Page 371 - Vinkler, Jonatan, in Jernej Weiss. ur. 2014. Musica et Artes: ob osemdesetletnici Primoža Kureta. Koper: Založba Univerze na Primorskem.
P. 371
summaries
mance bodies and the quantity of their work, and the like. Finally, our analy-
sis of picturesque notes about audience reception of particular musical pieces
conjures up an image of the intellectual climate that conditioned the develop-
ment of the rich musical life of Baroque Ljubljana.
Janez Gregor Dolničar, a chronicler and one of the central figures of the Lju-
bljana cultural life of his time celebrated the idea of Ljubljana as a “revitalized
and triumphant Rome” in the baroque period. The idea stressed the spirit of
the recatholization and the antique tradition of former Aemona, symbolized
by the construction of the new building of Ljubljana Cathedral in 1707. The
architectural and art models from Salzburg, the so-called “Northern Rome”,
inspired the construction of the cathedral. The music on the other hand di-
rectly followed Italian musical ideals. The members of the Academia philhar-
monicorum, established just few years before, musically conducted the cele-
brations. The Academia was the most prominent representative of the musical
life of baroque Ljubljana along with some other similar learned societies (So-
ciety of S. Dismas, i.e. Die Gesellschaft der Vereinigten, and in particular Ac-
ademia Operosorum Labacensium). They all followed Italian models and its
members have maintained permanent contacts with similar Italian societies.
In this discussion it is not intended to overlook the importance that the Jes-
uit gymnasium in Ljubljana had on the creative enthusiasm of the 17th and
early 18th centuries in Carniola. A considerably number of printed synopses
of the Jesuit school plays is preserved. Loquacious Baroque play titles, precise
descriptions of dates and performance circumstances, concise, often also bi-
lingual Latin-German summary of events, and in particular exhaustive lists
of participants testify to the regular artistic activities of boarders on all study
levels. The lists of the participants are of particular interest because in them
one encounters several later known musicians.
Ivan Florjanc
Contactless Hypen in the Terminus ‘Phil – Harmonicorum’ –
Significant
On the question about presence of mental caesura, which is expressed within
a graphic record of the key contactless dash terminus Phil - Harmonicorum in
the name Academia Phil - Harmonicorum Labaci established in 1701, has not
reached attention by the researchers yet.
Therefore, it was necessary to made study of it and with that to confirm the
hypothetical constant presence and consistency in graphic format contact-
less hyphen in the terminus Phil - Harmonicorum in written sources, which
had been preserved by the founders and members of the Academy in the first
369
mance bodies and the quantity of their work, and the like. Finally, our analy-
sis of picturesque notes about audience reception of particular musical pieces
conjures up an image of the intellectual climate that conditioned the develop-
ment of the rich musical life of Baroque Ljubljana.
Janez Gregor Dolničar, a chronicler and one of the central figures of the Lju-
bljana cultural life of his time celebrated the idea of Ljubljana as a “revitalized
and triumphant Rome” in the baroque period. The idea stressed the spirit of
the recatholization and the antique tradition of former Aemona, symbolized
by the construction of the new building of Ljubljana Cathedral in 1707. The
architectural and art models from Salzburg, the so-called “Northern Rome”,
inspired the construction of the cathedral. The music on the other hand di-
rectly followed Italian musical ideals. The members of the Academia philhar-
monicorum, established just few years before, musically conducted the cele-
brations. The Academia was the most prominent representative of the musical
life of baroque Ljubljana along with some other similar learned societies (So-
ciety of S. Dismas, i.e. Die Gesellschaft der Vereinigten, and in particular Ac-
ademia Operosorum Labacensium). They all followed Italian models and its
members have maintained permanent contacts with similar Italian societies.
In this discussion it is not intended to overlook the importance that the Jes-
uit gymnasium in Ljubljana had on the creative enthusiasm of the 17th and
early 18th centuries in Carniola. A considerably number of printed synopses
of the Jesuit school plays is preserved. Loquacious Baroque play titles, precise
descriptions of dates and performance circumstances, concise, often also bi-
lingual Latin-German summary of events, and in particular exhaustive lists
of participants testify to the regular artistic activities of boarders on all study
levels. The lists of the participants are of particular interest because in them
one encounters several later known musicians.
Ivan Florjanc
Contactless Hypen in the Terminus ‘Phil – Harmonicorum’ –
Significant
On the question about presence of mental caesura, which is expressed within
a graphic record of the key contactless dash terminus Phil - Harmonicorum in
the name Academia Phil - Harmonicorum Labaci established in 1701, has not
reached attention by the researchers yet.
Therefore, it was necessary to made study of it and with that to confirm the
hypothetical constant presence and consistency in graphic format contact-
less hyphen in the terminus Phil - Harmonicorum in written sources, which
had been preserved by the founders and members of the Academy in the first
369
