Page 113 - Kavur, Boris, Marija Lubšina Tušek, 2016. Na stičišču svetov | On the Crossroad of Worlds. Koper: Založba Univerze na Primorskem | University of Primorska Press.
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-Boldogu je dolg 8,4, Kosdu in Szobu 9 ter v Sre- into the space between the lateral clamps. Both plates
dnici 10 cm. Razlikujejo pa se tudi po njihovi obliki of loops from Srednica, Szob and Kosd are either oval
koničnikov – Gáva-Katóhalom in Hatvan-Boldog so- or round, with the upper plate not in line and not cov-
dita v skupino Kosd A1 ter Srednica, Kosd in Szob v ering the whole area between the clamps. There are no
visible traces of attachments on the plates from Ga-
skupino Kosd A2 (Szabó, Petres 1992, 87, 89, 100).
va-Katóhaloma, Hatvan-Boldog and Srednica, while
Tudi na zadnji strani nožnice pritrjene zanke za pripe- the examples from Szob and Kosd clearly demonstrate mečenosec ■ the sword bearer 111
njanje na pas se prav tako razlikujejo. Primera iz Gá- a centrally positioned rivet. The loop on the sword
va-Katóhaloma in Hatvan-Boldoga imata zgornjo from Lovasberény-Alsótelek is attached in the same
ploščico za pritrditev na nožnico, kvadratne ter spo- manner, featuring the best analogy for decoration on
dnjo ovalne oblike. Zgornja ploščica po svoji velikosti Srednica finds. The rivet was hammered through the
ustreza višini objemke ter se natančno prilega v pros- center of the triskele (Szabó, Petres 1992, 164, Pl. 46).
tor med lateralnima objemkama. Zanke iz Srednice, The loop for the belt attachment from Srednica was
Szoba in Kosda pa imajo obe ploščici okrogle oziroma richly decorated, namely the bow with plastic ribs and
ovalne oblike, pri čemer zgornja ni poravnana oziro- plates had a triskele with ends in the form of tendrils.
ma ne pokriva vsega prostora med lateralnima objem- It is a form or deconstructed image of a dragon with
kama. Na ploščicah iz Gáva-Katóhaloma in Hatvan- an open mouth and a folded beak (Kavur, Blečić Ka-
-Boldoga ter iz Srednice ni vidne sledi pritrditve, vur 2014).
medtem, ko na nožnicah iz Szoba in Kosda jasno vi-
dimo centralno postavljeno zakovico. Podobno je pri- Unfortunately, all swords included in this discussion
trjena tudi zanka z meča iz Lovasberény-Alsóteleka, (Hatvan-Boldog, Gava-Katóhalom, Kosd and Szob)
ki predstavlja najboljšo primerjavo za okras iz Sredni- are accidental finds. Consequently, the sword remains
ce. Zakovica je bila zabita skozi sredino trojne zavoj- from Srednica, coming from grave number 9, are the
ke (Szabó, Petres 1992, 164 Pl. 46). Zanka za pripenja- only reliable source for context reconstruction and de-
nje pasu iz Srednice pa je bila bogato okrašena – lok termining chronological position. At the same time,
s plastičnimi rebri, ploščici pa s trojno zavojko s konci this find gives full dimension to the definition of »hy-
v obliki vitic. Gre za obliko oziroma dekonstruirano bridity« in Celtic art. The scabbard is covered with
podobo zmaja z odprtimi usti in zavihanim kljunom an eclectic decorative scheme uniting all Celtic sty-
(Kavur, Blečić Kavur 2014). listic elements and directions in C entral Europe; the
geometric ornamental scheme is a reflection of Ear-
Žal so vse najdbe mečev vključenih v razpravo (Hat- ly Style, with a filling of post-Waldalgesheim tendrils
van-Boldog, Gáva-Katóhalom, Kosd in Szob) naključ- organized in an asymmetric form of proto-Hungari-
dnici 10 cm. Razlikujejo pa se tudi po njihovi obliki of loops from Srednica, Szob and Kosd are either oval
koničnikov – Gáva-Katóhalom in Hatvan-Boldog so- or round, with the upper plate not in line and not cov-
dita v skupino Kosd A1 ter Srednica, Kosd in Szob v ering the whole area between the clamps. There are no
visible traces of attachments on the plates from Ga-
skupino Kosd A2 (Szabó, Petres 1992, 87, 89, 100).
va-Katóhaloma, Hatvan-Boldog and Srednica, while
Tudi na zadnji strani nožnice pritrjene zanke za pripe- the examples from Szob and Kosd clearly demonstrate mečenosec ■ the sword bearer 111
njanje na pas se prav tako razlikujejo. Primera iz Gá- a centrally positioned rivet. The loop on the sword
va-Katóhaloma in Hatvan-Boldoga imata zgornjo from Lovasberény-Alsótelek is attached in the same
ploščico za pritrditev na nožnico, kvadratne ter spo- manner, featuring the best analogy for decoration on
dnjo ovalne oblike. Zgornja ploščica po svoji velikosti Srednica finds. The rivet was hammered through the
ustreza višini objemke ter se natančno prilega v pros- center of the triskele (Szabó, Petres 1992, 164, Pl. 46).
tor med lateralnima objemkama. Zanke iz Srednice, The loop for the belt attachment from Srednica was
Szoba in Kosda pa imajo obe ploščici okrogle oziroma richly decorated, namely the bow with plastic ribs and
ovalne oblike, pri čemer zgornja ni poravnana oziro- plates had a triskele with ends in the form of tendrils.
ma ne pokriva vsega prostora med lateralnima objem- It is a form or deconstructed image of a dragon with
kama. Na ploščicah iz Gáva-Katóhaloma in Hatvan- an open mouth and a folded beak (Kavur, Blečić Ka-
-Boldoga ter iz Srednice ni vidne sledi pritrditve, vur 2014).
medtem, ko na nožnicah iz Szoba in Kosda jasno vi-
dimo centralno postavljeno zakovico. Podobno je pri- Unfortunately, all swords included in this discussion
trjena tudi zanka z meča iz Lovasberény-Alsóteleka, (Hatvan-Boldog, Gava-Katóhalom, Kosd and Szob)
ki predstavlja najboljšo primerjavo za okras iz Sredni- are accidental finds. Consequently, the sword remains
ce. Zakovica je bila zabita skozi sredino trojne zavoj- from Srednica, coming from grave number 9, are the
ke (Szabó, Petres 1992, 164 Pl. 46). Zanka za pripenja- only reliable source for context reconstruction and de-
nje pasu iz Srednice pa je bila bogato okrašena – lok termining chronological position. At the same time,
s plastičnimi rebri, ploščici pa s trojno zavojko s konci this find gives full dimension to the definition of »hy-
v obliki vitic. Gre za obliko oziroma dekonstruirano bridity« in Celtic art. The scabbard is covered with
podobo zmaja z odprtimi usti in zavihanim kljunom an eclectic decorative scheme uniting all Celtic sty-
(Kavur, Blečić Kavur 2014). listic elements and directions in C entral Europe; the
geometric ornamental scheme is a reflection of Ear-
Žal so vse najdbe mečev vključenih v razpravo (Hat- ly Style, with a filling of post-Waldalgesheim tendrils
van-Boldog, Gáva-Katóhalom, Kosd in Szob) naključ- organized in an asymmetric form of proto-Hungari-
