Page 137 - Studia Universitatis Hereditati, vol 11(2) (2023)
P. 137

In terms of his ideological and political   years in the most radical irredentist circles (Cat-
               thoughts, Nazario Sauro was initially a support-  taruzza 2005, 71–79). The movement of the ir-
               er of the socialists but distanced himself from   redentist lands was profoundly transformed by
               them because of their anti-militarist stance. He   the popularisation of nationalist and imperialist
               established close contacts with Vico Predonzani   ideas. From its original strict territorial limita-
               and the aforementioned Riego Gambini and ad-  tion, it acquired a new importance for the Ital-
               vocated the creation of a socialist Mazzinian fas-  ian political and military leadership of the time,
               cio, which eventually became the ‘Istrian Youth   due to the major political changes before, during
               Fascio’ with its headquarters in the Tacco Pal-  and after World War I. From national antago-
               ace in Koper. Due to the age limit of 24, Sau-  nisms under Austrian rule, it evolved into strong
               ro did not formally join it but regularly attended   support for interventionism and developed as a
               meetings. Informal meetings of the young irre-  handy  instrument  for  achieving foreign  politi-
               dentists of Koper were frequently held in Sau-  cal and military goals. The irredentist circles be-  137
               ro’s cabin on the steamer San Giusto while sail-
                                                           came a tool and a striking force for the interven-
 ti            ing (Sauro 2017, 56–57). It would be superficial   tionist phenomenon and created the basis for
                                                           fascist ideology to flourish and establish itself
               to characterise Sauro’s ideological thoughts as
               merely traditional irredentist, aimed at defend-  even before the March on Rome. In his rheto-
 ta            towns and their institutions. From the surviving   War I as the beginning of the fascist revolution,
                                                           ric, Mussolini described Italy’s entry into World
               ing the Italian identity of the Istrian coastal
                                                           so the role of the war, which cost Italy 651,000
               sources, we can conclude that Sauro was strongly
                                                           lives, was presented by the fascist regime as re-
               inspired by Mazzini’s ideas of the Risorgimento,
 di            which were diametrically opposed to the mili-  generation (Mortara 1925, 28–29).
               tant slogans and precepts of the national inter-
                                                               Italian nationalism did not subside after
               ventionist circles of the Italian right at the time.
                                                           World War I, which ended in victory and the re-
               However, it must be understood that by the time
               war  broke  out,  irredentism  had  gradually  ac-  alisation of the ideal. Instead, it intensified and
                                                           strengthened its former anti-Slavic orientation.
 here          and consolidated in the state institutions, mov-  of Italian identity, even after the annexation to  the historical background to the erection of the monument to nazario sauro in koper ...
               quired a strong nationalist ideological-political
                                                           The policy of national defence was therefore seen
               connotation, which was increasingly identified
                                                           as the only appropriate policy for the protection
               ing away from classical irredentism. Under the
                                                           Italy. As there were no longer any real historical
               influence of interventionist circles, the idea of
                                                           reasons for it, national defence became a formula
                                                           that was able to gather the consensus of the ma-
               cultural domination was replaced by theses sim-
               ilar to those published by Ruggero Timeus-Fau-
               ro in his pamphlet entitled Trieste. He empha-
                                                           ing the danger to national identity. On the other
                   studiauniversitatis
               sised the aspect of national defence with the aim   jority of the population by artificially emphasis-
                                                           hand, this formula fostered radicalisation in the
               of extending Italy into Balkan territory within   maximalist sense among a large part of the pro-
               the framework of imperialist logic (Cattaruzza   letariat of Trieste, and radicalisation in the na-
               2005, 71–79). The latter was ‘spiced up’ by Ga-  tionalist sense among the Slavic population of
               briele D’Annunzio with his picturesque prose   the Julian March. In this tense atmosphere, fas-
               and punchy slogans, thus displacing the ide-  cism found fertile ground for its development. In
               as of cultural irredentism, which drew its inspi-  almost all the territories annexed after the war,
               ration from the concepts of Mazzini and Marx   it was able to present itself as a defender of vic-
               (Seton-Watson 1967, 409–427). The outbreak of   tory and its fruits (Ara and Magris 2001, 147).
               World War I brought about a strong radicalisa-  The systematic construction of the memory of
               tion in Italian cultural and political life, acceler-  the Great War was consequently reflected in the
               ating processes that had emerged in the pre-war   ‘fascisation’ of the cultural landscape (Bosworth
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