Page 183 - Weiss, Jernej, ur. 2019. Vloga nacionalnih opernih gledališč v 20. in 21. stoletju - The Role of National Opera Houses in the 20th and 21st Centuries. Koper/Ljubljana: Založba Univerze na Primorskem in Festival Ljubljana. Studia musicologica Labacensia, 3
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“spectacular” challenges of opera in the 21st century
cussion ensembles, winds or strings in ceramic, paper or water. These new
organologies, for several years, appeared punctually in chamber, orchestral
or dramatic pieces. In 2002, they culminated in Tea: a mirror of soul, a new
opera that was essentially articulated with them, one act for each “element”.
The opera made Tan Dun. And Tan Dun is probably the most famous
living composer today. The show of careers, the careers of the show: that
seems the new question for musicians. And opera may be in the very center
of it.
Bibliography
Adorno, Theodor W. Introduction à la sociologie de la musique. enies though.octo-
bre 1997, p. omme Babel, Balland, 2001; Noé, 2016 show. other seductive syn-
opsis. Genève: Contrechamps, 1994.
Amblard, Jacques. “Faustus: the last night. The new “lyric style” of Pascal Dusap-
in”. In Faust in music, ed. Lorna Fitzsimmons, 484-93. Oxford: Oxford Uni-
versity Press, 2018.
Amblard, Jacques, et Emmanuelle Aymès. Micromusique et ludismes régressifs
depuis 2000. Aix-en-Provence: PUP, 2017.
Amblard, Jacques. Vingt regards sur Messiaen. Aix-en-Provence: PUP, 2015.
Bourriaud, Nicolas. Radicant: Pour une esthétique de la globalisation. Paris: De-
noël, 2009.
Chaillou David. Napoléon et l‘opéra: La politique sur la scène. Paris: Fayard, 2004.
Dingle, Christopher. Messiaen’s final works. Burlington: Ashgate, 2013.
Doublet, Gérard. Opéra: nouveaux publics, nouvelles pratiques. Paris: BDT, 2003.
Ebguy, Robert, La France en culotte courte: Pièges et délices de la société de conso-
lation. Paris: J.-C. Lattès, 2002.
Foster, Hal. Design & crime. Paris: Les prairies ordinaires, 2008.
Hill, Peter and Nigel Simeone, Olivier Messiaen. New Haven, Londres: Yale Uni-
versity Press, 2005.
Jameson, Fredric. Postmodernism: The Cultural Logic of Late Capitalism. Durham,
NC: Duke University Press, 1991.
Johnson, Victoria. “L’organisation de l’opéra comme „champ de l’entreprise“”. In
Musique et sociologie, ed. Anne-Marie Green, 301-343. Paris : L’Harmattan,
2000.
Kiley, Dan. The Peter Pan Syndrom. New York: Dodd, Mead & Company, 1983.
Lamantia, Frédéric. L’opéra dans l’espace français. Paris: Connaissances et Savoir,
2005.
181
cussion ensembles, winds or strings in ceramic, paper or water. These new
organologies, for several years, appeared punctually in chamber, orchestral
or dramatic pieces. In 2002, they culminated in Tea: a mirror of soul, a new
opera that was essentially articulated with them, one act for each “element”.
The opera made Tan Dun. And Tan Dun is probably the most famous
living composer today. The show of careers, the careers of the show: that
seems the new question for musicians. And opera may be in the very center
of it.
Bibliography
Adorno, Theodor W. Introduction à la sociologie de la musique. enies though.octo-
bre 1997, p. omme Babel, Balland, 2001; Noé, 2016 show. other seductive syn-
opsis. Genève: Contrechamps, 1994.
Amblard, Jacques. “Faustus: the last night. The new “lyric style” of Pascal Dusap-
in”. In Faust in music, ed. Lorna Fitzsimmons, 484-93. Oxford: Oxford Uni-
versity Press, 2018.
Amblard, Jacques, et Emmanuelle Aymès. Micromusique et ludismes régressifs
depuis 2000. Aix-en-Provence: PUP, 2017.
Amblard, Jacques. Vingt regards sur Messiaen. Aix-en-Provence: PUP, 2015.
Bourriaud, Nicolas. Radicant: Pour une esthétique de la globalisation. Paris: De-
noël, 2009.
Chaillou David. Napoléon et l‘opéra: La politique sur la scène. Paris: Fayard, 2004.
Dingle, Christopher. Messiaen’s final works. Burlington: Ashgate, 2013.
Doublet, Gérard. Opéra: nouveaux publics, nouvelles pratiques. Paris: BDT, 2003.
Ebguy, Robert, La France en culotte courte: Pièges et délices de la société de conso-
lation. Paris: J.-C. Lattès, 2002.
Foster, Hal. Design & crime. Paris: Les prairies ordinaires, 2008.
Hill, Peter and Nigel Simeone, Olivier Messiaen. New Haven, Londres: Yale Uni-
versity Press, 2005.
Jameson, Fredric. Postmodernism: The Cultural Logic of Late Capitalism. Durham,
NC: Duke University Press, 1991.
Johnson, Victoria. “L’organisation de l’opéra comme „champ de l’entreprise“”. In
Musique et sociologie, ed. Anne-Marie Green, 301-343. Paris : L’Harmattan,
2000.
Kiley, Dan. The Peter Pan Syndrom. New York: Dodd, Mead & Company, 1983.
Lamantia, Frédéric. L’opéra dans l’espace français. Paris: Connaissances et Savoir,
2005.
181
