Page 72 - Studia Universitatis Hereditati, vol 13(2) (2025)
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               the pin (Blečić Kavur 2010, pl. 40, 546; 41, 553;   219).   The  incised  decorative  and  symbolic-se-
               44, 585).                                   mantic programme on the discs of the Osor ex-
                   The origin of this fibula can be reliably   amples is varied and non-uniform, and in detail
               traced to italic fibulae a disco (Merhart 1942, fig.   does not correspond to Liburnian specimens (fig.
               1, pl. 2; Trachsel 2004, 198–218, fig. 127; 134),   6). On Osor fibulae, the most common motif is
               which are closely related to single-piece Picene   a square, with either concave or straight sides, of-
               examples (Lucentini 1999, 258, fig. 478; 2007,   ten combined with a so-called patee or Mantu-
               104, fig. 6). However, as all Kvarner and north-  an cross, of which two examples from Kavane-
               ern Dalmatian fibulae are two-part (fig. 6), with   la have been preserved. In fact, these two motifs
               amber beads added to the long pin, this fibula   appear in much smaller numbers and in differ-
               has been defined as characteristic luxury jewel-  ent compositions on fibulae from Nin (graves 10,
               lery of the second phase of the Liburnian culture   3/49) (fig. 6, 7–8).
        72     (Batović 1987, 350, pl. 37, 13; 38, 21), as well as of   A  motif  characteristic  of  the  Liburnian
               the Kvarner cultural group (Blečić Kavur 2010,   area is the swastika, depicted in various forms
               140, fig. 279; 2021, 537–8), with widespread use   or combined with the schematised frog motif
        studia universitatis hereditati, letnik 13 (2025), številka 2 / volume 13 (2025), number 2
               throughout the 8th century BCE (Kukoč 2013).   on the Krk (II) variant fibula, as seen in Nin
               In this way, a distinct local expression in attire   grave 26 (fig. 6, 10) (Batović 1976, fig. 13; 1987,
               was manifested, while typical jewellery elements   pl. 37, 13; Glogović 2003, 45). This motif also ap-
               from the wider Adriatic basin were adopted,   pears on the Osor variant fibula from the grave
               highlighting the possibility of regional produc-  at Mala Prepoved (fig. 7, 1), but aside from the
               tion specifically in the Kvarner area and north-  type of fibula, it differs in execution. In addi-
               ern Dalmatia.                               tion to the swastika, the bird motif is absent
                   Fibulae from Osor (Mladin 1960, 219, 222,   from the iconographic programme of the Osor
               pl. 13; Glogović 1982a, 74–84, pl. 2–4; 1982b, 36,   examples, whereas it dominates, rendered in
               fig. 2, 4–6; 1989, pl. 22, 3–7; 23, 5), Nin (Batović   various  ways,  on  Liburnian  fibulae.  The  cross
               1968, pl. 10, 2; 1976, fig. 13, 4; Hiller 1991, 53–6,   and St Andrew’s cross motifs are so far known
               pl. 8, 97; 27, 300; 30, 343; Majnarić-Pandžić 1998,   only from Osor and, like the polygonal beads
               fig. 134), and Zaton (Batović 1965, fig. 14, 1; Hill-  and the round disc on the pin, represent its dis-
               er 1991, pl. 49, 517; Glogović 2003, 43–4, pl. 43–  tinctiveness (fig. 6). Glogović associated the
               6), which belong to the eponymous type and var-  cross motif on the Osor fibula more closely with
               iant, are morphologically very similar. They are   related fibulae from the Terni necropolis, high-
               distinguished by ornamentation, i.e., the icono-  lighting a possible stronger Italic influence on
               graphic content of exclusively geometric motifs   the workshop producing the Osor examples,
               on the foot disc, of which only the fibula from   which probably operated in Osor itself (Glogo-
               the tumulus at Sv. Marija stands out with a com-  vić 1989, 27; 2003, 45; Blečić Kavur 2010, 140;
               pletely different concept (fig. 5, 6; 6, 1). Even the   2021, 537–8).
               shape of the amber bead on the pin was not en-  The  spectacle  fibulae,  bow-shaped  fibulae
               tirely identical, as Liburnian fibulae have round   with amber bead on the bow, and Osor-type fib-
               beads, whereas Osor examples have polygonal   ulae from graves 5 and 6 thus provided the only
               beads (Blečić Kavur 2010, pl. 40, 546; 41, 553;   basis for determining the upper chronological
               44, 586–95). Despite the description, Palavestra   limit of their appearance in both Osor and the
               does not differentiate between these two bead   wider Kvarner region. Accordingly, the female
               types, but classifies them under Type 69, asso-  individual from grave 5, and the younger indi-
               ciated with the fibula (Palavestra 1993, 58–9, 63,   viduals from graves 4 and 7, were placed with-
               1   Chronologically and geographically, the closest parallels to the polygonal beads are from the Casa di Ricovero in Este (Chieco
                   Bianchi and Calzavara Capuis 1985, pl. 298, 235e).
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