Page 105 - Studia Universitatis Hereditati, vol 13(2) (2025)
P. 105

Glass Vessels. Deutsche Glastechnische   Tomaž, A., I. Lazar, and D. Breščak. 2024.
                   Gesellschaft.                               Ribnica pri Brežicah II: Romula, cesta in
               Lightfoot, C. 2015. Ennion: Master of Roman     grobišče. Arheologija na avtocestah Slovenije
                   Glass. Exhibition Catalogue. The            118/2. Zavod za varstvo kulturne dediščine
                   Metropolitan Museum of Art.                 Slovenije.
               Marchesetti, C. 1924. ‘Isole del Quarnero –   Tomaž, A., I. Lazar, and E. Schindler Kaudelka.
                   Regione X.’ Notizie degli scavi di Antichità,   2025. Ribnica pri Brežicah III: Romula,
                   Fasc. 4–6:121–48.                           območje Petričev grič. Arheologija na
               Moirin, A., and V. Arveiller 2010. ‘Les flacons en   avtocestah Slovenije 118/3. Zavod za varstvo
                   forme de grappe de raisin, essai de typologie.’   kulturne dediščine Slovenije.
                   In D’Ennion au Val Saint-Lambert. Le
                   verre soufflé-moulé, edited by C. Fontaine-  Summary
                   Hodiamont. Actes des 23e Rencontres     The arrival of the Romans in the 2nd century BCE
                   de l’AFAV. Institut royal du patrimoine   marked the beginning of a completely new era for   105
                   artistique.                             Osor. Together with other areas of Kvarner, Osor
               Petru, S. 1972. Emonske nekropole. Catalogi et   began another rich epoch of its splendid past. Ma-
                   monographiae 7. Narodni muzej v Ljubljani.  terial culture indicates that it played an important
               Plesničar Gec, L. 1972. Severno emonsko grobišče.   role in the Romanisation of the northern Adriat-
                   Catalogi et monographiae 8. Narodni muzej v   ic. Osor (Apsorus) was granted the status of a mu-
                   Ljubljani.                              nicipium and developed into a Roman city. The ar-
               Plesničar Gec, L. 1983. Starokrščanski center v   ticle focuses on selected glassware finds from the
                   Emoni. Catalogi et monographiae 21. Narodni   Archaeological Collection Osor, Lošinj Museum.
                   muzej v Ljubljani.                      The exact provenance of the finds is not known;
               Price, J. 1991. ‘Decorated Mould-Blown      most probably, they were discovered in a Roman
                   Tablewares in the First Century AD.’ In   necropolis west of the Apsorus. Among the ex-
                   Roman Glass: Two Centuries of Art and   cavated material exhibited in the museum, early
                   Invention, edited by M. Newby and K.    products of Roman glassmaking stand out.
                   Painter. Society of Antiquaries of London.  Why are we focusing on glass, and what do
               Starac, A. 2000. Roman rule in Histria and   these finds reflect?
                   Liburnia II – Liburnia. Monografije i       In the 1st and 2nd centuries BC, the Hellen- Selected Glass Finds from Apsorus (Osor) – Reflection of Wealth and Prestige
                   Katalozi 10/II. Arheološki muzej Istre.  istic states of the Mediterranean were conquered
               Stern, E. M. 1995. The Toledo Museum of Art:   by the Romans and incorporated into the Roman
                   Roman Mold-Blown Glass; The First Through   State. This opened cultural and social influences
                   Sixth Centuries. L’Erma di Bretschneider.   and exchanges, as well as intense development and
               Stern, E. M. 2001. Roman, Byzantine and Early   several innovations in various Roman crafts, in-
                   Medieval Glass, 10 BCE–700 CE: Ernesto   cluding glassmaking. No period better illustrates
                   Wolf Collection. Hatje Cantz.           the remarkable diversity of technological practic-
               Šašel Kos, M. 2017. ‘Bilješka o mornaričkom   es of this early period than the Augustan era and
                   centurionu Likeju iz Apsora. / A note on   subsequent decades. Glass finds show a great vari-
                   a naval centurion Liccaeus from Apsorus.’   ety and range in form, colour, decoration and pro-
                   Miscellanea Hadriatica et Mediterranea 3 (1):   duction techniques.
                   111–24.                                     Imports of these products in newly creat-
               Šmid, K. 2025. ‘A Curved Vitis or a Pair of   ed towns and cities along the Adriatic reflect the
                   Twisted Ropes? The Iconography of       economic  strength  of  the  population.  The  pres-
                   Maritime Command on the Stele of        ence of glass material made using various glass-
                   Liccaeus, Apsorus.’ Acta historiae artis   making techniques, as evident in the glass mate-
                   Slovenica 30 (1): 5–17.                 rial from Osor, suggests that the settlement had
                                                           a wide trade network. Most of the early glass ves-
   100   101   102   103   104   105   106   107   108   109   110