alan. Richard Strauss Der Rosenkavalier. Cambridge: Cambridge Uni-
versity Press, 1985.
Kemp. Ian. Hindemith. London: Oxford University Press, 1970.
Klabund [Alfred Henschke]. Der Kreidekreis. Berlin: J.M. Spaeth, 1925; The Cir-
cle of Chalk. Translated by James Laver. London: William Heinemann, 1929.
Knessl, Lothar. Ernst Krenek. Vienna: Elisabeth Lafite and Österreichischer Bun-
desverlag für Unterricht, Wissenschaft und Kunst, 1967.
Lajovic, Anton. “Opera – Slavko Osterc: Iz komične opere.” [Kronika] Ljubljanski
zvon vol. 49, no. 1 (1929): 60–61.
Lambert, Constant. Music Ho! A Study of Music in Decline. London: Faber, 1934;
London: Hogarth, 1985.
Nichols, Roger and Langham Smith, Richard, eds. Claude Debussy, Pelléas et
Mélisande. Cambridge: Cambridge University Press, 1989.
O’Loughlin, Niall. “The Chalk Circle Operas of Osterc and Zemlinsky: a compara-
tive Analysis.” Primož Kuret, ed. Glasba med obema vojnama in Slavko Osterc.
Ljubljana: Festival, 1995, 64–76.
O’Loughlin, Niall. “Dramatic and Musical Conflicts in Kogoj’s Črne maske.” Primož
Kuret, ed. Glasba in/za Oder – Music and/for the Stage, Ljubljana: Festival, 2014,
127–133.
393
Andraschke, Peter. “Minutna opera »Saloma« Slavka Osterca – Die Minutenoper
»Salome« von Slavko Osterc.” Primož Kuret, ed. Slovenska glasba v preteklos-
ti in sedanjosti – Slowenische Musik in Vergangenheit und Gegenwart. Ljublja-
na: Kres, 1992, 204–215.
Bartók, Béla. Herzog Blaubarts Burg - A kékszakállu herceg vára (vocal score). Vi-
enna: Universal, 1921.
Beaumont, Antony. Busoni the Composer. London: Faber, 1985.
Beaumont, Antony. Zemlinsky. London: Faber, 2000.
Braunfels, Walter. Die Vögel (klavierauszug). Vienna: Universal, 1920.
Cvetko, Dragotin. Osebnost skladatelja Slavka Osterca. Ljubljana: Cankarjeva
založba, 1993.
Del Mar, Norman. Richard Strauss: a critical commentary on his life and works,
vol.1. London: Barrie & Rockcliff, 1962
Forsyth, Karen. “Hofmannsthal’s Elektra: from Sophocles to Strauss.” Derrick
Puffett, ed. Richard Strauss Elektra. Cambridge: Cambridge University Press,
1989, 17–32.
Harding, James. The Ox on the Roof. London: Macdonald, 1972.
Holloway, Robin. Debussy and Wagner. London: Eulenburg, 1979.
Jarocinski, Stefan. Impressionism and Symbolism. London: Eulenburg, 1976.
Jefferson, Alan. Richard Strauss Der Rosenkavalier. Cambridge: Cambridge Uni-
versity Press, 1985.
Kemp. Ian. Hindemith. London: Oxford University Press, 1970.
Klabund [Alfred Henschke]. Der Kreidekreis. Berlin: J.M. Spaeth, 1925; The Cir-
cle of Chalk. Translated by James Laver. London: William Heinemann, 1929.
Knessl, Lothar. Ernst Krenek. Vienna: Elisabeth Lafite and Österreichischer Bun-
desverlag für Unterricht, Wissenschaft und Kunst, 1967.
Lajovic, Anton. “Opera – Slavko Osterc: Iz komične opere.” [Kronika] Ljubljanski
zvon vol. 49, no. 1 (1929): 60–61.
Lambert, Constant. Music Ho! A Study of Music in Decline. London: Faber, 1934;
London: Hogarth, 1985.
Nichols, Roger and Langham Smith, Richard, eds. Claude Debussy, Pelléas et
Mélisande. Cambridge: Cambridge University Press, 1989.
O’Loughlin, Niall. “The Chalk Circle Operas of Osterc and Zemlinsky: a compara-
tive Analysis.” Primož Kuret, ed. Glasba med obema vojnama in Slavko Osterc.
Ljubljana: Festival, 1995, 64–76.
O’Loughlin, Niall. “Dramatic and Musical Conflicts in Kogoj’s Črne maske.” Primož
Kuret, ed. Glasba in/za Oder – Music and/for the Stage, Ljubljana: Festival, 2014,
127–133.
393
