Page 87 - Studia Universitatis Hereditati, vol 12(2) (2024)
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               Figure 2: The Holy Mountain Counsel in Karyes (De Vogüé 1878, between  p. XII and p.1.)

                   A journey to Mount Athos offers an en-  Visual Impressions
               counter with a vibrant past. Diehl’s reflections   Charles Diehl, a noted Byzantinist, articulates
               resonate with De Vogüé’s assertion that travel-  the essence of monastic life by focusing on the
               ling to Athos entails an attempt ‘to search mem-  katholikon, or central church, describing its pro- Perceptions of a ‘Journey to the Past’ in Some Viatical Stories at Mount Athos
               ories and to ask with confidence to contempo-  found atmosphere: ‘And the effect is even more
                                                    3
               rary Orientals a living lesson of the past’  (De   striking in the already dark church, where the
               Vogüé 1894, 255), essentially in the Magazine Le   candles cast an uncertain and flickering light:
               Tour  du  Monde.  For  De Vogüé,  the  Orient  of   in the mysterious half-light, reflections light up
               his era is populated by ‘faithful guardians of old   in the large copper chandeliers; lightning flashes
                               4
               historical deposits’  (De Vogüé 1894, 255), un-  from the gilding of goldwork and icons; on the
               derscoring the enduring significance of this pil-  walls decorated with ancient paintings and mo-
               grimage for understanding historical continuity   saics, figures, appearing at the end of a candle,
               and cultural heritage.                      suddenly emerge from the darkness, strange, al-
                                                           most alive in this unexpected lighting, and then
                                                           suddenly re-enter the night; and sumptuous fab-
                                                           rics, exposed behind the iconostasis, take on
                                                           shimmering and tender reflections in the falling
                   itée autrefois la plus sauvage, le moyen âge grec n’avait laissé   daylight; and it is good to forget yourself there,
                   une des plus extraordinaires créations.’   in the high choir stalls, in the calm of the dark
               3   ‘Chercher des souvenirs et demander avec confiance aux
                   Orientaux contemporains la leçon vivante du passé’
               4   ‘fidèles gardiens des vieux dépôts historiques’
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