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Glass Vessels. Deutsche Glastechnische Tomaž, A., I. Lazar, and D. Breščak. 2024.
Gesellschaft. Ribnica pri Brežicah II: Romula, cesta in
Lightfoot, C. 2015. Ennion: Master of Roman grobišče. Arheologija na avtocestah Slovenije
Glass. Exhibition Catalogue. The 118/2. Zavod za varstvo kulturne dediščine
Metropolitan Museum of Art. Slovenije.
Marchesetti, C. 1924. ‘Isole del Quarnero – Tomaž, A., I. Lazar, and E. Schindler Kaudelka.
Regione X.’ Notizie degli scavi di Antichità, 2025. Ribnica pri Brežicah III: Romula,
Fasc. 4–6:121–48. območje Petričev grič. Arheologija na
Moirin, A., and V. Arveiller 2010. ‘Les flacons en avtocestah Slovenije 118/3. Zavod za varstvo
forme de grappe de raisin, essai de typologie.’ kulturne dediščine Slovenije.
In D’Ennion au Val Saint-Lambert. Le
verre soufflé-moulé, edited by C. Fontaine- Summary
Hodiamont. Actes des 23e Rencontres The arrival of the Romans in the 2nd century BCE
de l’AFAV. Institut royal du patrimoine marked the beginning of a completely new era for 105
artistique. Osor. Together with other areas of Kvarner, Osor
Petru, S. 1972. Emonske nekropole. Catalogi et began another rich epoch of its splendid past. Ma-
monographiae 7. Narodni muzej v Ljubljani. terial culture indicates that it played an important
Plesničar Gec, L. 1972. Severno emonsko grobišče. role in the Romanisation of the northern Adriat-
Catalogi et monographiae 8. Narodni muzej v ic. Osor (Apsorus) was granted the status of a mu-
Ljubljani. nicipium and developed into a Roman city. The ar-
Plesničar Gec, L. 1983. Starokrščanski center v ticle focuses on selected glassware finds from the
Emoni. Catalogi et monographiae 21. Narodni Archaeological Collection Osor, Lošinj Museum.
muzej v Ljubljani. The exact provenance of the finds is not known;
Price, J. 1991. ‘Decorated Mould-Blown most probably, they were discovered in a Roman
Tablewares in the First Century AD.’ In necropolis west of the Apsorus. Among the ex-
Roman Glass: Two Centuries of Art and cavated material exhibited in the museum, early
Invention, edited by M. Newby and K. products of Roman glassmaking stand out.
Painter. Society of Antiquaries of London. Why are we focusing on glass, and what do
Starac, A. 2000. Roman rule in Histria and these finds reflect?
Liburnia II – Liburnia. Monografije i In the 1st and 2nd centuries BC, the Hellen- Selected Glass Finds from Apsorus (Osor) – Reflection of Wealth and Prestige
Katalozi 10/II. Arheološki muzej Istre. istic states of the Mediterranean were conquered
Stern, E. M. 1995. The Toledo Museum of Art: by the Romans and incorporated into the Roman
Roman Mold-Blown Glass; The First Through State. This opened cultural and social influences
Sixth Centuries. L’Erma di Bretschneider. and exchanges, as well as intense development and
Stern, E. M. 2001. Roman, Byzantine and Early several innovations in various Roman crafts, in-
Medieval Glass, 10 BCE–700 CE: Ernesto cluding glassmaking. No period better illustrates
Wolf Collection. Hatje Cantz. the remarkable diversity of technological practic-
Šašel Kos, M. 2017. ‘Bilješka o mornaričkom es of this early period than the Augustan era and
centurionu Likeju iz Apsora. / A note on subsequent decades. Glass finds show a great vari-
a naval centurion Liccaeus from Apsorus.’ ety and range in form, colour, decoration and pro-
Miscellanea Hadriatica et Mediterranea 3 (1): duction techniques.
111–24. Imports of these products in newly creat-
Šmid, K. 2025. ‘A Curved Vitis or a Pair of ed towns and cities along the Adriatic reflect the
Twisted Ropes? The Iconography of economic strength of the population. The pres-
Maritime Command on the Stele of ence of glass material made using various glass-
Liccaeus, Apsorus.’ Acta historiae artis making techniques, as evident in the glass mate-
Slovenica 30 (1): 5–17. rial from Osor, suggests that the settlement had
a wide trade network. Most of the early glass ves-

