Page 66 - Studia Universitatis Hereditati, vol 12(2) (2024)
P. 66

Introduction                                dieval times, including the environment and the
               In medieval Europe, church bells played a cru-  relationship between humans, acoustic informa-
               cial role in daily life. They marked the passage   tion, and dwelling places (Mills 2014).
               of time, served as alarms during danger, and    Over the past few decades, significant ef-
               conveyed news of various events. These audito-  forts have been made to map sound in archae-
               ry messages were broadcast into the surround-  ological contexts using Geographic Informa-
               ing landscape. In addition, bells expressed and   tion Systems (GIS). In 2004, Mlekuž simulated
               shaped contrasting emotions —joy and sor-   the propagation of bell sounds in the late me-
               row— and influenced perceptions of respect,   dieval  soundscape  of Polhograjsko  hribovje in
               community, and local identity (Corbin 1998;   Slovenia, considering sound attenuation due to
               Tullett 2020). The bell, often called the “voice of   distance and topography (Mlekuž 2004). Oth-
               God,” carried significant symbolic and political   er studies have mapped the audibility of church
        66     power across both secular and sacred domains,   bells by tracing public footpaths onsite and not-
               transmitting auditory messages effectively across   ing whether the bells were audible (Mileson
                                                           2016). Similarly, sound was mapped at an archae-
        studia universitatis hereditati, letnik 12 (2024), številka 2 / volume 12 (2024), number 2
               the landscape (Castellet i de Ramon 2021, 223–  ological site, combining GIS and onsite acous-
               230; Parker and Spennemann 2024).
                   Church bell sound can be considered an   tic measurements of pink noise captured with
               earcon, as defined by Blesser and Salter (2007).   sound level meters (Scullin 2019). Recent stud-
                                                           ies of sound propagation in landscapes have uti-
               Earcon is a  sonic event containing symbol-  lized SPreAD-GIS, a freely available plugin for
               ic meaning ‘by repeated exposure to a particu-  ArcGIS. This tool allows complex calculations
               lar event in a corresponding context, which then   of sound propagation, including attenuation
               creates an associating linkage between the sound   due to distance, topography, atmospheric ab-
               and its context,’ merging religious and philo-  sorption, ground cover, wind, and background
               sophical views of the cosmos with life on earth,   noise. SPreAD-GIS has been used to test the
               connecting  here and  there (Blesser and Salter   soundscapes of archaeological sites (Hincks and
               2007, 82). Emotional responses to bell sounds   Johnston 2022; Primeau and Witt 2018; García
               were deeply tied to feelings of attachment to a   Atiénzar et al. 2022) and to study the propaga-
               place, fostering a sense of belonging and connec-  tion of bell sounds around medieval monasteries
               tion (Mileson 2016). This strong link between   (Bertoldi et al. 2022).
               sound, emotion, and place underscores the im-   This paper examines the case of Santa Ma-
               portance of visualizing how far bell sounds per-  ria d’Àneu, a church located in the Àneu valley
               meated the landscape and how audible they were.  at the western end of the Catalan Pyrenees. Our
                   Previous research has suggested that the   focus is on its relationship with other religious
               audibility of bells often coincided with parish   centers in the Àneu deanery, a minor adminis-
               boundaries, making them a unique soundmark   trative division of the Diocese of Urgell that en-
               that contributed to a sense of community (Cas-  compassed several nearby parish churches under
               tellet i de Ramon 2021, 230–241; Mileson 2016).   the authority of a dean. This is a particularly in-
               Understanding the inclusivity of soundscapes and   triguing topic because the historical significance
               the size of acoustic communities enhances our   and role of Santa Maria d’Àneu within this ec-
               comprehension of the medieval aural environ-  clesiastical district remain unclear to historians.
               ment and the communication networks among   Based on available sources, it is nearly impossi-
               neighboring parishes (Mlekuž 2004). That kind   ble to confirm the hypothesis that this church,
               of research fits into auditory archaeology, whose   situated  in the  middle  of a  plain  with  no  sur-
               main objective is to gather acoustic information   rounding settlement, served as the center of the
               that sheds light on the everyday practices of me-  deanery. However, our soundscape study aims to
   61   62   63   64   65   66   67   68   69   70   71