Page 37 - Studia Universitatis Hereditati, vol 11(2) (2023)
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younger, these groups encouraged the transmis-  say that it is support, associated with a set of
               sion of language and national sounds from old-  rules and points of reference’ (Piette 2010, 361).
               er to younger generations. The participation of   Forged by common experience of war and dis-
               these groups in festivals held in other towns and   placement,  albeit  varied  according  to  age,  and
               then in other countries – a strong incentive to   place within the war: partisans, civilians, adults,
               take part – created encounters and friendships   and children, the sub-categories of this ‘collec-
               between refugees living in other countries, and   tive being’, such as children, able-bodied adults
               links with ‘our own’ people who, like them, were   and disabled people, lived together in the new
               refugees elsewhere                          frameworks of life in exile assigned to them by
                   A sort of prelude about the social life of ref-  their host socialist countries. This form of living
               ugees on the host countries also gives, musician’s   collectively, among their own people, alongside
               photography (Figure 7). Savas remembers during   their life with the natives has enabled refugees,
               his interview:                              during exile, to build their lives, and gradually to   37
                                                           adapt to the host societies.
 ti                I saw that they were coming and I wished   By Way of Epilogue
                   they would, and I expected it, there were too
                   many young people coming, young children
                                                           What  do the photographs of  refugees tell us
 ta                with suitcases, they were coming to see their   about  the crossing of refugees through Eastern
                   parents who lived there (in Těchonín), but
                                                           Europe in the past, and what can they reveal to
                   they were also coming for another reason,
                                                           us today? According to Sanjay Subrahmanyam
                   there was, let’s say, not a festival, but choirs
                   from  different  towns  would  gather  there,   (2014, 14–15),
 di                the refugees started to organize themselves   ry is created, both currently and in the past,
                                                               to better comprehend how a global histo-
                   because this continued after the ‘50s, when
                                                               we must highlight a fact that may seem ap-
                   here, i.e. in every big town, there was a dance
                   and singing choir and they existed (every-
                                                               parent: history is an egocentric narrative.
 here              one in Jeseník, in Ostrava, in Krnov, […] they   es from one’s family, clan, and ethnic group,  remembering the former eastern bloc: who owns the legacy – the case of těchonín
                                                               The concept of the ‘self’ in history progress-
                   where) in the Czech Republic, […] there was
                   used to get together in Jeseník to hold a fes-
                                                               to their city, homeland, or region, and ul-
                                                               timately  to  the  nation-state,  beginning  in
                   tival, they used to come a lot in the summer,
                                                               the eighteenth century and continuing on-
                   all afternoon, [I’d see] expeditions with suit-
                   cases, young children, let’s say 18 to 30 years
                                                               wards. Despite this egoistic tendency in
                                                               historical narratives, it is imperative to ac-
                   old, [they] used to come there, and I always
                                                               knowledge the existence of others?
                   listened to the rehearsals in the summer,
                   studiauniversitatis
                   from morning to night […]. I would listen to
                                                               In line with this thought, the experience of
                   the accordion, the mandolins […] they would   the crossing ‘Czechoslovak Greeks of Tehonin’
                   give a performance or a program to those   recounts the history of post-war Greece, as well
                   who were there, but the important thing   as of Communist Czechoslovakia. The recep-
                   was to establish a sort of link with the oth-  tion of refugees from Greece in Czechoslovakia,
                   er Greeks.
                                                           as elsewhere throughout Eastern Europe, reflects
                   Τhe most  important element  that Savas   the polarity of the post-World War II world, on
               Těchonín’s photographs highlight is the fact   the one hand, and on the other, a conception of
               that the refugees from Greece made up a ‘col-  the reception of refugees collectively, in terms of
               lective being’, in the sense that A. Piette notes:   a group, unlike the post-1989 period where this
               ‘What is a collective being, if it is not in a sit-  reception policy is becoming more of a case-by-
               uation the liaison of human beings? We would   case examination. Today, in a unified Europe
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